More stories

  • in

    In ‘Terminal Classic,’ Timo Fahler Grapples with Dualities and Contradictions

    Fahler’s slouched “flag” is one of a number of recent stained glass sculptures on view in his solo exhibition at Sebastian Gladstone.
    Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article In ‘Terminal Classic,’ Timo Fahler Grapples with Dualities and Contradictions appeared first on Colossal. More

  • in

    Immerse Yourself in the Creative Culture of Peru’s Sacred Valley with Murmur Ring’s Unique Program

    This June, explore the innovative work of Peruvian makers in Murmur Ring’s Immersion in the Sacred Valley.
    Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Immerse Yourself in the Creative Culture of Peru’s Sacred Valley with Murmur Ring’s Unique Program appeared first on Colossal. More

  • in

    Immerse Yourself in the Creative Culture of Peru’s Sacred Valley with Murmur Ring’s Unique Program

    All images courtesy of Murmur Ring, shared with permission

    Immerse Yourself in the Creative Culture of Peru’s Sacred Valley with Murmur Ring’s Unique Program

    November 25, 2025

    ArtCraftDesignPartner

    Murmur Ring

    Share

    Pin

    Email

    Bookmark

    Experience design firm Murmur Ring, in partnership with Empathy and the Institute of Design, invites artists, designers, makers, and creatives of all kinds to join the Reclaiming Value: Sacred Valley Design Immersion from June 15 to 19, 2026, in Peru’s Sacred Valley. The Colossal team previously joined Murmur Ring for a transformative week-long immersion in Oaxaca, Mexico, and looks forward to joining this excursion, as well.

    This is not a tourist program. Mumur Ring’s Immersions are creative exchanges born from years of research and relationship-building. Intimate site visits with Peruvian makers and innovators offer rare, behind-the-scenes access to the perspectives, techniques, and community-centered models shaping the region’s most visionary work. Participants will find new inspiration, forge collaborative relationships, and leave with ideas that will transform their practices.

    In the coming weeks, Colossal will highlight several of the Peruvian makers whom participants will meet during the immersion, including Awamaki and Cerámicas Seminario.

    Awamaki—named for the Quechua word meaning “made by hand”—helps women weavers of the Andes access global markets, develop business skills, and build financial independence to sustain their communities for generations. Murmur Ring’s immersion will venture into the mountains to see this social enterprise model in action and:

    Meet the women weavers in their home communities

    Learn how raw fibers are harvested and naturally dyed using plants, minerals, and methods perfected for centuries

    Receive hands-on instruction in ancient weaving techniques, guided directly by master artists

    Share a home-cooked meal prepared by the artisans

    Purchase textiles directly from the cooperatives, ensuring 100% of payments go to the makers

    Since it began as an individual arts practice over 30 years ago, Cerámicas Seminario has evolved into a thriving studio blending ancient artistic language with a bold, contemporary visual style. The family-run business stands not only as a celebrated center of innovation in Peruvian ceramics but also as a powerful economic engine for its surrounding community. The immersion will allow participants to:

    Meet founders Pablo Seminario and Marilú Behar for a studio tour and Q&A

    Learn about their path to success from early explorations in clay to their commitment to building a community-centric enterprise

    See artisans at work, shaping, carving, and firing ceramic pieces

    Experience a hands-on ceramics workshop, where they’ll learn ancient techniques that inspired the studio’s signature style

    A place where food, land, art, and ancestral knowledge converge, MIL Centro is far more than a restaurant. It is an innovative research lab dedicated to preserving traditional Peruvian crops, restoring endangered agricultural practices, and sustaining the communities who have lived on and worked with this land for centuries. Theirs is a model that honors tradition, empowers community, and pushes the boundaries of what food, and art, can be. During a visit to MIL Centro, participants will:

    Forage for native plants alongside local land stewards, learning how each species functions as food, medicine, and craft

    Discover how Andean communities protect their local ecologies

    Use foraged plants to hand-dye and weave natural fibers

    Enjoy a multi-course meal, inspired by eight distinct Andean microclimates

    Early bird reservations are available through November 30, 2025. Apply now to secure your spot at the exclusive rate, and join us for an unforgettable journey into the creative soul of the Sacred Valley.

    Next article More

  • in

    A Sculpture Made of Tens of Thousands of Aluminum Facets Writhes in a Knoxville Park

    The reptilian “Pier 865” is the work of Marc Fornes / THEVERYMANY.
    Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article A Sculpture Made of Tens of Thousands of Aluminum Facets Writhes in a Knoxville Park appeared first on Colossal. More

  • in

    The Colossal Shop’s 2025 Gift Guide: Gift Like an Artist

    We’ve curated everything you need to be named Best Gift Giver of the Year.
    Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article The Colossal Shop’s 2025 Gift Guide: Gift Like an Artist appeared first on Colossal. More

  • in

    A Sculpture Made of Tens of Thousands of Aluminum Facets Writhes in a Knoxville Park

    Photo by Steve Kroodsma. All images courtesy of Marc Fornes / THEVERYMANY, shared with permission

    A Sculpture Made of Tens of Thousands of Aluminum Facets Writhes in a Knoxville Park

    November 25, 2025

    ArtDesign

    Kate Mothes

    Share

    Pin

    Email

    Bookmark

    A vibrant new pavilion rises to meet the square’s picturesque trees in Cradle of Country Music Park in Knoxville, Tennessee, connecting the city’s Old Town and its theater district. Made from tens of thousands of individual pieces of painted aluminum, the vivid “Pier 865” provides both a resting place and a vantage point in a reinvigorated public square.

    The reptilian sculpture is the work of Marc Fornes / THEVERYMANY, continuing the designer’s interest in high-tech, large-scale installations that involve meticulously assembled elements. Conceived digitally, the structure has a bold, futuristic quality that looks exactly like a 3D model made real—one can imagine its pixel-like pieces puzzling together in a computer program.

    Photo by Steve Kroodsma

    The pavilion is painted in greenish gradients in a nod to its surrounding trees. “Its organic shape brings to mind different life forms from different angles: from ground level, the sculpture suggests alien flora growing from the concrete—but viewed from the sky, a tensile, reptilian form reveals itself,” a statement says.

    See more work by Fornes on his website and Instagram.

    Photo by Keith Isaacs

    Photo by Steve Kroodsma

    Photo by Steve Kroodsma

    Photo by Steve Kroodsma

    Photo by Keith Isaacs

    Do stories and artists like this matter to you? Become a Colossal Member now, and support independent arts publishing.

    Hide advertising

    Save your favorite articles

    Get 15% off in the Colossal Shop

    Receive members-only newsletter

    Give 1% for art supplies in K-12 classrooms

    Join us today!

    $7/month

    $75/year

    Explore membership options

    Next article More

  • in

    Ángela Ferrari’s Dramatic Paintings Tease Out a Passionate Play for Power

    Aggression and struggles for power abound in the vivid paintings of Ángela Ferrari.
    Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per month. The article Ángela Ferrari’s Dramatic Paintings Tease Out a Passionate Play for Power appeared first on Colossal. More

  • in

    Ángela Ferrari’s Dramatic Paintings Tease Out a Passionate Play for Power

    “Aurora” (2025), oil on linen, 190 x 363 centimeters. All images courtesy of Povos, shared with permission

    Ángela Ferrari’s Dramatic Paintings Tease Out a Passionate Play for Power

    November 25, 2025

    Art

    Grace Ebert

    Share

    Pin

    Email

    Bookmark

    Aggression and struggles for power abound in the vivid paintings of Ángela Ferrari. The Argentinian artist is keen to explore the limits and consequences of control through scenes rife with antagonism: dogs nip at each other, horses buck and bare their teeth, and birds lie lifeless. Evoking hunting paintings and masculine displays of pride for a kill, Ferrari’s works consider the relationship between predator and prey.

    In her most recent body of work, They Shoot Horses, Don’t They?, the artist extends her proclivity for teasing out the tension between life and death. There are tiny works with looser brushstrokes that zero in on singular moments of tension, while a spate of large pieces magnify several tussles with vivid details.

    “Aurora IX” (2024), oil on linen, 60 x 80 centimeters

    Paintings like “Aurora” stretch nearly 12 feet wide and present a diverse group of fowl with various dispositions, all against a stunning mottled sky. Some creatures appear on the verge of an inevitable battle, while others have already succumbed or go about their lives seemingly unaffected.

    Sharing a partial title with the 2024 painting “Aurora IX,” this expansive piece similarly brings together themes of decay and vitality through flowers and vibrant feathers falling to the earth after being plucked. Sensual fabrics and grand spaces complement Ferrari’s rich color palette in several works and cement her self-described “grotesque-passionate baroque” style.

    Whereas earlier paintings are set indoors, the pieces in They Shoot Horses, Don’t They? are fully in the wild. This exhibition—which shares a title with the 1969 Sydney Pollack film—brings violence and suffering front and center, a stark contrast to its presence in the background or underfoot in historical genre paintings of hunts. In doing so, Ferrari highlights a ruthless nature in which vying for domination always begets drama. Rather than dismiss such displays of hostility as inevitable, she prompts an urgent investigation into what caused such a commotion in the first place.

    They Shoot Horses, Don’t They? is on view through December 14 at Povos in Chicago. Find more of Ferrari’s work on Instagram.

    “They shoot horses, don’t they? II” (2025), oil on linen, 450 x 155 centimeters

    “Dog” (2025), oil on linen, 15 x 20 centimeters

    “Horse diptych no. 1 (1)” (2025), oil on linen, 15 x 20 centimeters

    “Vértigo III” (2024), oil on linen, 143 x 102 centimeters

    “Horse diptych no. 2. (2)” (2025), oil on linen, 15 x 20 centimeters

    “Vértigo” (2024), oil on linen, 140 x 120 centimeters

    Do stories and artists like this matter to you? Become a Colossal Member now, and support independent arts publishing.

    Hide advertising

    Save your favorite articles

    Get 15% off in the Colossal Shop

    Receive members-only newsletter

    Give 1% for art supplies in K-12 classrooms

    Join us today!

    $7/month

    $75/year

    Explore membership options

    Previous articleNext article More