“White Christmas Revised” (2024), acrylic on canvas, 20 x 40 inches. All images © Angela Fang Zirbes, shared with permission
Angela Fang Zirbes Evokes Midwest Memories in Black-and-White
September 3, 2024
Art
Kate Mothes
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While preparing her undergraduate thesis exhibition at Parsons School of Design in 2022, Angela Fang Zirbes craved something different. She was working with traditional brushwork on canvas but was dissatisfied with the technique’s ability to achieve heightened contrast. Incidentally, her pet rabbit of 13 years also died that autumn.
“She had been with me through some of my most formative years, and her death had a deep impact on me,” Fang Zirbes says. “I began thinking a lot about my upbringing and family history in Iowa, and I started working from a lot of old black-and-white family photographs as well as found imagery from around my hometown.”
“Summer Birthday Revised” (2024), acrylic on canvas, 30 x 30 inches
Drawing on the monochrome snapshots, Fang Zirbes began to employ graphite, then later dabbling in airbrush. She says, “The black-and-white style enabled me to reference the aged photographs and learn how to portray light and shadow in a new way.”
The paint clings to the texture of raw canvas, creating a velvety texture of deep blacks juxtaposed with highly defined, masked edges. “It mirrors the content of my work,” the artist says, “where my compositions are sharp with fear and nervousness but the subjects and settings firstly appear strangely friendly.”
Fang Zirbes’s process revolves around world-building, connecting references in every composition to her personal history or recurring dreams. “I believe this recurrence has a meaning that is rooted in my childhood memories or calls back to my past and how it impacts me today,” she says. “For example, I was always around rabbits and formed a special affection for them, which explains why I find myself painting rabbits over and over again when thinking about my upbringing.”
Domestic items like Chinese pickle jars, lamps, couches, or sewing scissors appear within wallpapered rooms that tap into the artist’s home or her grandparents’ house in rural Iowa. “They are a combination of influences from both my American family and my Chinese family, as well as the Midwest which has its own unique culture that has had an effect on me,” she says.
“Thorns” (2023), acrylic on canvas, 20 x 16 inches
Fang Zirbes is working toward a solo exhibition scheduled to open in March at Hashimoto Contemporary, which represents in the artist, in New York. “I’m continuing my monochromatic work about my upbringing in Iowa, but I’m introducing a new focus around the supernatural and American theories surrounding ghosts and hauntings. It’s a concept I’ve been researching over this last year and I can’t wait to see it through.”
Find more on the artist’s Instagram.
“Goodnight Moon” (2023), acrylic on canvas, 20 x 16 inches
“Vanity” (2023), acrylic on canvas, 20 x 20 inches
“Dog on Couch” (2023), acrylic on canvas, 20 x 16 inches
“Mama’s PaoCai Jar” (2024), acrylic on canvas, 20 x 16 inches
“Rabbit Vase with Flowers” (2024), acrylic on canvas, 20 x 18 inches
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