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      Take a Swing Around ‘Par Excellence Redux,’ a Mini Golf Course of Playable Artworks at Elmhurst Art Museum

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      Art
      Colossal

      #Chicago
      #games
      #golf

      July 22, 2021
      Colossal

      All images courtesy of the Elmhurst Art Museum, shared with permission
      Now open at the Elmhurst Art Museum is Par Excellence Redux, a miniature golf course featuring a widely varied collection of playable artworks. Curated by Colossal’s founder and editor-in-chief Christopher Jobson as part of an open call, the two-part course pays homage to the wildly popular Par Excellence that opened in 1988 at the School of the Art Institute of Chicago. The designs range from a challenging optical illusion to a maze-like castle with the potential for a hole-in-one to Annalee Koehn’s fortune-telling piece first shown 33 years ago in the initial exhibition.
      Chicago sculptor Michael O’Brien conceived of the original Par Excellence, which opened to lines down the block and subsequently sold out daily. It was recognized nationally in The New York Times, Wall Street Journal, and Chicago Tribune, among others, and went on tour throughout Illinois before returning to Chicago as a rebranded commercial project called ArtGolf, which was located at 1800 N. Clybourn in Lincoln Park on the site that’s now occupied by Goose Island Brewery. Although artist-designed golf courses are shown at a variety of Midwest museums—you can see versions at the Walker Art Center, The Sheldon, and the Nelson-Atkins Museum of Art—Par Excellence is widely regarded as the first.
      The Front 9, which runs through September 26, features artists Julie Cowan, Current Projects, Andrea Jablonski & Stolatis Inc., Annalee Koehn, Latent Design, Jesse Meredith, Gautam Rao, Robin Schwartzman & Tom Loftus (aka A Couple of Putts), and the museum’s Teen Art Council. Open October 13, 2021, to January 2, 2022, The Back 9  shows work from artists Wesley Baker, KT Duffy, Eve Fineman, Joshua Kirsch, Annalee Koehn, Vincent Lotesto, Joshua Lowe, Jim Merz, David Quednau, and Liam Wilson & Anna Gershon.
      Try your hand at the first nine holes by heading over to Elmhurst’s site to book a tee time, and remember that Colossal Members get 25% off.

      #Chicago
      #games
      #golf

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      An XXL-Edition Compiles All of Frida Kahlo’s 152 Artworks in an Extensive Celebration of Her Life and Work

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      Art

      #art history
      #books
      #painting
      #self-portrait

      July 22, 2021
      Grace Ebert

      “Self-portrait with Small Monkey” (1945), oil on masonite, 22 x 16⅜ inches, Mexico City, Xochimilco, Museo Dolores Olmedo, photo by akg-images
      An enormous new book from Taschen explores the life and work of famed Mexican artist Frida Kahlo (1907–1954). Widely recognized as a groundbreaking figure in contemporary understandings of gender and sexuality, Kahlo’s now iconic image—particularly derived from her more than 50 self-portraits showing her bold brow, braided hair, and range of floral adornments—has secured her legacy as one of the most influential and profound artists of the 20th Century.
      Spanning 624 pages and weighing nearly 12 pounds, Frida Kahlo. The Complete Paintings compiles all 152 of her works paired with diary pages, letters, drawings, an illustrated biography, and hundreds of photos taken by Edward Weston, Manuel and Lola Álvarez Bravo, Nickolas Muray, and Martin Munkácsi that glimpse moments from Kahlo’s life with her husband and muralist Diego Rivera and of the Casa Azul, her home in Mexico City. Many of the pieces included haven’t been exhibited publicly in more than 80 years.

      Edited by Luis-Martín Lozano with contributions from Andrea Kettenmann and Marina Vázquez Ramos, the volume contextualizes Kahlo’s paintings by offering an intimate and wide-reaching exploration of her oeuvre that was so profoundly impacted by her experiences with a lifelong disability and an unending need to question politics and notions of identity. Lozano describes her unparalleled contributions in a conversation with It’s Nice That:
      Her uniqueness in art history is not only based in a feminist agenda as it has been stressed out in recent years, but mostly in her capacity to engage in ideological and aesthetic discussions of her time and contemporaries, in subjects such as public art and surrealism, and make them part of her core as an artist.
      Frida Kahlo. The Complete Paintings is currently available from Taschen and for pre-order on Bookshop.

      “The Little Deer” (April–May 3, 1946), oil on masonite, 8⅞ x 11 inches, Chicago, private collection, photo © Fine Art Images/Bridgeman Images
      “Portrait of Luther Burbank” (1931), oil on masonite, 34 x 24. inches, Mexico City, Xochimilco, Museo Dolores Olmedo, photo by akg-images

      “Ixcuhintli Dog with Me” (c. 1938), oil on canvas, 30 x 20 inches, United States, private collection, photo by akg-images

      #art history
      #books
      #painting
      #self-portrait

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      Vivid Botanicals Bloom from the Coats of Charismatic Cats in Watercolor Works by Hiroki Takeda

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      Art

      #cats
      #flowers
      #watercolor

      July 21, 2021
      Grace Ebert

      All images © Hiroki Takeda, shared with permission
      Japan-based artist Hiroki Takeda adds a dose of whimsy to his otherwise faithful portrayals of friendly felines. Largely rendered in shades of pink and purple with intermittent splashes of blues and greens, Takeda’s watercolor works blend flora and fauna into affectionate cats and kittens caught lounging around or mid-snooze. Vines and grasses add fur-like texture and outline the creatures’ figures, which the artist then completes with sprawling gardens brimming with leaves, blossoms, and butterflies.
      Takeda tells Colossal that his vivid works are derived from a combination of influences, including his mother’s enthusiasm for plants and his background in caricature, and are the result of experimenting with myriad styles throughout his university studies. “One day, I had a moment in my mind when I saw a painting of an animal and its fur looked like a plant,” he says. “The idea of combining watercolor with plants and animals felt very natural to me.”
      If you’re in Osaka, stop by Shinsaibashi Gajin Gallery to see the artist’s floral animals between July 24 to August 12. Otherwise, pick up a print, and follow his work on Instagram. (via Design You Trust)

      #cats
      #flowers
      #watercolor

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      Impasto Marks and Thick Dabs of Paint Render Dreamy Landscapes in Rich Layers of Color

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      Art

      #acrylic
      #impasto
      #landscapes
      #painting

      July 20, 2021
      Grace Ebert

      All images © Anastasia Trusova, shared with permission
      To capture the depth of an enchanting river alcove or bucolic landscape, Russian artist Anastasia Trusova works in what she calls “textured graphic impressionism,” a unique style that expresses emotion through detail and volume. She uses a combination of palette knives and brushes to deftly layer acrylic paints into dreamy scenes: heavy impasto forms lush foliage, coiled lines shape thick clouds, and an array of smaller dabs become fields of wildflowers. “I don’t think about the rules. I paint as I feel. I add volume to highlight and emphasize something or to show something that is closer,” she says.
      Trusova’s use of color is bold and often bright, and she tends to reach for a kaleidoscopic palette that makes sunsets or a river’s reflection appear fantastical. These aesthetic choices are a direct result of her studies at both the Moscow Artscool and later Moscow State Textile University, where she learned about the physics of color and how certain applications and contexts affect perceptions. “For example, the same red shade will look differently when surrounded by light green or dark blue. There we broadened our horizons, helped us fall in love with the most incredible combinations,” the Belgium-based artist says.
      You can see much more of Trusova’s impressionistic paintings and dive into her process on Instagram, and shop prints and originals on her site.

      #acrylic
      #impasto
      #landscapes
      #painting

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      Flying Ospreys, Herons, and Terns Comprise a 35-Meter Water Tower Mural by Taquen

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      Art

      #birds
      #murals
      #public art

      July 20, 2021
      Grace Ebert

      “Eau de Loire” (2021), Gien, France. All images courtesy of Taquen, by Fabe Collage
      A 35-meter tower looming over Gien, France, is the site of a new mural by Taquen that celebrates the inherent life-giving properties of water. Set against a deep blue backdrop, the massive artwork titled “Eau de Loire” features a flock of ospreys, herons, and common terns, which often are spotted near the banks of the Loire River that runs through the area, as they fly around the tank in an endless loop. “Water has always been synonymous with life,” the Madrid-based artist says, noting that the source is as vital to the city’s inhabitants as it is the region’s wildlife.
      Broadly focused on change, Taquen’s works explore the complex relationships species have with each other and the larger environment, a recurring theme that manifests in this recent project through the birds’ perpetual motion. “For me, movement is a basic form of knowledge, to get to know myself and my environment and learn to respect it,” he says. “Birds are great symbols of freedom, animals that migrate thousands of kilometers each year with no one who can stop them.”
      Taquen just completed a piece in Vigo, Galicia and is headed to Camprovin, La Rioja, Spain next. In September, he’ll be at Mostar Street Art Festival in Bosnia and Eternelles Crapules at Briançon, France, before heading to a residency in Saint Palais and later to Bayona. Follow along his travels on Instagram. (via Street Art News)

      #birds
      #murals
      #public art

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      Expressive Portraits Made as Scrap-Metal Mosaics Question Societal Notions of Value

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      Art

      #metal
      #mosaics
      #portraits

      July 19, 2021
      Grace Ebert

      All images © Matt Small, shared with permission
      At the heart of Matt Small’s practice is the idea that “there’s always potential within everything.” The British artist gravitates toward an overarching theme of disregard in both subject matter and material, choosing oxidized hunks of iron, bits of patinaed copper, and crinkled aluminum strips that have been relegated to the trash to construct his metallic portraits.
      Expressive and emotionally charged, the corroded mosaics link rampant overconsumption and widespread tendencies to throw away what’s deemed obsolete or undesirable to the ways adolescents are marginalized and subsequently not seen as viable members of society. “Because of the social backgrounds they come from, young people find themselves overlooked, disregarded, and left uninvested in,” the artist says. “Marrying the discarded item and painting a portrait of a young person on it or utilizing the material to construct a mosaic face, I hope that the viewer sees that everybody and everything has a right to be viewed as valuable and of worth. It’s just up to us to see that.”

      Detail of “Jake” (2020), assembled metal on wooden board, 35.5 x 35.5 inches
      In a conversation with Colossal, Small references Marcel Duchamp’s urinal and the way that readymade sculpture upended long-standing notions of worth as a foundational concept he draws on his own practice. By turning debris and seemingly useless materials into works of significance, he hopes to prompt questions about the arbitrary values assigned to objects and people alike, explaining:
      The scrap metal has worth because of what I did with it, not because I say it is of worth. The rusted tin can becomes a tone in the face. The shiny metal brings out a highlight on the forehead. All these worthless items have been incorporated into something that someone may now appreciate, and the potential of this scrap item can now be realized.
      Small, who lives in his hometown of Camden, currently has work on view as part of Vanguard, which is considering the role of Bristol-area artists who’ve had an outsized impact on British street art since the 1980s. The extensive exhibition, which includes memorabilia and dozens of originals works, is open at M Shed through October 31. If you’re in London, watch for a large-scale mural portrait of the young British entrepreneur Jamal Edwards that Small is working on in Acton, and follow the artist on Instagram to stay up to date with his latest projects.

      “Jake” (2020), assembled metal on wooden board, 35.5 x 35.5 inches

      #metal
      #mosaics
      #portraits

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      Lush Tropical Plants Sprout from Brightly Colored Murals by Thiago Mazza

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      Art

      #murals
      #public art
      #street art

      July 19, 2021
      Grace Ebert

      Lisbon. All images © Thiago Mazza, shared with permission
      In his brilliantly hued murals, Brazilian artist Thiago Mazza recreates the dense foliage and thick, fleshy petals he encounters in tropical forests and other verdant areas. Prickly thistles, striped leaves, and seemingly endless varieties of flowers spring up in wild masses that crawl down sidewalks and engulf entire buildings.
      In a note to Colossal, Mazza shares that all of his large-scale projects start with a carefully arranged photograph of the flora he finds during his forest excursions. “When I photograph the compositions with real plants, I do under a strong natural light so I can capture the light and the shadow, the contrast that I search in my compositions,” he says. The resulting works bring the otherwise remote plants to urban areas, transforming stark facades into lush gardens celebrating nature’s diversity.
      Based in Belo Horizonte, Minas Gerais, Brazil, Mazza is currently painting an installation in the middle of a field as part of a residency at Campidarte in Sardinia, which rounds out a months-long expedition around Europe where he completed murals in Sintra, Lisbon, and Civitacampomarano. Keep an eye on his Instagram for his upcoming works, which are slated for Foz do Iguaçu, Tbilsi, and Madrid this fall. (via Street Art News)

      Lisbon
      Bertioga, Brazil, with the help of Drin Cortes
      Poços de Caldas, Brazil, with the help of Drin Cortes
      Belo Horizonte, Brazil, with the help of Drin Cortes
      Vukovar, Croatia, with the help of David Arranhado

      #murals
      #public art
      #street art

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      ‘Fantastic Landscapes’ Surveys the Vivid Use of Color in Hokusai and Hiroshige’s Woodblock Prints

      by

      
      Art
      History

      #art history
      #landscapes
      #printmaking
      #ukiyo-e
      #woodblock prints

      July 16, 2021
      Grace Ebert

      Utagawa Hiroshige, “Yamashiro Province: The Togetsu Bridge in Mount Arashi (Yamashiro, Arashiyama Togetsukyo),” from the series Famous Places in the Sixty-Odd Provinces (Rokujuyoshu meisho zue), 1853
      An exhibition opening this weekend at the Art Institute of Chicago plunges into the vast archives of renowned Japanese ukiyo-e artists Katsushika Hokusai (previously) and Utagawa Hiroshige (previously). Fantastic Landscapes brings together the vivid scenes created by the prolific printmakers through the first half of the 19th Century with a particular focus on their innovative uses of color. Peach skies, grassy bluffs in chartreuse, and their extensive applications of Prussian blue—Hokusai’s “The Great Wave off Kanagawa” famously layers the chemical pigment—mark a broader shift in the artform. Today, the pair are largely attributed with sparking a worldwide fascination with Japanese prints.
      Explore some of the woodblock works on view as part of Fantastic Landscapes below, and see them in person between July 17 and October 11. You also might enjoy this monumental book compiling Hokusai’s Thirty-Six Views of Mount Fuji and Hiroshige’s delightful shadow puppets.

      Katsushika Hokusai, “The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji),” from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), about 1830/33
      Katsushika Hokusai, “Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki),” from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)
      Utagawa Hiroshige, “Plum Garden at Kameido (Kameido Umeyashiki),” from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)
      Utagawa Hiroshige, “Awa Province: Naruto Whirlpools (Awa, Naruto no fuha),” from the series Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue), 1855
      Katsushika Hokusai, “A Mild Breeze on a Fine Day (Gaifu kaisei),” from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei), c. 1830/33
      Katsushika Hokusai, “Kirifuri Falls at Mount Kurokami in Shimotsuke Province (Shimotsuke Kurokamiyama Kirifuri no taki),” from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri), c. 1833

      #art history
      #landscapes
      #printmaking
      #ukiyo-e
      #woodblock prints

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