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    A Plant Overruns an Incredibly Intricate Cardboard Universe for Robots by Greg Olijnyk

    
    Art
    Craft

    #cardboard
    #light
    #plants
    #robots
    #science fiction
    #sculpture

    September 18, 2020
    Grace Ebert

    All images © Greg Olijnyk, by Griffin Simm, shared with permission
    Until now, Greg Olijnyk’s cardboard robots have been poised for adventure, whether perched on a speed bike or sailing an undulating sea. His meticulously crafted universe, though, has taken an eerie and slightly dystopic turn. The Melbourne-based artist presents fully articulate robots lying on an operating table and attempting to wrangle an aloe plant bound to a cage. Complete with LED lights and glass where necessary, the latest iteration even features an illustrated danger sign, warning that the plant will soon breach its enclosure.
    To follow the latest sculptures in Olijnyk’s science-fiction inspired reality, head to Instagram, where he shares process shots and videos of the robots in action.

    #cardboard
    #light
    #plants
    #robots
    #science fiction
    #sculpture

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    Meditative Faces Emerge from the Staggered Wooden Sticks Forming Artist Gil Bruvel’s Sculptures

    
    Art

    #faces
    #gradients
    #meditation
    #sculptures
    #wood

    September 17, 2020
    Grace Ebert

    “Breathe” (2020). All images © Gil Bruvel, shared with permission
    Gil Bruvel (previously) has spent 40 years practicing vipassanā meditation, an introspective practice that invites judgment-free observation of the mind. The Australia-born artist infuses the philosophies of this decades-long ritual into his variegated sculptures as he forms a series of faces in deep thought. With eyes and mouths closed, the figures project serenity and calmness, serving as “a reminder of what it looks like to be centered and at peace,” Bruvel says of The Mask Series.
    Different in shape and size, the sticks are burned, painted with subtle gradients, and then held in place with wood glue, causing the figures to appear pixelated and as a disparate grouping of squares and rectangles when viewed up close. From a distance, however, “that fragmentation reveals a coherent whole: a face arises from apparent chaos,” Bruvel shares with Colossal. Through their collated forms, the assemblages offer a visual metaphor for the complexity and contradiction that’s inherent to human beings.
    Bruvel also draws attention to the backs of the sculptures, which stray from the figurative depictions of the front to focus on the abstract workings of the mind.  “The assemblage of pixel-like stick-ends conveys the hidden realm of emotion, sensation, and thought—our internal universe. The gradients of color represent the flows of feeling and consciousness that pass through our minds like ripples on a lake, leaving the lake unchanged,” he says.
    Explore more of Bruvel’s meditative artworks and see some works-in-progress on Instagram and Artsy.

    “Floating” (2019), burnt wooden sticks and acrylic paint, 24 × 21 inches
    “Mask #28” (2020), wood and paint, 16 × 16 × 9 inches
    “The Fountain” (2019), wood and paint, 27 × 19 × 23 inches
    “The Fountain” (2019), wood and paint, 27 × 19 × 23 inches
    “Moonlight” (2019), wood and paint, 22 × 22 × 21 inches
    “Moonlight” (2019), wood and paint, 22 × 22 × 21 inches
    “Mask #22” (2020), wood and paint, 16 × 16 × 9 inches
    “Mask #26” (2020), wood and paint, 16 × 16 × 9 inches
    “Breathe” (2020)

    #faces
    #gradients
    #meditation
    #sculptures
    #wood

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    An Artistic Endeavor in Brussels Installs Custom Mosaics Outside Your Home—People Are Choosing Portraits of Their Cats

    
    Art

    #Brussels
    #cats
    #mosaics
    #pets
    #public art
    #street art

    September 16, 2020
    Grace Ebert

    Image courtesy of John Hyphen
    Cats, dogs, and other mammals are known to mark their territories in myriad ways, but pet owners in Brussels have discovered a more enduring and inviting method. What began as a single project by artist Ingrid Schreyers spurred a municipality-wide initiative: the government of Schaerbeek, a suburb bordering the city of Brussels, now installs any mosaic, either created by residents or a local artist, free of charge. Many people are choosing portraits of their furry companions, although the idiosyncratic designs range from playful depictions of wildlife to urban scenes.
    We’ve gathered some of the street-side assemblages here, but check out this Instagram account documenting the public art initiative for hundreds more. You also might enjoy these Japanese manhole covers and a similar mosaic-centered initiative to fill potholes.

    Image courtesy of John Hyphen
    Via pavement_project
    Image courtesy of John Hyphen
    Via pavement_project
    Image courtesy of John Hyphen

    #Brussels
    #cats
    #mosaics
    #pets
    #public art
    #street art

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    Subjects Undertake Futile Pursuits in Satirical Paintings by Artist Toni Hamel

    
    Art

    #flowers
    #humor
    #nature
    #painting
    #satire

    September 16, 2020
    Grace Ebert

    “Loves Me Loves Me Not” (2020), oil on canvas, 12 x 12 inches. All images © Toni Hamel, shared with permission
    Based in Oshawa, a suburb of Toronto, artist Toni Hamel (previously) is concerned with human morality—or lack thereof. In her subtly hued artworks, Hamel portrays subjects in the midst of futile and trivial pursuits: children pluck stars from the night sky, a couple attempts to reconstruct a flower after its petals have fallen, and a young family literally watches wet paint dry. Many of the satirical pieces consider socially accepted anthropocentrism and the relationship people have with the surrounding environemnt.
    Since 2017, Hamel has been adding to High Tides and Misdemeanors, an ongoing series that is intentionally political. “It confronts us with the repercussions of our actions and denounces the current thinking models. In this age of alternative realities, ‘fake news’ and a culture that is increasingly more self-absorbed and superficial, I feel that it’s even more important for me to carry on reporting what I must,” she writes.
    Explore more of Hamel’s visual commentaries on culture and politics on Instagram.

    “The Harvest” (2020), oil on canvas, 12 x 16 inches
    “The Prototype 1” (2020), oil on canvas, 12 x 16 inches
    “The Spill” (2020), oil on canvas, 12 x 10 inches
    “Family Night In Kodachrome” (2020), oil on panel, 12 x 12 inches
    “The Replacement” (2019), oil on canvas, 14 x 18 inches
    “Ikebana 1” (2019), oil on canvas, 18 x 18 inches
    “Ikebana 3” (2020), oil on canvas, 18 x 18 inches

    #flowers
    #humor
    #nature
    #painting
    #satire

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    Precious Gems Form the Unsightly Rot of Artist Kathleen Ryan’s Decomposing Fruit

    
    Art
    Food

    #fruit
    #gemstones
    #mold
    #sculpture

    September 15, 2020
    Grace Ebert

    “Bad Grapes” (2020), amethyst, aventurine, agate, garnet, pyrite, ruby in zoisite, tektite, tigereye, turquoise, serpentine, obsidian, blackstone, Indian unakite, labradorite, Sierra agate, red agate, black agate, serpentine, quartz, marble, amazonite, rhyolite, calcite, dalmation jasper, glass, steel and stainless steel pins, copper tube, and copper fittings, polystyrene. 59.5 x 90 x 54 inches. Image courtesy of Kathleen Ryan and François Ghebaly, Los Angeles, by Marten Elder
    New York-based artist Kathleen Ryan harvests inspiration for her oversized sculptures from natural sources: cherry orchards, vineyards, and mineral mines below the earth’s crust. She’s known for her fruit pieces that appear to be covered in mold, whether in the form of a deflated bunch of grapes or a pair of cherries spotted with fungi.
    Ryan portrays the moldy substances through precious and semi-precious gemstones like amethyst, quartz, and marble. The materials’ durability and longevity directly contrast the decay they represent. Whereas the most valuable and lustrous stones cover parts of the fruit, Ryan uses simple glass beads to create the still supple portions, forming the bright red flesh of the cherry or the pockets of yellow rind on the lemon.
    A virtual exhibition of the artist’s rotting sculptures, which sometimes span as many as 90 inches wide, is available for viewing from Karma. Follow Ryan on Instagram to see more of her work that explores the beautiful and the unsightly.

    “Bad Cherries (BFF)” (2020), agate, amazonite, aquamarine, aventurine, amethyst, angelite, brecciaded jasper, garnet, jasper, labradorite, magnesite, moonstone, quartz, red aventurine, rhyolite, serpentine, snow quartz, smoky quartz, spotted quartz, unakite, tiger eye, freshwater pearls, glass, steel pins on coated polystyrene, fishing poles, 26 × 12 × 39 inches. Image courtesy of Kathleen Ryan and Karma, New York
    “Bad Grapes” (2020), amethyst, aventurine, agate, garnet, pyrite, ruby in zoisite, tektite, tigereye, turquoise, serpentine, obsidian, blackstone, Indian unakite, labradorite, Sierra agate, red agate, black agate, serpentine, quartz, marble, amazonite, rhyolite, calcite, dalmation jasper, glass, steel and stainless steel pins, copper tube, and copper fittings, polystyrene. 59.5 x 90 x 54 inches. Image courtesy of Kathleen Ryan and François Ghebaly, Los Angeles, by Marten Elder
    “Bad Cherries (BFF)” (2020), agate, amazonite, aquamarine, aventurine, amethyst, angelite, brecciaded jasper, garnet, jasper, labradorite, magnesite, moonstone, quartz, red aventurine, rhyolite, serpentine, snow quartz, smoky quartz, spotted quartz, unakite, tiger eye, freshwater pearls, glass, steel pins on coated polystyrene, fishing poles, 26 × 12 × 39 inches. Image courtesy of Kathleen Ryan and Karma, New York
    “Pleasures Known” (2019), various semi-precious stones, shells, beads, wood, steel, plastic, hardware, coated polystyrene, iron trailer. Image courtesy of Kathleen Ryan and François Ghebaly, Los Angeles, by Marten Elder
    “Bad Grapes” (2020), amethyst, aventurine, agate, garnet, pyrite, ruby in zoisite, tektite, tigereye, turquoise, serpentine, obsidian, blackstone, Indian unakite, labradorite, Sierra agate, red agate, black agate, serpentine, quartz, marble, amazonite, rhyolite, calcite, dalmation jasper, glass, steel and stainless steel pins, copper tube, and copper fittings, polystyrene. 59.5 x 90 x 54 inches. Image courtesy of Kathleen Ryan and François Ghebaly, Los Angeles, by Marten Elder
    “Bad Cherries (BFF)” (2020), agate, amazonite, aquamarine, aventurine, amethyst, angelite, brecciaded jasper, garnet, jasper, labradorite, magnesite, moonstone, quartz, red aventurine, rhyolite, serpentine, snow quartz, smoky quartz, spotted quartz, unakite, tiger eye, freshwater pearls, glass, steel pins on coated polystyrene, fishing poles, 26 × 12 × 39 inches. Image courtesy of Kathleen Ryan and Karma, New York
    “Pleasures Known” (2019), various semi-precious stones, shells, beads, wood, steel, plastic, hardware, coated polystyrene, iron trailer. Image courtesy of Kathleen Ryan and François Ghebaly, Los Angeles, by Marten Elder
    “Pleasures Known” (2019), various semi-precious stones, shells, beads, wood, steel, plastic, hardware, coated polystyrene, iron trailer. Image courtesy of Kathleen Ryan and François Ghebaly, Los Angeles, by Marten Elder
    “Bad Lemon (Persephone)” (2020), Turquoise, serpentine, agate, smokey quartz, labradorite, tiger eye, tektite, zebra jasper, carnelian, garnet, pyrite, black stone, magnesite, Ching Hai jade, aventurine, Italian onyx, mahogany obsidian, vanadinite, glass, steel pins on coated polystyrene, 19.5 × 28.5 × 18 inches. Image courtesy of Kathleen Ryan and Karma, New York
    “Bad Lemon (Tart)” (2020), Citrine, amber, agate, turquoise, fluorite, prehnite, magnesite, Ching Hai jade, quartz, amethyst, garnet, labradorite, white lip shell, serpentine, sesame jasper, zebra jasper, grey feldspar, marble, glass, steel pins on coated polystyrene, 19 × 16 × 17 inches. Image courtesy of Kathleen Ryan and Karma, New York

    #fruit
    #gemstones
    #mold
    #sculpture

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    Vintage-Style Illustrations Merge Animals, Insects, and Botanics to Form Bizarre Hybrid Creatures

    
    Art
    Illustration

    #animals
    #birds
    #humor
    #plants
    #watercolor

    September 15, 2020
    Grace Ebert

    All images courtesy of Mark Brooks, shared with permission
    Full of extraordinary creatures, the illustrated series The Creative Specimens seamlessly combines species into unusual hybrids. Similar in color, each organism is bizarre in form. The feathered head of a bird is placed on a tortoise’s body, octopus tentacles sprout from the bottom of a cactus, and speckled coral comprises a deer’s antlers.
    Adobe’s 99U Conference spurred the collaborative project as a way to offer a visual language encompassing various creative careers and passions. Inspired by the biological classifications of Charles Darwin and his contemporaries, New York-based art director and graphic designer Mark Brooks digitally rendered the organisms by referencing vintage illustrations. He then passed the project to Joanmiquel Bennasar, an illustrator living and working in the Balearic Islands, who recreated the creatures in watercolor.
    Explore more of Brooks’s and Bennasar’s illustrated projects on Behance.

    #animals
    #birds
    #humor
    #plants
    #watercolor

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    Insatiable Mouths and Fingers Rouse a Delicate Tea Set by Artist Ronit Baranga

    
    Art
    Food

    #anatomy
    #cake
    #ceramics
    #pie
    #sculpture
    #surreal

    September 14, 2020
    Grace Ebert

    All images © Ronit Baranga, shared with permission
    Israeli artist Ronit Baranga (previously) embodies voracious appetites by merging anatomical parts, desserts, and serving ware in an evocative ceramic series titled All Things Sweet and Painful. Dextrous fingers balance a plate and manage to swipe a bit of frosting from a cupcake. Whether implanted in a fruity pie or a teacup, gaping mouths clamor for a taste of the pastries and stick their tongues out for a taste.
    In a statement, Baranga explains that the surreal series is focused on luxurious foods. “The mixed emotions of need and the insatiable hunger for more – more sugar, more attention, more love. There is a constant push against the boundaries of rational consumption, craving the sugar rush, forever tempted to go overboard,” she says.
    Baranga has a number of ongoing and upcoming exhibitions scheduled, including at Munich’s størpunkt through October 31 and the Eretz Israel Museum in Tel-Aviv through 2021. The sumptuous artworks shown here will be on view at Beinart Gallery in Melbourne starting mid-October, and you can browse more of Baranga’s sculptures on Instagram.

    [embedded content]

    #anatomy
    #cake
    #ceramics
    #pie
    #sculpture
    #surreal

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    Interview: Artist Mohamad Hafez Explores How Multiple Identities Inform His Art and Why He Invests in Education

    
    Art

    September 14, 2020
    Laura Staugaitis

    All images © Mohamad Hafez, shared with permission
    Formerly a corporate architect, New Haven-based artist Mohamad Hafez (previously) builds intricate sculptures that evoke his home country of Syria. The miniature scenes feature gilded furniture, ornate motifs, and the architectural details of the Middle East, which the artist explores in a recent interview supported by Colossal Members.
    If you’re raised and educated outside of the region, nobody is going to teach you about your cultural roots, that you come from something very precious and you should be proud and willing, at least, to rebuild and carry the baton. It goes along with my focus on education and rebuilding the generations. Education about that art and culture and architectural wealth is a main goal for me.
    In a conversation with Colossal contributor Laura Staugaitis, Hafez reflects on his time at the upper echelon of luxury design and shares why working with young people is the key to building a better future.

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