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    Colossal’s Top Articles of 2024

    Image courtesy of Wally Dion

    Colossal’s Top Articles of 2024

    December 10, 2024

    ArtColossalDesignHistoryNaturePhotography

    Colossal

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    Throughout 2024, we were awed by archaeological finds, vibrant paintings, striking sculptures, remarkable photography, immersive installations, and so much more. It’s tough to choose only 10 top articles for the year!

    Lucky for us, dear Colossal readers, you’ve helped pick the best. Below, dive into our most-read stories on the site during the past twelve months, and find hundreds more in the archive.

    “Untitled (after François Gérard)” (2023), oil on canvas, 100 x 80 centimeters. Images © Ewa Juszkiewicz, courtesy of Almine Rech

    Ewa Juszkiewicz’s Reimagined Historical Portraits of Women Scrutinize the Nature of Concealment

    From elaborate hairstyles to hypertrophied mushrooms, an array of unexpected face coverings feature in Ewa Juszkiewicz’s portraits. Drawing on genteel likenesses of women primarily from the 18th and 19th centuries, the artist superimposes fabric, bouquets of fruit, foliage, and more, over the women’s faces.

    Image courtesy of Greg Jensen

    A Rare Cross-Section Illustration Reveals the Infamous Happenings of Kowloon Walled City

    At its height in the 1990s, Kowloon Walled City in Hong Kong housed about 50,000 people. Its population is unremarkable for small cities, but what set Kowloon apart from others of its size was its density. For a now out-of-print book titled Kowloon City: An Illustrated Guide, artist Hitomi Terasawa drew a meticulous cross-sectioned rendering of the urban phenomenon to preserve its memory.

    Image © Isak Finnbogason

    Remarkable Drone Footage Captures a New Volcanic Eruption in Iceland

    In January, photographer and drone pilot Isak Finnbogason captured stunning footage of an eruption on Iceland’s Reykjanes peninsula in December, documenting the nearly two-mile-long lava vent on the first day it was active. 

    “Water Lilies in Bloom” (2023), oil on canvas. Image courtesy of Erin Hanson

    Landscapes Radiate Light and Drama in Erin Hanson’s Vibrant Oil Paintings

    In vivid pinks, blues, and greens, radiant landscapes emerge in Erin Hanson’s impressionistic oil paintings. The artist is based in Oregon’s Willamette Valley, where the rolling hills and surrounding mountain ranges cradle miles of vineyards.

    Image © Richard Johnson

    Framed by Frozen Lakes, Richard Johnson’s ‘Ice Huts’ Capture Wintertime Communities in Canada

    Every year, Ontario’s 279-square-mile Lake Simcoe draws more people for its ice fishing than any other lake in North America, attracting upwards of 4,000 huts each year. The colorful villages caught the eye of Toronto-based architectural photographer Richard Johnson (1957-2021), who captured hundreds of the structures, from the artistic to the ad-hoc, in a series of bold portraits taken between 2007 and 2019.

    Image courtesy of the Italian Ministry of Culture / AFP Photo

    Archaeologists Discover an Extraordinary 2,100-Year-Old Mosaic Near the Colosseum

    Early this year, we shared news that the Italian Ministry of Culture had a remarkable find in the heart of Rome. In the late Republican era, a luxurious townhouse had been laden with designs made from shells, glass, white marble, and Egyptian blue tiles. A large “rustic” mosaic dating to the last decades of the 2nd century B.C.E.—a little over 2,100 years ago—was likely inspired by the decorative styles of Near East monarchies.

    ‘The Whole Booke of Psalmes.’ London: Company of Stationers, 1643. Image courtesy of The Grolier Club

    Spanning Seven Centuries, ‘Judging a Book by its Cover’ Celebrates an Enduring Art

    The Grolier Club’s exhibition, Judging a Book by its Cover, highlighted some of the most unique editions within its collection, including a pigskin- and brass-bound Jewish Antiquities and the Jewish War created for a Benedictine monastery in Bavaria around 1473—the oldest in the club’s library. The collection also features several religious texts, like the miniature book of psalms shown above, made by women at the Royal Exchange in London with a variety of silk and gold threads.

    Image courtesy of Wally Dion, shared with permission

    Vivid, Translucent Quilts by Wally Dion Stitch Together Indigenous Culture and Making Traditions

    For many rural and economically strapped communities throughout history, quilting was a necessity. Tattered clothing and blankets were cut up and refashioned into new blankets, their patchwork styles evidence of the fabrics’ earlier uses. For Indigenous people, though, quilts “hold a particularly important cultural value,” says artist Wally Dion, “appearing as gifts, ceremonial objects, and celebratory markers.”

    “লয় [Loy]” (2019), Arjunpur Amra Sabai Club, Kolkata. Photo by Vivian Sarky. Image courtesy of Asim Waqif

    Immersive Bamboo Installations by Asim Waqif Whirl and Heave in Monumental Motion

    In his monumental, swirling structures, Delhi-based artist Asim Waqif merges tenets of architecture and sculpture into sweeping site-specific compositions. Using natural materials like bamboo and pandanus leaves, he often incorporates found objects, scaffolding, sound elements, cloth, and rope.

    “Animal in the Wind” (2014), clay, 36.7 x 20.8 x 30 centimeters. Image courtesy of JiSook Jung

    From Fire to Wind, JiSook Jung’s Ceramic Sculptures Animate the Elements

    JiSook Jung has long been drawn to clay for its inherent malleability. “Clay has the advantage of being able to quickly mold an image in my head into a visual form because it is soft and plastic,” the Seoul-based artist tells Colossal. “In that sense, I think clay is an intuitive and instinctive material.”

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    Inside Miniature Dioramas, Flying Saucers Drift Across Extraterrestrial Landscapes

    All images © A House of Wonders, shared with permission

    Inside Miniature Dioramas, Flying Saucers Drift Across Extraterrestrial Landscapes

    December 6, 2024

    ArtCraft

    Jackie Andres

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    Within the confines of a small, ovoid frames, Caroline Dewison, of A House of Wonders, crafts miniature scenes laden with remarkable detail. Building upon previous mystical vistas inspired by the woodlands surrounding her studio in Warrington, England, the artist’s most recent ventures forge a deeper path toward the otherworldly.

    Hovering above minuscule streams and valleys, UFOs contrast sharply against Dewison’s hand-painted nature scenes. The artist has been fascinated by the possibility of beings on other planets since childhood and continues to explore this speculation.

    “In my lifetime, it’s gone from there being just us to scientists finding hundreds and thousands of exoplanets, many with the possibility of life,” she explains. “I would like to think that we’re not alone.” Within each diorama, the flying saucers are cleverly affixed to jut outward from two-dimensional backgrounds, furthering a sense of depth.

    Along with revisiting her lifelong interest in the extraterrestrial, the artist has also rekindled her relationship with automata. She relishes problem-solving and the logistical aspects of constructing kinetic pieces, sharing, “I love working out how to create a moving piece of art and really enjoy engineering the mechanism to add life to my work.” As a result, the tiny UFOs make a dynamic appearance as well, rotating and drifting above foreign crop circles and thickets of pine.

    While Dewison still mainly works with laser-cut plywood, Jesmonite, acrylic paint, clay, and a 3D-printing pen, she is also working on constructing new designs for frames.

    A busy year is ahead of the artist. Dewison’s work is currently on view as part of Small Works | Big Impact at Momentum Gallery in Asheville, and later this month, her dioramas will be featured in the Oddities and Curiosities Expo in Melbourne with Beinart Gallery. Find Dewison’s miniatures for sale in her shop, A House of Wonders, and keep an eye on Instagram for new work, upcoming shows, and more.

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    Vipoo’s Exuberant Porcelain Characters Emanate Optimism and Togetherness

    All images courtesy of Vipoo, shared with permission

    Vipoo’s Exuberant Porcelain Characters Emanate Optimism and Togetherness

    December 6, 2024

    ArtCraft

    Kate Mothes

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    Born and raised in Thailand, Vipoo Srivilasa—who often goes simply by Vipoo—moved to Melbourne more than two decades ago, where he’s created ceramic works that engage with concepts like queerness, migration, and spirituality.

    Vipoo emphasizes community, accessibility, and unwavering optimism in elegant yet playful porcelain sculptures (previously). In a range of glazes, from cobalt to gold luster to bright red, his dynamic characters gesture with their fingers in a “V” shape, usually denoting hopeful messages like “peace” or “victory.” Others appear to dance, wave, or cheer.

    “Albert” (2022)

    Titles like “Salutaris, the Patron of Well-being” or “Calma, the Spirit of Tranquility,” designate many of the figures with protective or uplifting roles. Vipoo taps into universal tenets of strong relationships and communities, like trust, fairness, and togetherness.

    The artist’s solo exhition re/JOY at the Australian Design Centre highlights a wide range of stories about people’s migration to different parts of Australia. Drawing on personal stories and mementos collected from strangers around the country, he shares diverse experiences that contribute to a collective story.

    re/JOY continues through February 19 in Darlinghurst, just outside of Sydney. And accompanying the show, a vibrant new monograph titled Positive Art Work celebrates 25 years of the artist’s career. Find more on Vipoo’s website and Instagram.

    “Circle of Trust” (2023)

    “Salutaris, the Patron of Well-being” (2024)

    “Calma, the Spirit of Tranquillity” (2024)

    “Shadowed Ally” and “White Blossoms” (2023)

    “Temporus, the Master of Time” (2024)

    Detail of a sculpture from ‘re/JOY’

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    Einar and Jamex de la Torre’s Monumental Glass Assemblages Hurtle Through ‘Collidoscope’

    “Oxymodern (Aztec Calendar)” (2002), blown-glass, mixed-media wall installation, 120 x 120 x 12 inches.
    Image courtesy of the Cheech Marin Collection
    and Riverside Art Museum. All images courtesy of the artists and the Corning Museum of Glass, shared with permission

    Einar and Jamex de la Torre’s Monumental Glass Assemblages Hurtle Through ‘Collidoscope’

    December 5, 2024

    ArtCraft

    Kate Mothes

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    In 1972, when Einar and Jamex de la Torre were nine and 12 years old, respectively, their family moved to Southern California from their hometown, Guadalajara, Mexico. Building upon their immigrant experiences and the sometimes contradictory facets of bicultural identity, the artists began creating sculptures and installations exploring themes as varied as time, religion, traditions, and regionalism.

    The pair have collaborated since the 1990s, combining blown glass and mixed media into large-scale wall pieces and striking public art. In the expansive exhibition Collidoscope: de la Torre Brothers Retro-Perspective at the Corning Museum of Glass, the pair present 40 works spanning nearly three decades.

    “Meteorite dall’ Influenza Veneziana” (2024)

    Included in the showcase is a brand new, monumental commission titled “Meteorite dall’ Influenza Veneziana,” which draws on the rich history of Venetian or Murano glass.

    While only pieces produced on the small Italian island can bear the name of Murano—think Champagne in the wine world or Parmigiano Reggiano for cheese—the de la Torre brothers revel in the idea that “once [the technique] escaped, it hit the glassblowing world like a meteorite,” Einar says.

    The de la Torre brothers are known for their additive approach, layering both meaning and material into meticulous assemblages. Vibrant colors and sometimes ironic details, like symbols for a car battery or engine light, emerge when encountered up close, then dissolve into energetic patterns when viewed from a distance.

    Detail of “Meteorite dall’ Influenza Veneziana”

    Today, the duo split their time between San Diego and the Guadalupe Valley of Baja California, Mexico, and the occasionally humorous interplay of American and Mexican motifs hold a sustained role in their practice. Many pieces incorporate motifs specific to Mexico, like the iconic, circular Aztec calendar that combines a 365-day cycle with a 260-day ritual or spiritual cycle. Mechanical gears, shells, religious iconography, anatomy, and more, merge in their maximalist compilations.

    The brothers created the new work in the Corning Museum’s studio, and the idea for incorporating Venetian details like cane work arose organically around the hot shop team’s experience with the style. “An artist’s job is to get away with their vision,” Einar says, “and we were very gratified and surprised at how much support we had for our ideas for this commission.”

    Collidoscope continues through January 5 in Corning, New York. Find more on the artists’ website.

    Detail of “Meteorite dall’ Influenza Veneziana”

    “Frijolera Clásica” (2010), bown-glass, mixed-media sculpture, 31 x 18 x 18 inches. Image courtesy of Crocker Art Museum

    “Mitosis” (2008), blown-glass and mixed-media with resin castings and waterjet-cut aluminum frame, 48 x 48 x 9 inches. Image courtesy of the artists and Koplin Del Rio Gallery

    “En Cada Arbol una Cruz” (2000), blown-glass, mixed-media sculpture, 28 x 21 inches. Image courtesy of the artists and Koplin Del Rio Gallery

    Corning Museum of Glass staff work with the de la Torre brothers to install “Meteorite dall’ Influenza Veneziana”

    The de la Torre brothers construct glass installation components in the Amphitheater Hot Shop of the Corning Museum of Glass

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    Colossal’s Favorite Art Books of 2024

    Colossal’s Favorite Art Books of 2024

    December 4, 2024

    ArtBooksPhotography

    Colossal

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    As we get ready to say goodbye to 2024, we’re celebrating some of our favorite books shared on Colossal throughout the year. We published dozens of articles about spectacular new monographs, photography, architecture, painting, science, history, and more. Peruse our top 10 below, and find many more in the Colossal Shop and on Bookshop.

    Shirin Neshat, “Land of Dreams” (2019), film still. © Shirin Neshat, courtesy of the artist, Gladstone Gallery, and Goodman Gallery, Johannesburg, Cape Town, and London

    The Women Who Changed Photography: And How to Master Their Techniques

    From bold black-and-white visages to masters of disguise, identity plays a vital role in many of the practices featured in The Women Who Changed Photography. The tome investigates the trailblazing practices of Lee Miller, Shirin Neshat, and many more, chronicling the individuals, aesthetics, and approaches that have shaped the field.

    Available in the Colossal Shop

    Detail of Astrolin Color Card, Établissement Georget Fils Peintures Laquées et Vernis, Chantenay-Lès-Nantes (c. 1906). Image courtesy of Bibliothèque Forney, Paris

    Color Charts: A History

    From chemists’ plant-derived dyes to consumer paint swatches displayed at the hardware store, the history of color charts reflects a varied relationship between pigments, science, culture, and commerce. Anne Varichon explores the entwined evolution of this categorization through nearly 200 vibrant samples from the 15th century to modern day.

    Available in the Colossal Shop

    The Art Book for Children

    Two decades ago, Phaidon published the first volume in The Art Book for Children series, which quickly became beloved by children and parents the world over. To share its legacy with a new generation of readers, this edition pairs a selection of “best of” artists from the original series with 30 brand-new contemporary entries.

    This year was a plentiful time for children’s art books, and we also enjoyed the informative narrative, I Am an Artist.

    Available in the Colossal Shop

    Sacred Sites (Library of Esoterica)

    From ancient pyramids to subterranean labyrinths to mountaintop meccas, we have always been drawn to visiting or building sites that inspire reverence and awe. Sacred Sites celebrates how we traverse and transform the world around us through ritual and art. Compiled by Jessica Hundley, the volume surveys a remarkable array of places and artworks through more than 400 images centered around pilgrimage, performance, and devotion.

    Available in the Colossal Shop

    Beth Moon, “Heart of the Dragon” (2010), archival pigment inks on cotton paper, 32 × 48 inches. Image © Beth Moon

    Tree: Exploring the Arboreal World

    Spanning 3,500 years of art, science, culture, and history, Tree: Exploring the Arboreal World surveys the awe-inspiring beauty and romance of trees. The volume includes more than 300 illustrations ranging from ancient wall paintings and botanical illustrations to captivating photography and multimedia work by today’s leading artists.

    Available in the Colossal Shop

    Image © Ivan McClellan

    Eight Seconds: Black Rodeo Culture

    Eight Seconds comprises 118 images by Ivan McClellan, a Portland, Oregon-based photographer who’s spent nearly a decade documenting the lives, wins, and losses of the Black rodeo community from Alabama to Los Angeles. He offers an insider’s view, capturing the addictive energy of the sport and the rich sense of camaraderie it fosters.

    Available on Bookshop

    Camo

    Camo is the first publication to chronicle the work of Thandiwe Muriu, celebrating her vibrant portraits that combine cultural textiles and beauty ideologies. Muriu takes us on a colorful, reflective journey through her world as a woman living in modern Kenya as she reinterprets contemporary African portraiture.

    Available in the Colossal Shop

    Cover of ‘Hidden Portraits: Old Masters Reimagined,’ featuring “Hidden Jacometto” (2019), from “Portrait of a Young Man” (1480s) by Jacometto Veneziano

    Hidden Portraits: Old Masters Reimagined

    This monograph gathers a quintessential selection of Volker Hermes’s works into one volume. Highlighting the artist’s wry commentary on luxury, social status, and fame, the selection delves into the history of portraiture through a humorous lens.

    Available on Bookshop

    Great Women Sculptors

    Presenting a more expansive and inclusive history of sculpture, Great Women Sculptors surveys the work of more than 300 trailblazing artists from more than 60 countries, spanning 500 years from the Renaissance to the present day.

    Available in the Colossal Shop

    Artwork by Christina Fong

    Art Is Art: Collaborating with Neurodiverse Artists at Creativity Explored

    Spurred by the belief that art changes lives, Florence and Elias Katz founded Creativity Explored in 1983, a San Francisco-based nonprofit studio and gallery designed for disabled, neurodivergent artists. More than 135 people currently participate in its programming, learning techniques across painting, drawing, clay, textiles, and more. In Art Is Art, Ann Kappes, Creativity Explored’s director of artist partnerships, celebrates the organization’s 40th anniversary through hundreds of artworks.

    Available on Bookshop

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    In Chicago, an Expansive Exhibition Offers a New Vision of Himalayan Art

    Losel Yauch. “Procession Immemorial.” Installation view of ‘Reimagine: Himalayan Art Now’ at Wrightwood 659. All photos by Michael Tropea, shared with permission

    In Chicago, an Expansive Exhibition Offers a New Vision of Himalayan Art

    December 4, 2024

    ArtSocial Issues

    Grace Ebert

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    Suspended in the atrium of Wrightwood 659 in Chicago is a three-story installation of vibrant prayer flags in yellow, green, white, red, and blue cascading from above. Five sculptural horses emerge through the lush curtain of textiles at varying points, appearing to gallop mid-air.

    Each flag’s color refers to the five elements and states of mind in Tibetan Buddhism. Yellow, for example, denotes earth and wisdom, while green references water and equanimity. White is air and purity, blue is space and endurance, and red refers to fire and compassion.

    Asha Kama Wangdi, VAST Bhutan, “The Windhorse (lungta)” (2024), cloth and metal

    By Bhutanese artist Asha Kama Wangdi, the monumental work utilizes the Buddhist tradition of lungta (wind horses), which are symbols of positive energy and good luck thought to carry prayers to the heavens. For this installation, the artist collected tattered and worn flags that broken loose and scattered across the landscape. This shift from spiritual object to a source of pollution inspired Asha Kama Wangdi, as he explored the contradiction between sacred practice and environmental care.

    “The Windhorse” is one of dozens of works included in Reimagine: Himalayan Art Now, a large-scale exhibition curated by Michelle Bennett Simorella of the Rubin Museum of Himalayan Art in New York. As the title suggests, the show aims to present a more contemporary view of Tibet, Nepal, Bhutan, and other Himalayan regions.

    Bennett Simorella tasked 28 artists with pairing objects from the Rubin’s collection with their works, contextualizing today’s aesthetic and making practices within a long history of artists and crafters. Featuring works from across hundreds of miles of the Himalayan region, Reimagine is broad in scope, style, and medium, yet retains several throughlines.

    For example, New York-based artist Losel Yauch presents a riderless cavalry of woven horses in “Procession Immemorial,” which similarly draws on the concept of wind horses. Stitched onto their silk coats are images from stories the artist’s grandfather shared about fighting for freedom in his home of Kham in east Tibet.

    Shraddha Shrestha, “Dus Mahavidyas (Great Goddesses of Wisdom): Kamala” (2023), acrylic on canvas. Photo by Dave De Armas

    Also on view is a vibrant collection of paintings Shraddha Shrestha, who reinterprets the doe-eyed Powerpuff Girls as Hindu goddesses. The artist was raised in Patan, one of Nepal’s most historic cities, and shares in a statement:

    Growing up in a conservative, patriarchal Newari household meant staying within a lot of cultural, social, and gender boundaries. All the girls and women in my family were used to catcalling, unwanted stares from the neighbors, being scolded by male family members for dressing with our knees showing, getting judged for walking with a male friend, and being shouted at for reaching home after dark.  

    After school, Shraddha Shrestha enjoyed watching American cartoons, particularly the trio with superpowers. These animated characters soon became fixtures in her imaginary world, which combined facets of her home city with the girls’ strong-willed attitudes.

    “Womanhood should be celebrated. Instead, we need to fight for basic things like education, work, health, and more,” she says. “Doesn’t it contradict the tradition we believe in? Doesn’t it disrespect the deities we worship?”

    The second iteration of Reimagine, which was originally shown at the Rubin earlier this year, is on view through February 15.

    Asha Kama Wangdi, VAST Bhutan, “The Windhorse (lungta)” (2024), cloth and metal.

    IMAGINE (a.k.a. Sneha Shrestha), sculpture fabricated and engineered by Black Cat Labs, “Calling the Earth to Witness” (2023), acrylic on masonite, steel

    Tsherin Sherpa in collaboration with Bijay Maharjan and Regal Studio Metal casting team, including Durga Shrestha, Sajal Siwakoti, and Sangita Maharjan, “Muted Expressions” (2022), bronze.

    Tsherin Sherpa in collaboration with Bijay Maharjan and Regal Studio Metal casting team, including Durga Shrestha, Sajal Siwakoti, and Sangita Maharjan, “Muted Expressions” (2022), bronze.

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    Nature Alights on Cheerful Faces in Abi Castillo’s Ceramic Sculptures

    All images courtesy of Abi Castillo, shared with permission

    Nature Alights on Cheerful Faces in Abi Castillo’s Ceramic Sculptures

    December 3, 2024

    ArtCraft

    Kate Mothes

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    Whether sprouting flowers for spectacles or summoning bluebirds, Abi Castillo’s playful characters mirror our inner selves, one another, and the world around us.

    “When I was little, they called me ‘Big Eyes,’ a name I received with pride, since it is an inheritance from my paternal grandmother, whom I barely knew but who stood out for her big eyes and powerful gaze,” Castillo (previously) says in a statement. “Carrying this legacy makes me aware of the importance of knowing where I come from and where I belong.”

    Through standalone sculptures and functional objects, Castillo emphasizes the act of seeing. Eyes are everywhere, looking back at the viewer as a reminder to reflect on what the artist describes as “this ephemeral, hectic, and hostile life.” She adds, “Each of my characters also holds a reflection of myself, of my connection with nature and of that little girl that I still carry inside…”

    Castillo is looking forward to moving to a larger studio soon, and she is currently busy making new sculptures, experimenting with different techniques to explore new shapes and formats, like jewelry. Find more on her website, and stay up-to-date on Instagram.

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    Yumi Okita’s Butterflies and Botanicals Metamorphose from Colorful Thread

    Yumi Okita’s Butterflies and Botanicals Metamorphose from Colorful Thread

    December 2, 2024

    ArtCraftNature

    Kate Mothes

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    From vibrant thread and wire, Yumi Okita conjures thrillingly lifelike moths, butterflies, and flowers. The Raleigh-based artist (previously) meticulously embroiders insects’ colorful wings with an eye for realism, so until you’re up close, they appear as though they could flutter away at any moment. And in her more recent series of otherworldly botanicals, petals, leaves, and roots curl to look as though they were just plucked from their habitats.

    Okita often adds original sculptures to her Etsy shop, and you can also follow updates on Instagram.

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