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      Artificial Neon Lights Illuminate the Idyllic Environments Painted by Artist Gigi Chen

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      Art

      #acrylic
      #birds
      #nature
      #neon
      #painting

      October 8, 2021
      Grace Ebert

      “A Good Foundation” (2021), acrylic on wood, 20 x 20 inches. All images © Gigi Chen, shared with permission
      In her vibrant, neon-lit paintings, artist Gigi Chen intertwines ornate jewelry, graffiti, and glowing signs emblematic of urban life with foliage, feathers, and wide expanses of sky. Her acrylic pieces center on birds and other small animals in their natural environments with surreal, manufactured additions: a heron cradles a bright pink house on its back, two rabbits peer over a bush at an illuminated parking sign, and an owl carries an old payphone across a glacial landscape.
      A lifelong New Yorker, Chen tells Colossal that once her family immigrated to the U.S. from Guangdong, China, when she was eight months old, they didn’t often venture beyond the city’s confines. “The fear of not being able to communicate clearly with strangers was very prevalent growing up, and it really restrained us from doing too much traveling during my early childhood even though my parents could drive,” she says, noting that it wasn’t until an artist residency in Vermont when she was 18 that she found herself interacting with nature. “I realized how small the Big City really is. I was terrified of the pitch blackness, the dense forest, and the dirt and the bugs. But I was totally in love and overwhelmed by how sublime and random nature is.”
      These early experiences continue to impact Chen’s work as she confronts lush, forest ecosystems and cloudy sunsets through the lens of city life. “The dichotomy of the neon onto natural subjects like leaves and birds and trees makes for beautiful metaphors about how people relate to the flora and fauna,” she says. “Adding artificial light sources to a natural environment helped me to reimagine and expand the kinds of stories I could tell and broaden how I could convey personal messages.”

      “Home Away From Home Away From Home” (2021), acrylic on wood, 20 x 24 inches
      Many of the animal protagonists embody the artist’s experiences particularly those in her new series Light My Way Home, which is on view through October 24 at Antler Gallery in Portland. The metaphorical works are ruminations on home, family, and the security those two provide, and the pieces often portray the artist and her sisters as red-winged blackbirds with her late mother as the blue heron. “Home Away From Home Away From Home,” which depicts the three smaller birds encircling the other as she flies away, “represents what happened after the death of my mother,” Chen says. “Here, we are seeking the sense of safety and stability that my mother once represented to us and endlessly chasing the Ideal of Home.”
      In addition to Light My Way Home, Chen also has paintings available through Stone Sparrow Gallery and Deep Space Gallery, and you can follow her works on Instagram. (via Supersonic Art)

      “Curiously Illuminated” (2021), acrylic on wood, 16 x 20 inches
      “Finding A Spot” (2020), acrylic on wood, 11 x 14 inches
      “Three Voices & A Song” (2021), acrylic on wood, 20 x 24 inches
      “The Open Pigeon” (2020), acrylic on wood, 5 x 7 inches
      “Call Me” (2021), acrylic on wood, 20 x 24 inches
      “Lighting The Way” (2021), acrylic on wood, 16 x 20 inches

      #acrylic
      #birds
      #nature
      #neon
      #painting

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      A Verdant Rainforest Lush with Plants and Giant Macaws Blankets Annabel’s Facade in London

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      Art

      #birds
      #deforestation
      #installation
      #plants

      September 10, 2021
      Grace Ebert

      All images © Annabel’s, shared with permission
      Sprawling from sidewalk to roof and lining the entrance to Annabel’s in London is a luxuriant installation teeming with ferns, florals, and a flock of vibrant, oversized birds hovering nearby. Evocative of an abundant rainforest habitat, the staggering piece is part of the club’s inaugural Annabel’s for The Amazon initiative, which launches later this month in collaboration with One Tree Planted and The Caring Family Foundation.
      Together, their goal is to combat deforestation by planting one million trees by March 2023, a number that equals about 600 hectares of forests otherwise lost, and renew biodiversity in the Araguaia Biodiversity Corridor, which currently consists of patchwork plots destroyed by agriculture, logging, and other devastating projects. With continued restoration efforts, this region is slated to become “the largest nature corridor in the world, connecting the Amazon and Cerrado over a distance of 2,600 kilometers—the same distance from Moscow to London,” a statement says. (via Jo Brooks)

      #birds
      #deforestation
      #installation
      #plants

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      Lifelike Sculptures by Diana Beltrán Herrera Recreate Flora and Fauna in Intricately Cut Paper

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      Art
      Design
      Food
      Illustration

      #animals
      #birds
      #flowers
      #fruit
      #paper
      #plants
      #sculpture

      August 12, 2021
      Grace Ebert

      All images © Diana Beltrán Herrera, shared with permission
      Colombian artist Diana Beltrán Herrera (previously) adds to her growing collection of intricate paper sculptures with new plant and animal life. From her studio in Bristol, the artist and designer recreates lifelike reproductions of turacos, monarchs, and various species with nearly perfect precision. Innumerable fringed strips become feathers, faint scores mimic delicate creases in petals, and layers of bright paper form brilliantly colored plumes, creating a colorful and diverse ecosystem of wildlife from around the world.
      Prints, jigsaw puzzles, and cards are available in Beltrán Herrera’s shop, and you can see more of her recent commissions and personal projects on Behance and Instagram.

      #animals
      #birds
      #flowers
      #fruit
      #paper
      #plants
      #sculpture

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      Flying Ospreys, Herons, and Terns Comprise a 35-Meter Water Tower Mural by Taquen

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      Art

      #birds
      #murals
      #public art

      July 20, 2021
      Grace Ebert

      “Eau de Loire” (2021), Gien, France. All images courtesy of Taquen, by Fabe Collage
      A 35-meter tower looming over Gien, France, is the site of a new mural by Taquen that celebrates the inherent life-giving properties of water. Set against a deep blue backdrop, the massive artwork titled “Eau de Loire” features a flock of ospreys, herons, and common terns, which often are spotted near the banks of the Loire River that runs through the area, as they fly around the tank in an endless loop. “Water has always been synonymous with life,” the Madrid-based artist says, noting that the source is as vital to the city’s inhabitants as it is the region’s wildlife.
      Broadly focused on change, Taquen’s works explore the complex relationships species have with each other and the larger environment, a recurring theme that manifests in this recent project through the birds’ perpetual motion. “For me, movement is a basic form of knowledge, to get to know myself and my environment and learn to respect it,” he says. “Birds are great symbols of freedom, animals that migrate thousands of kilometers each year with no one who can stop them.”
      Taquen just completed a piece in Vigo, Galicia and is headed to Camprovin, La Rioja, Spain next. In September, he’ll be at Mostar Street Art Festival in Bosnia and Eternelles Crapules at Briançon, France, before heading to a residency in Saint Palais and later to Bayona. Follow along his travels on Instagram. (via Street Art News)

      #birds
      #murals
      #public art

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      Precise Replicas Cast Wildlife and Plants as Delightfully Tiny Sculptures

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      Art
      Craft

      #animals
      #birds
      #clay
      #miniature
      #sculptures

      July 14, 2021
      Grace Ebert

      All images © Fanni Sandor, shared with permission
      Fanni Sandor (previously) melds her background in biology with a decades-long enthusiasm for miniatures by creating an adorable menagerie of minuscule wildlife. Based in Hungary, she sculpts 1:12 scale models of leaping squirrels and multicolor tree frogs from clay and soft fibers and more recently has ventured into larger ecosystems populated by speckled mushrooms, ferns, and the tiniest tulips. Sandor’s biologically accurate models are sold out on Etsy right now, but keep an eye on shop updates by following her on Instagram.

      #animals
      #birds
      #clay
      #miniature
      #sculptures

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      Found Silverware and Scrap Metal Are Welded into Lively Sculptural Creatures by Matt Wilson

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      Art

      #animals
      #birds
      #found objects
      #metal
      #sculpture

      July 2, 2021
      Grace Ebert

      All images © Matt Wilson
      Wide spoons become muscular hind legs, pointed handles fan out into wings, and fork prongs curl around a branch like talons in Matt Wilson’s wildlife assemblages. Using found flatware and other metal objects, the Charleston-based artist (previously) welds sculptural renditions of birds, insects, and other small animals that appear lifelike and primed for movementt. He mounts the metallic sculptures on pieces of driftwood or smooth plaques—many of which are handcrafted by his friend Jacob Kent—that contrast the shining metal with the natural, grainy material.
      Wilson has spent the last few years broadening his practice and working on multiple birds simultaneously, allowing for more cohesive, well-rounded flocks. His next collection launches at 9 a.m. EST on July 9 in his shop, and his works sell quickly so keep an eye on Instagram for early looks at the 100 creatures set for release.

      #animals
      #birds
      #found objects
      #metal
      #sculpture

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      Traditional Chinese Characters and Motifs Cover Ming Lu’s Porcelain Busts and Ducks

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      Art

      #birds
      #busts
      #porcelain
      #sculpture

      June 18, 2021
      Grace Ebert

      “Dialogue, Reaching the Station We’ll Never Reach” (2019), blue and white porcelain, 26 x 18 x 18 centimeters. All images © Ming Lu, shared with permission
      Artist Ming Lu melds multiple facets associated with Chinese culture in her delicate blue-and-white porcelain works. She utilizes traditional craft techniques to sculpt ubiquitous cultural symbols often found throughout the streets of Chinatown, encompassing both the Berlin-based artist’s broad cultural connections to her native country and more personal interactions.
      In the three busts that comprise “Dialogue,” for example, Ming Lu transcribes conversations with her partner in calligraphic script. Titled “Reason,” “Trick,” and “Reaching a Station We’ll Never Reach,” the self-portraits embody a contemporary change in situation and perspective through a classic medium. Similarly, a trio of butchered ducks evokes the popular dish in form and are coated in a traditional floral motif, a cracked glaze, and characters depicting an old-fashioned spelling of “I love you.” Each of the birds strikes a balance between history and more contemporary culture, which Ming Lu describes:
      It’s a funny experience when I first went to Chinatown and I saw these roast ducks hanging on the restaurant windows. We don’t do this in China, at least not in the cities I’ve been to. It’s a funny experience for me. And when you go to a museum, in the “China” (the country) section, you see many porcelains. It also represents China in a way as in history, especially in Ming and Qing dynasties, (porcelain) was one of the largest export commodities, so I put them together.
      Ming Lu works across mediums, and you can see more of her sculptures, paintings, and embroideries on her site. Some of the pieces shown here on view through July 3 as part of her solo show Tigress, Tigress at BBA Gallery in Berlin and in a group exhibition running June 24 to 30 at Kühlhaus Berlin.

      “Blues Is My Business” (2019), blue and white porcelain, 30 x 16 x 9 centimeters
      Detail of “Dialogue, Reason” (2019), blue and white porcelain, 26 x 18 x 18 centimeters. Photo by Christian Schneider
      “Dialogue, Reason” (2019), blue and white porcelain, 26 x 18 x 18 centimeters. Photo by Christian Schneider
      “Blues Is My Business” (2019), blue and white porcelain, 30 x 16 x 9 centimeters
      “Will You Still Love Me Tomorrow” (2019), blue and white porcelain, 30 x 16 x 9 centimeters
      “Wonderful World” (2019), ge porcelain, 30 x 16 x 9 centimeters

      #birds
      #busts
      #porcelain
      #sculpture

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      Abstract Clusters of Feathers Ruffle Across Vibrant New Murals by Adele Renault

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      Art

      #birds
      #feathers
      #murals
      #painting
      #public art
      #street art

      June 4, 2021
      Grace Ebert

      Artscape, Sweden. All images © Adele Renault, shared with permission
      Belgian artist Adele Renault (previously) has an unparalleled ability to turn an urban nuisance into an extraordinarily beautiful creature. Her oversized pigeons grace walls in cities around the world, creating public artworks that celebrate her favored subjects in the exact locations they’re often overlooked and disregarded.
      A few years ago, Renault began what she calls “wandering in the macro world,” a venture that shifted her focus to the individual feathers she’s always found most alluring. “The texture is more dazzling and intriguing than showing the whole thing,” she says. “The feathers have become my own language in a way. I now create them without photo reference, more like a meditative practice that creates textures and softness as a result.” Her murals have since strayed from portraying full birds to focusing instead on clusters of plumes and the individual barbs that sprout in layers and tufts.
      Although Renault is dedicated to realistic forms, her more recent artworks play with color, injecting bright rainbow hues where she previously focused on naturally occurring blues and purples. The vibrant feathers radiate with an oily, iridescent sheen and appear to ruffle on the wall, a trompe-l’œil effect she achieves by meticulously coating either oil or spray paint to create depth and shadow.
      A few of Renault’s smaller works on canvas are on view at Moberg Gallery in Des Moines through the end of June, and she’s currently preparing for a solo show in Belgium that’ll feature her Plantasia series, which similarly extracts minuscule details from leaves. You can find out more about her practice in Gutter Paradise, which was published late last year, and follow her on Instagram to stay up-to-date with her latest projects.

      New Brighton, UK (2021)
      Northwest Walls, Werchter (2019). Photo by Dan Verbruggen-Ausilio
      “Gutter Paradise 11” (2019)
      Right: Silverlake (2019). Photo by Asato Iida
      Urban Art Fair Paris. Photo by Alex Geoffrey
      London, Maryland. Photo by Marian Medic

      La Brea, Los Angeles (2021)

      #birds
      #feathers
      #murals
      #painting
      #public art
      #street art

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