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    The Wound: JR’s New Anamorphic Artwork Appears to Carve Out the Facade of Florence’s Palazzo Strozzi

    
    Art

    #anamorphosis
    #black and white
    #installation
    #public art
    #street art
    #trompe l’oeil

    March 23, 2021
    Grace Ebert

    “La Ferita” (2021), 28 x 33 meters, Palazzo Strozzi, Florence. Image courtesy of Fondazione Palazzo Strozzi, shared with permission
    French artist JR unveiled an imposing artwork at Palazzo Strozzi in Florence last week that mimics a massive gash in the institution’s Renaissance-era facade. Spanning 28 x 33 meters, “La Ferita,” or “The Wound,” is an anamorphic collage that appears to reveal the iconic artworks housed inside the building, in addition to a stately courtyard colonnade, exhibition hall, and library. Exposing different parts of the interior as the viewer shifts position, the artwork is in response to the lack of accessibility at cultural institutions since the onset of the COVID-19 pandemic.
    Completed alongside a team of 11 in two months, the site-specific piece was constructed 30 centimeters in front of the 15th Century ashlar facade with a metal structure and 80 panels of Dibond aluminum. It features JR’s signature photographic style—similar projects were installed at Williamsburg’s Domino Park, the Louvre, and the U.S./Mexico border—and includes a mix of real and imagined elements, including black-and-white renderings of Botticelli’s “Primavera” and “Birth of Venus” and Giambologna’s “The Rape of the Sabine Women,” in addition to prominent spaces like the Istituto Nazionale di Studi sul Rinascimento.
    “The Wound” is layered further with references to art history, from its use of the trompe l’oeil technique that grew in popularity in the 1500s to its evocation of ruinism, an 18th Century style that portrayed ancient architecture “as testimonials to a glorious past in a dramatic reflection on the fate of mankind,” a release says, noting that Palazzo Strozzi will not be preserving the piece beyond its initial construction.
    Follow JR’s monumental works on Instagram, and shop lithographs and books chronicling his projects on his site.

    #anamorphosis
    #black and white
    #installation
    #public art
    #street art
    #trompe l’oeil

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    A Turbine-Faced Pilot Returns from War in a Surreal Animated Short About Love and Transformation

    
    Animation
    Art

    #black and white
    #short film
    #surreal
    #video

    October 30, 2020
    Grace Ebert

    
    Presented by the National Film Board of Canada, an animated short by Montreal-based director Alex Boya considers the complex effects of war through a heartwarming tale. “Turbine” opens with a woman climbing aboard a train that inches along the track like a worm. The black-and-white film then chronicles her journey reuniting with her pilot husband, who returns from war with an airplane engine permanently replacing his face and subsequently falls in love with the ceiling fan.
    Through incredibly rich renderings—the wrinkles on the characters’ hands and the whorling patterns in their hair are particularly detailed—Boya depicts peculiar scenes and quiet domestic moments to share a story about love, humanity, and transformation. In an interview about “Turbine,” the director says the film’s distinct style came about organically:
    It felt like creating sober instructional illustrations of real things, with an honest attempt to simply survey their opaqueness and shadows in a photorealistic world. Just like I focus on the water instead of on my body when I swim, it works not to think of style, but simply on the subject matter that is being drawn.
    For more short films, see the board’s Instagram and Vimeo, and check out Boya’s site to explore the entire Turbine Universe, which is complete with dozens of sketches and gifs of the hybrid character.

    #black and white
    #short film
    #surreal
    #video

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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    Hyperrealistic Portraits by Artist Arinze Stanley Reflect the Emotions of Black Experiences

    
    Art

    #activism
    #black and white
    #charcoal
    #graphite
    #hyperrealism
    #portraits

    September 19, 2020
    Grace Ebert

    “Mindless #3.” All images © Arinze Stanley, courtesy of Corey Helford Gallery, shared with permission
    Arinze Stanley describes his hyperrealistic drawings as “a simple language of my feelings.” In a statement about his new series titled Paranormal Portraits, the Nigerian artist (previously) says he uses his art as a form of political activism and as a way to amplify the voices of those who are unheard. Stanley noes that the relationships he fosters with his subjects are complicated and more often a reflection of himself:
    In my opinion, artists are custodians of time and reality, hence why I try to inform the future about the reality of today, and through these surreal portraits seen in my new body of work, Paranormal Portraits, navigate my viewers into what is almost a psychedelic and uncertain experience of being Black in the 21st Century.
    Using graphite and charcoal pencils, Stanley draws with such detail, capturing a stray hair or glimmer of beading sweat. Whether featuring a subject wrapped in hands or dripping in paint, the monochromatic portraits are intimate, expressive, and “born out of the zeal for perfection both in skill, expression, and devotion to create positive changes in the world. I draw inspiration from life experiences and basically everything that sparks a feeling of necessity,” Stanley says.
    If you’re in Los Angeles, Stanley’s work will be on view at Corey Helford Gallery starting October 3. Otherwise, head to Instagram and check out this video from Great Big Story capturing his deftly rendered artworks.

    “The Machine Man #7”
    Left: “People and Paper #1.” Right: “The Machine Man #6″
    “Paranormal Portrait #3”

    #activism
    #black and white
    #charcoal
    #graphite
    #hyperrealism
    #portraits

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    Science-Inspired Ink by Michele Volpi Blurs the Line Between Tattoo and Textbook

    
    Art
    Science

    #anatomy
    #black and white
    #insects
    #nature
    #surreal
    #tattoos

    July 29, 2020
    Vanessa Ruiz

    All images © Michele Volpi, shared with permission
    One might learn something from staring at the tattoos of Italian artist Michele Volpi (previously). The composition, detailed dot work, and precise lines of his tattoos transcend both ink-infused skin and science textbooks. The Bologna-based tattoo artist relishes in scientific books—from Frank Netter’s painterly medical illustrations to the exquisitely rendered biological specimens and marine life of Ernst Haeckel. He often visits bookshops during his travels to discover and acquire these new sources of inspiration.
    Volpi’s customers seek him out to tattoo an array of botany, astronomy, physiology, and chemistry-based compositions. Sometimes customers let him choose the branch of science, in which case he renders his favorite subject—anatomy. Even then, Volpi combines subject matter like in his tattoo comparing the shape of a human pelvis to that of a butterfly or another that features a human skull being stretched absurdly through a wormhole.
    The artist tells Colossal that his “dream is to make a scientific book with all of my conceptual scientific illustrations that I love.” View Volpi’s body of work and booking information on Instagram. For those not ready for the permanence of a tattoo, there are prints of his pen-and-ink, anatomical illustrations available in his shop.

    #anatomy
    #black and white
    #insects
    #nature
    #surreal
    #tattoos

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    A 70-Meter-Wide Installation by Artist Yang Yongliang Immerses Viewers in a Galactic Cityscape

    
    Art

    #black and white
    #installation
    #landscapes
    #light
    #stars
    #video

    July 24, 2020
    Grace Ebert

    
    Artist Yang Yongliang (previously) harmonizes human-generated light and naturally glowing stars in a celestial, 4K video installation. Set to an eerie, technological soundtrack, “Journey to the Dark II” winds through a mountainous city that spans 70 meters across. Movement in the immersive piece is confined mostly to the cars traveling across bridges and down streets, and the lights emit a constant glow among the modern architecture and landforms.
    Residing in Shanghai and New York, Yang often juxtaposes modern, industrial life and organic elements to produce dystopian environments that question human progress. “Ancient Chinese people painted landscapes to praise the greatness of nature; Yang’s works, on the other hand, lead towards a critical re-thinking of contemporary reality,” said a statement about a similarly foreboding project.
    To explore more of the artist’s digital work and follow his upcoming projects, check out his Instagram and Vimeo.

    “Journey to the Dark II” (2019), video installation, 12 × 70 meters, 12,600 × 2,160 pixels. All images © Yongliang Yang, shared with permission

    #black and white
    #installation
    #landscapes
    #light
    #stars
    #video

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

     
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    JR Reproduces Images of More Than 1,000 NYC Residents in Massive New Mural

     “The Chronicles of New York City” (2020). Photos by Marc Azoulay. All images © JR-ART.net, shared with permission French artist JR (previously) is back in New York, transforming pockets of the city with his latest work. Installed on stacked shipping containers, “The Chronicles of New York City” is a compilation of images depicting more […] More

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    Illustrative Murals in Shades of Grey by Paola Delfín Characterize Human Bonds

     “Èèn” (2019), for The Crystal Ship, Oostende, België. Photo by Arne Deboosere. All images © Paola Delfín, shared with permission Paola Delfín’s monochromatic murals found in Cancun, St. Petersburg, and cities worldwide all share a message of unity and community. The Mexico-based artist often creates impeccably detailed and stylized profile views, which show her […] More