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    A Poetic Book Illustrated by Tiffany Bozic Explores the Vast Diversity of Trees with Childlike Curiosity

    
    Art
    Illustration

    #acrylic
    #books
    #children’s book
    #painting
    #trees

    August 16, 2021
    Grace Ebert

    All images © Tiffany Bozic, shared with permission
    In her first body of work geared toward children, artist Tiffany Bozic (previously) showcases the naturally occurring whimsy and wonder of the outdoors through saturated color, texture, and unusual perspectives: An upward glance frames towering redwoods with rugged bark, elusive flying squirrels cling to a branch, and dried leaves, fungi, and berries form a thick, colorful layer of groundcover. “I wanted to inspire children to notice how beautiful and important nature is and recognize that we are also animals, a part of nature. We only protect what we love. Trees are a great place to start because everyone has access to them, even in urban areas,” she tells Colossal.
    In the last two decades, the Marin, California-based artist has created hundreds of paintings on maple panel, often leaving the wood grain fully exposed or peeking through a thin veil of acrylic.  Bozic’s detailed interpretations highlight the singularity of individual plants and animals as she adeptly applies a surreal twist to her otherwise faithful portrayals—her earlier books Drawn by Instinct and Unnatural Selections show the breadth of this style—while Trees relies on a more realistic approach. Paired with a lyrical story written by Tony Johnson, the illustrated book is a reminder to celebrate the earth’s diversity with a sense of childlike admiration and curiosity.
    Trees is available for pre-order on Bookshop. You can follow Bozic’s new works, some of which will be informed by her research into the ways fire affects biodiversity in Tahoe earlier this summer, on Instagram. Find limited-edition prints and originals on her site.

    #acrylic
    #books
    #children’s book
    #painting
    #trees

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    Plants and Knotted Branches Sprout from Camille Kachani’s Impractical Household Objects

    
    Art

    #books
    #furniture
    #plants
    #sculpture
    #tools
    #wood

    August 3, 2021
    Grace Ebert

    All images © Camille Kachani, shared with permission
    Human progress and the insurmountable force of nature converge in Camille Kachani’s overgrown sculptures. The Lebanese-Brazilian artist (previously) is known for his furniture, tools, and other practical objects that are overrun with new plant growths and gnarly roots, rendering the seemingly functional items like stools, hammers, and books humorously impractical.
    Whether a text bursting with vegetation or dresser drawers housing young sprigs, Kachani’s works highlight the futile attempts humans undertake to control the environment. This relationship has been central to his practice in recent years, and his goal is to showcase the conflicts that arise from their intersections especially in relation to life in Brazil—the South American country is more frequently experiencing the effects of the climate crisis like the worst drought its seen in decades and rampant deforestation that’s only intensifying the ongoing devastation—which he explains:
    When we speak human and nature, we mean culture and nature, an (un)stable and unpredictable relation. We depend on nature but also see it as a major obstacle to our complete mastery of the planet. But in fact, it is impossible to talk about nature and culture as two distinct subjects, as they are so intertwined and contaminated from each other that I come to believe that everything is nature and culture at the same time.
    Kachani is based in São Paulo and is preparing for a forthcoming book chronicling 20 years of his practice, which will be published in 2022. You can follow his work on Instagram.

    #books
    #furniture
    #plants
    #sculpture
    #tools
    #wood

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    An XXL-Edition Compiles All of Frida Kahlo’s 152 Artworks in an Extensive Celebration of Her Life and Work

    
    Art

    #art history
    #books
    #painting
    #self-portrait

    July 22, 2021
    Grace Ebert

    “Self-portrait with Small Monkey” (1945), oil on masonite, 22 x 16⅜ inches, Mexico City, Xochimilco, Museo Dolores Olmedo, photo by akg-images
    An enormous new book from Taschen explores the life and work of famed Mexican artist Frida Kahlo (1907–1954). Widely recognized as a groundbreaking figure in contemporary understandings of gender and sexuality, Kahlo’s now iconic image—particularly derived from her more than 50 self-portraits showing her bold brow, braided hair, and range of floral adornments—has secured her legacy as one of the most influential and profound artists of the 20th Century.
    Spanning 624 pages and weighing nearly 12 pounds, Frida Kahlo. The Complete Paintings compiles all 152 of her works paired with diary pages, letters, drawings, an illustrated biography, and hundreds of photos taken by Edward Weston, Manuel and Lola Álvarez Bravo, Nickolas Muray, and Martin Munkácsi that glimpse moments from Kahlo’s life with her husband and muralist Diego Rivera and of the Casa Azul, her home in Mexico City. Many of the pieces included haven’t been exhibited publicly in more than 80 years.

    Edited by Luis-Martín Lozano with contributions from Andrea Kettenmann and Marina Vázquez Ramos, the volume contextualizes Kahlo’s paintings by offering an intimate and wide-reaching exploration of her oeuvre that was so profoundly impacted by her experiences with a lifelong disability and an unending need to question politics and notions of identity. Lozano describes her unparalleled contributions in a conversation with It’s Nice That:
    Her uniqueness in art history is not only based in a feminist agenda as it has been stressed out in recent years, but mostly in her capacity to engage in ideological and aesthetic discussions of her time and contemporaries, in subjects such as public art and surrealism, and make them part of her core as an artist.
    Frida Kahlo. The Complete Paintings is currently available from Taschen and for pre-order on Bookshop.

    “The Little Deer” (April–May 3, 1946), oil on masonite, 8⅞ x 11 inches, Chicago, private collection, photo © Fine Art Images/Bridgeman Images
    “Portrait of Luther Burbank” (1931), oil on masonite, 34 x 24. inches, Mexico City, Xochimilco, Museo Dolores Olmedo, photo by akg-images

    “Ixcuhintli Dog with Me” (c. 1938), oil on canvas, 30 x 20 inches, United States, private collection, photo by akg-images

    #art history
    #books
    #painting
    #self-portrait

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    Interlocking Lines of Text Spring from Stephen Doyle’s Poetic Book Sculptures

    
    Art

    #books
    #language
    #paper
    #sculpture

    July 6, 2021
    Grace Ebert

    All images © Stephen Doyle, shared with permission
    Stephen Doyle describes his interconnected book sculptures as “miniature monuments, testaments to the power of language and metaphors of imagination.” Featuring angled scaffolding and interlocking constructions that appear to grow directly from the bound pages, the sprawling sculptural forms that comprise his Hypertexts series are unruly and enchanting reimaginings of how information is communicated.
    The New York City-based artist lobs off parts of sentences, tethers phrases together with an unrelated word, and generally obscures the author’s intended meaning, producing arbitrary and striking connections within the text. Although the paper sculptures are tangible manifestations of language, Doyle tells Colossal that he originally envisioned the spliced works as satirical commentaries on digital diagramming. “I first started when ‘hypertext’ was a novel term of the internet: blue underlined text was a portal, linked to another document in the ether. Linking one text to another seemed rather DADA in intent, abstract, random, and capricious,” he says, explaining further:
    I conjured sculptures in which the lines of text shook off the shackles of the page, leapt up, out of the book, and started conferring with their neighboring lines of text, creating an aerial network of language, turning text into synapse, circulation… I soon realized that these three-dimensional diagrams seemed to have a poetic power of their own, recontextualizing language and ideas into sculptural forms, inspired by the books themselves.
    A graphic designer by day, Doyle has spent the last few years expanding his Hypertexts series, which has been featured in The New Yorker, Wired, The Atlantic, The New Republic, and other publications. If you’re in New York City, you also might have seen the triptych he created for the subway a few years back. You can follow his works on Instagram. (via swissmiss)

    #books
    #language
    #paper
    #sculpture

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    ‘Banksy Graffitied Walls and Wasn’t Sorry’ Is a Cleverly Illustrated Book Introducing Kids to the Elusive Artist

    
    Art
    Illustration

    #books
    #kids
    #street art

    May 21, 2021
    Grace Ebert

    All images courtesy of Phaidon
    Banksy Graffitied Walls and Wasn’t Sorry introduces the life and work of the anonymous street artist to some of the youngest readers. The 48-page book is cleverly written as a plainspoken autobiography, detailing both Banksy’s aesthetic sensibilities and surveying his decades-long career, including references to Dismaland, his “Better Out Than In” residency in New York, signature rats, and the subversive, overtly political messages of his pieces and antics. Illustrated in Fausto Gilberti’s whimsical style, the largely black-and-white drawings are playful and humorous and contextualize Banky’s profound impact and mysterious, unapologetic reputation in a manner fit for kids.
    Published by Phaidon, Banksy Graffitied Walls and Wasn’t Sorry is Gilberti’s fourth in a series exploring the legacies of some of the most well-known artists, including Yayoi Kusama, Jackson Pollock, and Yves Klein. Shop the complete collection on Bookshop. (via Kottke)

    #books
    #kids
    #street art

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    A Monumental Book Printed on Uncut Paper Celebrates Hokusai’s Iconic ‘Thirty-Six Views of Mount Fuji’

    
    Art

    #art history
    #books
    #Japan
    #woodblock prints

    May 12, 2021
    Grace Ebert

    All images © Taschen, shared with permission
    A forthcoming volume from Taschen is an homage to renowned Japanese ukiyo-e artist Katsushika Hokusai (1760-1849) and his iconic woodblock print series, Thirty-Six Views of Mount Fuji. Compiling Hokusai’s original 36 artworks and the ten pieces he created following the success of the initial collection, the XXL edition celebrates the lauded artist and his fascination with Japan’s highest mountain.
    Encased in a cloth box with wooden closures, the 224-page book is layered with Japanese history and tradition in both content and form and features uncut paper and customary binding. The vivid, art historical works are paired with 114 color variations and writing by Andreas Marks—the director of the Clark Center for Japanese Art at the Minneapolis Institute of Art is also behind Taschen’s volume chronicling more than two centuries of woodblock prints—who offers background on the exquisite body of work Hokusai produced throughout the Edo period when a local tourism boom positioned Mount Fuji as an enduring cultural landmark.
    Thirty-Six Views of Mount Fuji will be released in June and is available for pre-order from Bookshop.

    South Wind, Clear Weather (“Red Fuji”). Image © TASCHEN/Philadelphia Museum of Art

    Sekiya Village on the Sumida River. Image © TASCHEN/The Metropolitan Museum of Art, New York

    #art history
    #books
    #Japan
    #woodblock prints

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    A New Book Highlights an Eclectic Collection of Paper Works by 24 Artists Defining the Medium

    
    Art
    Craft

    #books
    #paper

    March 31, 2021
    Grace Ebert

    JUDiTH+ROLFE. All images courtesy of Gingko Press, shared with permission
    A celebration of contemporary paper art, a new book gathers a wide-ranging collection of collages, quilled portraits, and intricately cut landscapes from 24 artists and studios around the globe. Published by Gingko Press, Paperists: Infinite Possibilities in Paper Art spans 256 pages that explore the unexpected ways the medium is used today and features work from a slew of artists featured on Colossal, including Estudio Guardabosques (previously), Makerie Studio (previously), Yulia Brodskaya (previously), and Zim & Zou (previously), to name a few. Grab a copy of the forthcoming volume on Bookshop.

    Pippa Dyrlaga

    Left: Pippa Dyrlaga. Right: Ale Rambar
    Zim & Zou
    Left: Diana Beltran Herrera. Right: Sam Pierpoint
    Zim & Zou
    Hazel Glass

    #books
    #paper

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    A Massive Catalogue of Stitched CMYK Studies by Evelin Kasikov Merges Printing and Embroidery

    
    Art
    Craft
    Design

    #books
    #color
    #cross-stitch
    #embroidery
    #thread

    March 25, 2021
    Grace Ebert

    “XXXX Swatchbook” (2010-2016), 180 x 210 millimeters. All images © Evelin Kasikov, shared with permission
    In “XXXX Swatchbook,” Evelin Kasikov (previously) explores all of the variables of CMYK printing without a single drop of ink. She catalogs primary, secondary, and tertiary colors, two-dozen combinations showing how rotation affects the final pigment, and a full spectrum of rich gradients. In total, the printing-focused book is comprised of four base tones, 16 elements, and 400 swatches of color entirely hand-embroidered in 219,647 stitches.
    The original idea came from Kasikov’s desire for a reference tool, one similar to loose sheets of Pantone swatches, that she could share with potential book design clients interested in CMYK embroidery. During the next six years, though, the project evolved into the uniquely comprehensive artist book it is now.
    “XXXX Swatchbook” features three-dimensional color studies in the style of precisely arranged halftone dots employed in four-color printing. “I use cross-stitch technique to replicate this. It’s a very simple idea,” Kasikov says. “I prepare the image in InDesign or Illustrator, then pierce the design onto paper and stitch with CMYK colored threads. Of course, my ‘print resolution’ is very low, about 3-4 lines per inch compared to 300 in print.”
    Stitched with varying thickness, the swatches use conventional screen angles—cyan 105˚, magenta 75˚, yellow 90˚, and black 45˚—to produce a wide range of colors and gradients, all of which you can view on the artist’s blog. Each French-folded page features geometric patches of thread, alongside hand-written details about the CMYK values shown. The spine of the book also reveals a vibrant gradient spanning magenta to cyan.

    “XXXX Swatchbook” is founded on Kasikov’s earlier “CMYK Embroidery,” a project that grew out of her MA studies at Central Saint Martins and was influenced by her background in advertising. Merging the two into the broader project of graphic stitching grew organically and offered an outlet to create a piece that was the artist says was “valuable, timeless, and trend-less,” in comparison to the more transitory projects of commercial work. “When you add tactile qualities to graphic design, it changes perspective. The structure of color can be touched. The printed image becomes three-dimensional. A flat page comes to life so to speak,” she writes.
    Kasikov splits her time between Tallinn and London, where she’s working on a project called Small Hours. Centered around a theme of silence, the collection features still-life photographs with freehand dots stitched on top in a pointillist style. Follow the ongoing project and find a larger archive of Kasikov’s book designs and embroidered works on her site and Instagram. You also might enjoy Tauba Auerbach’s RGB colorspace atlas. (via Present & Correct)

    #books
    #color
    #cross-stitch
    #embroidery
    #thread

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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