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    Folds in Recurring Patterns Form the Tessellated Origami Sculptures by Goran Konjevod

    
    Art
    Craft
    #copper
    #metal
    #origami
    #paper
    #sculptureFebruary 8, 2022Grace EbertAll images © Goran Konjevod, shared with permissionWhether folding flat, square tessellations or rounded forms that billow from a central point, origami artist  Goran Konjevod (previously) focuses on the tension inherent in a single sheet of material. His sculptures draw on his background in mathematics and computer science and configure precise geometries, fanned pleats, and small woven pieces that appear to be individual strips threaded together rather than a series of carefully aligned creases. Each form is a meticulous blend of texture, pattern, and dimension that’s translated into elegant, abstract constructions through repetitive folds.In recent months, Konjevod has shifted to working with paper infused with encaustic paint, although he’s also created an array of knotted creatures, twisted ropes, and small vessels out of thin sheets of copper, other metals, and mesh. You can find hundreds of his sculptures on his site, and take a peek into his process on Instagram.
    #copper
    #metal
    #origami
    #paper
    #sculptureDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Loops and Coils in Bright Gradients Grow from Claire Lindner’s Ceramic Sculptures

    
    Art
    Craft
    #ceramics
    #gradients
    #sculpturesFebruary 6, 2022Anna MarksAll images © Claire Lindner, shared with permissionVine-like colorful coils of material overlap in Claire Lindner’s latest sculpture collection, which blurs the line between organic and human-made forms. Each piece has a vibrancy and motion designed to push the possibilities of the medium. “My ideas are guided by the evocation of the living,” she tells Colossal. “I try through movement and color to combine images of vegetation, the animal or the mineral world, the body as if everything was made of the same substance.”Lindner plays on oppositions when designing her ceramics to “create a visual confusion that triggers our imagination.” She creates tensions between aesthetics and textures, including soft and hard, light and heavy, and attractive and repulsive.Each piece is made from glazed stoneware, and before the artist starts working on a new sculpture, she envisions the “movements, flow, and colors” that make up its base and core. But as she works, she lets the material inform her choices. “Once in the making, I let myself be guided by the specificity of clay,” she explains. “I have to be attentive to its tensions, folds, and plasticity in order to make a form that will ‘flow’ and tell an interesting story.”Lindner attended the Ecoles des Arts Décoratifs Strasbourg and developed an interest in clay from studying its organic and malleable characteristics. She compares her process to metamorphosis: how after time, one form changes into another. “Unlike glass, metal, wood, or 3D printing, working with clay felt like a prolongation of the body. It can be apprehended safely. It is soft and malleable,” she says. “It also has the ability in its process to keep all of the imprints of its manipulation, just like skin you can see the stretch marks, feel the tension, and play with the limits.”In spring, Lindner will exhibit her work in a solo show at Maab Gallery in Milan and a group show at the MOCO La Panacée Museum in Montpellier. She is currently working on larger-scale pieces, which you can follow on her website or Instagram. (via Ceramics Now)
    #ceramics
    #gradients
    #sculpturesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Knit Coral Suits and Vibrant Marine Creatures Spring From Mulyana’s Whimsical Yarn-Based Ecosystems

    
    Art
    Craft
    #coral
    #costumes
    #crochet
    #installation
    #knitting
    #octopusJanuary 26, 2022Grace EbertAll images © Mulyana, courtesy of Sapar Contemporary, shared with permissionIn Mulyana’s Fragile Ecologies, two figures cloaked in coral and algae tower over beds of fiber-based sea creatures. The Indonesian artist continues his playful and eccentric approach to marine life conservation in his solo show on view through March 4 at Sapar Contemporary, which brings some of his life-sized costumes and an array of woolen specimens to the gallery. Each piece is knit or crocheted with recycled, brightly colored yarn, which the artist fashions into sprawling ecosystems and immersive installations that dangle from the ceiling.Mulyana puts a fantastic twist on the natural lifeforms, especially when crafting his signature Mogus character: most recently, the reimagined octopus is outfitted with a mustache in leopard print, innumerable eyes all over its body, and polka-dotted horns. Lighthearted in presentation, the works are rooted in more urgent issues like the effects of the climate crisis, isolation, and how we collectively configure identities that are always evolving. A statement about Fragile Ecologies says:On a macro level, Mulyana’s profound concern for the eroding environment and our collective lack of care for the natural world parallels the importance of self-care on a micro level. His message encourages a holistic path to self-preservation amidst a chaotic and uncertain post-pandemic world. While Mulyana does not overtly reference gender and sexuality in his intricate installations, the diversity of his colorful environments and spectacular costumes allude to the fluidity of human identity.For more of Mulyana’s underwater knits and costumes, head to his site and Instagram.
    #coral
    #costumes
    #crochet
    #installation
    #knitting
    #octopusDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Vintage Tapestries Cloak the Wings of Larysa Bernhardt’s Plush Moths

    
    Art
    Craft
    #insects
    #moths
    #sculpture
    #textilesJanuary 23, 2022Anna MarksAll images © Larysa Bernhardt, shared with permissionIn a cozy studio overlooking a garden in Blackwell, Missouri, artist Larysa Bernhardt creates colorful moth sculptures with a needle and thread. Her fabric creatures are embroidered with old tapestries, often portraying historical people, animals, and delicate botanical forms on their wings: one specimen with a rusty orange abdomen depicts a little bird taking flight, while another is blue with a Medieval woman looking at a flower.Able to stand on their own or hang from the wall, the handmade moths feature eyes made from Czech glass beads and bodies of cotton velvet and Belgian linen. Bernhardt also wires their wings, enabling people to shape them into their desired position.The artist initially began by collecting vintage textiles, including silk tapestries and wool, and was interesting in analyzing and unraveling their histories, taking an interest in how creatures, such as moths, often inhabit such materials. “I have some very old wool and silk tapestries, and I’m still trying to unravel the stories behind them,” she tells Colossal. “Those will never be cut, they’re treasures, and I’m constantly checking for moth larvae…and just like that, moths entered the chat! What I love and what I fear melded into my work, in what I believe is a magical, albeit slightly menacing way.”In addition to the material components, the moths are inspired by travel, television shows, books, and “even phrases someone drops in the grocery line to checkout,” Bernhardt says. “I will never tire of seeing how magically creative humans are,” Bernhardt explains.Some of her works are on view now at New Orleans’ Mortal Machine Gallery, and you can view more of her work on Instagram and shop available pieces on Etsy. (via Supersonic Art)
    #insects
    #moths
    #sculpture
    #textilesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Movement and Flow Infuse Pleated Paper Sculptures and Modular Designs by Richard Sweeney

    
    Art
    Craft
    #paper
    #sculptureJanuary 10, 2022Grace Ebert“Swan.” All images © Richard Sweeney, shared with permissionEvoking the spread wings of a bird in flight or a dancer’s graceful bends, the paper sculptures created by Richard Sweeney (previously) convey movement through an intricate display of folds and pleats. The monochromatic works, which the West Yorkshire, England-based artist manipulates into their final shapes with small cuts, wet creases, and dabs of adhesive, are abstract and asymmetrical in form, inspiring a range of associations. “People see different things—animal skulls and a spinal column being a few of my favorites mentioned so far,” he tells Colossal.Sweeney’s process has remained largely the same during the last few years, and he still crafts a variety of malleable, modular forms like the pliable helix shown below, although he now gravitates toward more organic shapes that appear to flow from one end to the other. “I like to go out walking in the countryside, so there is plenty to see there that influences me—birds in flight, streams, and rivers, cloud formations—so I’ll make sketches and take photographs and let that guide my sculptural work. I don’t usually work with a particular form in mind,” he says, noting that each sculpture often takes multiple weeks to complete.Pick up a copy of Sweeney’s Fluid Forms for a deeper look at his practice, and if you’re in London, stop by Deirdre Dyson before January 14 to see his pieces in person. You can also follow his latest works on Instagram.“Swan”“Flight Sequence”“Swan”“Cloud”Detail of “Flight Sequence”Detail of “Cloud”“Swan”
    #paper
    #sculptureDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Colossal’s Favorite Books of 2021

    
    Art
    Craft
    Photography
    #booksDecember 8, 2021ColossalBefore we (eagerly) say goodbye to 2021, we’re taking a look back at the year, starting with the books we covered on Colossal. Throughout the past 12 months, we published dozens of articles centered on new artist monographs and tomes surveying broader topics that range from art and design to science and history. We’ve gathered our top 10 below, although you can browse nearly every title we mentioned on the site on Bookshop.Nature’s Palette: A Color Reference System from the Natural WorldNature’s Palette: A Color Reference System from the Natural World pairs 110 color swatches from the 19th-century catalog Werner’s Nomenclature of Colours with more than 800 illustrations of the animals, plants, and minerals detailed in the descriptions. The comprehensive visual compendium ranges from large renderings of red coral to full-page charts spanning fine-grained marble to smoky quartz.Available from BookshopHilma AF Klint: The Complete Catalogue Raisonné: Volumes I-VIIThroughout her lifetime, the Swedish artist Hilma af Klint created more than 1,600 pieces, an impressive output collected in Hilma AF Klint: The Complete Catalogue Raisonné: Volumes I-VII. The seven-volume series is organized both chronologically and by theme and shares a breadth of her colorful, spiritually-minded body of work.Volumes I—IV are available on Bookshop and the remaining three are available for pre-orderAfrican Artists: From 1882 to NowOne of the most expansive volumes of its kind, African Artists: From 1882 to Now compiles a broad sampling of works from more than 300 modern and contemporary artists born or living on the continent. Within its 350-plus pages, the massive text spans a range of mediums and aesthetics, from Mary Sibande’s sprawling postcolonial installations and Wangechi Mutu’s fantastical watercolor collages to the cotton-embroidered photographs by Joana Choumali.Available from PhaidonBird: Exploring the Winged WorldBird: Exploring the Winged World is an extensive celebration of feathered creatures across thousands of years of art, science, and popular culture. The stunning, 352-page volume compiles works from hundreds of artists, illustrators, photographers, and designers who choose ostriches, flamingos, and other avians as their central motifs.Available from PhaidonPaperists: Infinite Possibilities in Paper Art Spanning 256 pages, Paperists: Infinite Possibilities in Paper Art explores the unexpected ways the medium is used today, sharing a range of collages, quilled portraits, and intricately cut landscapes from 24 artists and studios around the globe.Available from BookshopThirty-Six Views of Mount FujiAn XXL edition from Taschen is an homage to renowned Japanese ukiyo-e artist Katsushika Hokusai (1760-1849) and his iconic woodblock print series, Thirty-Six Views of Mount Fuji. Compiling the artist’s original 36 artworks and the ten pieces he created following the success of the initial collection, the tome celebrates the lauded artist and his fascination with Japan’s highest mountain.Available from TaschenBanksy Graffitied Walls and Wasn’t SorryBanksy Graffitied Walls and Wasn’t Sorry introduces the life and work of the anonymous street artist to some of the youngest readers. The 48-page book is cleverly written as a plainspoken autobiography and references Dismaland, his “Better Out Than In” residency in New York, and signature rats.Available from PhaidonFrida Kahlo. The Complete PaintingsAn enormous book explores the life and work of famed Mexican artist Frida Kahlo (1907–1954). Spanning 624 pages and weighing nearly 12 pounds, Frida Kahlo. The Complete Paintings compiles all 152 of her works paired with diary pages, letters, drawings, an illustrated biography, and hundreds of photos that glimpse moments from Kahlo’s life with her husband and muralist Diego Rivera and of the Casa Azul, her home in Mexico CityAvailable from TaschenAmazôniaPhotographer Sebastião Salgado spent six years immersed in the Brazilian Amazon as he documented the world’s largest tropical rainforest in black-and-white. From wide, aerial shots framing the vegetation populating the landscape to sincere portraits of Indigenous peoples living throughout the region, Salgado’s images are a revealing and intimate study of the area and are compiled in Amazônia.Available from TaschenTwo Worlds: Above and Below the SeaFrom the coral-cloaked Kimbe Bay of Papua New Guinea to the icebergs of Antarctica’s Danco Island, the bisected photographs in David Doubilet’s book Two Worlds: Above and Below the Sea unveil the diverse ecosystems on either side of the water’s surface. The 128-page volume features 70 images from Doubilet’s 50-year career spent traveling the globe and pioneering the field of underwater photography.Available from Phaidon
    #booksDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Canning the Sunset: Hundreds of Jars of Dyed Sand Preserve the Swirling Colors of a Skyline Before Dusk

    
    Art
    Craft
    #sand
    #sky
    #sunsetDecember 2, 2021Grace EbertAll images © Carly Glovinski, shared with permissionThere’s a human impulse to preserve life’s blissful moments—a quick scroll through your camera roll will probably give you plenty of evidence—one Carly Glovinski gives into by bottling up the rich, swirling gradients the cloak the sky at day’s end. Her ongoing Canning the Sunset project, which the New Hampshire-born artist began in March of 2020, layers hand-colored sand in reused glass jars to capture the last hours of light before they descend into dusk.Now stored in hundreds of vessels in various shapes and sizes, the grainy compositions range from subtle pastel palettes to vibrant oranges and yellows, rationing the short-lived hues “for times of scarcity,” Glovinski says. “The sunset marks the sky with color in a fleeting moment each day, slipping down behind the horizon like grains of sand through an hourglass. To try and capture it, contain it, or possess it is a futile, and impossible gesture. ”Canning the Sunset is on view through December 4 at Untitled Art Fair Miami with Morgan Lehman Gallery, and Glovinski shares more of her paintings, sculptures, and other projects on Instagram. You also might enjoy these calming sunrises by Sho Shibuya.
    #sand
    #sky
    #sunsetDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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    Vintage Fabrics Encase Ceramic Shards in Zoë Hillyard’s Mended Pottery

    
    Art
    Craft
    #ceramics
    #found objects
    #pottery
    #silk
    #textilesDecember 2, 2021Grace Ebert“Spring Vase” (2017), silk, linen, ceramic, and thread, 28 x 17 centimeters. All images © Zoë Hillyard, shared with permissionBirmingham, U.K.-based artist Zoë Hillyard revitalizes shattered vases and bowls by melding traditional craft techniques. She wraps a mishmash of vintage silks and fabrics around individual ceramic shards, binding the broken pieces with tightly stitched thread. Appearing glazed with antique florals and other ornate motifs, the patchwork forms contrast the original shape of the pottery with the newly mended exterior, a reconfigured finish that’s commonly disrupted by missing pieces and jagged edges.Gathering the source materials from ceramicists’ reject piles or by receiving broken family heirlooms for commissions, Hillyard works with the initial shape and purpose in mind. She says:Like archaeological treasures, they display imperfections in the form of holes and irregularity, and all the more interesting for them. Each piece is unique in terms of the combinations of materials used, the pattern of breakage, the impact of colour and print and aesthetic decisions made during reconstruction.Hillyard’s body of work is replete with metaphorical and physical tension and contrast between the old and new. Although the pieces appear delicate and light like the fabrics that envelop their sides, they retain the heftiness and weight of clay and are warmer to the touch than a porcelain vessel, for example. “Most surprisingly, they often have a subtle flex, disconcerting when contrasted with traditional ‘solid’ forms of ceramic repair,” the artist shares. “I enjoy these ambiguities, with the work challenging expectations and conventional definitions.”In addition to her practice, Hillyard teaches textile design at Birmingham City University. She currently has pieces at Contemporary Applied Arts in London and will show new works in June 2022 at The Pool House Gallery in Gloucestershire. Until then, explore more of her process and mended projects on Instagram. (via Women’s Art)“Shard Vase” (2016), silk, ceramic, and thread, 35 x 25 centimetersDetail of “Spring Vase” (2017), silk, linen, ceramic, and thread, 28 x 17 centimeters“Gestalt Vase” (2019), silk, ceramic, and thread“White Patch Vase” (2017), silk, ceramic, and thread, 35 x 21centimeters“Birdseye Vase” (2016), silk, ceramic, and thread, 45 x 27 centimeters“Katharina Klug Kimono Bowl” (2017), 14.5 x 27 centimeters“Stormy Vase” (2017), silk, ceramic, and thread, 25 x 20 centimeters
    #ceramics
    #found objects
    #pottery
    #silk
    #textilesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More