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    Hiné Mizushima Felts Whimsical Sea Creatures Adorned with Beads and Crocheted Detail

    Detail of “Ancient Diorama Ammonite.” All images © Hiné Mizushima, shared with permission

    Hiné Mizushima Felts Whimsical Sea Creatures Adorned with Beads and Crocheted Detail

    September 13, 2024

    Art Craft Nature

    Grace Ebert

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    Nested in one of Hiné Mizushima’s wooden dioramas is an ancient marine menagerie. Vibrant blue felt lines the walls of the plush environment, which houses a pair of ammonites along with tall seagrass and small bits of coral reef.

    From her Vancouver studio, Mizushima stitches whimsical renditions of underwater creatures. Her soft, fiber sculptures take a playful approach to natural life, sometimes perching an octopus atop a human heart or finding a moray eel slithering out of an artery. Often depicted in pastel colors and adorned with beads and crocheted details, the creatures are friendly and even glitzy interpretations of their real-life counterparts.

    The works shown here will be on view in Mizushima’s solo show Creatures and Curiosities on view from September 14 to October 22 at Boris Zakkaten in Tokyo. Find more on Instagram.

    “Ancient Diorama Ammonite”

    “Heart Moray Eel”

    Detail of “Heart Moray Eel”

    “Ancient Diorama Squids”

    Detail of “Ancient Diorama Squids”

    “Heart Ocotpus”

    “Heart Squid”

    Detail of “Heart Squid”

    “Bugs 1”

    “Bugs 2”

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    Delightful Nighttime Landscapes Nestle into Stacked Wooden Boxes in Allison May Kiphuth’s Dioramas

    
    Art

    #animals
    #dioramas
    #found objects
    #miniature
    #mixed media
    #nature
    #sculpture
    #watercolor

    February 3, 2021
    Grace Ebert

    All images © Allison May Kiphuth, shared with permission
    Allison May Kiphuth (previously) shrinks the expansive landscapes found throughout the eastern United States into picturesque dioramas brimming with natural life. Through layered watercolor and ink renderings, the Maine-based artist creates a mix of quiet forest scenes and ocean habitats often under a dark, nighttime sky. She then stacks the outfitted wooden boxes, blending the marine and land-based pieces in varying positions that create new ecosystems with every combination.
    Although Kiphuth derives much of her subject matter from the area around her home, she shares that experiencing new scenes is essential to her practice. “I haven’t been outside of Maine in over a year, and while this landscape is usually so expansively beautiful to me, without the contrast of other landscapes for perspective, it’s been feeling incredibly small,” a feeling that’s amplified by her living and working from a tiny home that’s just 8 x 20 feet.
    The artist has a solo show slated for August at Antler Gallery in Portland, and limited edition prints of the piece above are available from Nahcotta. Get a glimpse into Kiphuth’s process and views of the scenery she references in her works on Instagram.

    “Bond,” watercolor, paper, and pins in antique box, 4 x 6 x 2 inches
    “Defense,” watercolor, paper, and pins in antique box, 4.625 x 7 x 3.75 inches
    Left: “Den” (2019), watercolor on layers of hand-cut paper, sealed with encaustic, 6 x 6.5 x .5 inches
    “Nightlight 2,” Watercolor, paper, thread, and pins in antique box, 6.25 x 4.875 x 3.25 inches
    “Observation” (2019), watercolor on layers of hand-cut paper, sealed with encaustic, 6 x 6 x .5 inches
    “Defense” in progress

    #animals
    #dioramas
    #found objects
    #miniature
    #mixed media
    #nature
    #sculpture
    #watercolor

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