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Chaotic Facial Markings Express the Wildly Varied Emotions of Reen Barrera’s Imaginative Ohala Dolls
Art#emotions
#fabric
#mixed media
#paint
#Reen Barrera
#sculpture
#woodSeptember 16, 2022
Grace Ebert More
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Waves of Engraved Lines Texture the Emotional Figures Sculpted by En Iwamura
Art
#ceramics
#clay
#emotions
#sculptureDecember 17, 2021Grace EbertAll images © En Iwamura, courtesy of Ross + Kramer Gallery, shared with permissionFrom hunks of clay, artist En Iwamura (previously) sculpts minimal forms with wildly varied facial expressions that range from shock and surprise to moody contemplation. Etched across the surface of each character are neat pathways of parallel lines, which evoke the clean, sweeping patterns in zen gardens, that are a physical manifestation of the Japanese concept of Ma. The philosophy identifies “the space between the edges, between the beginning and the end, the space and time in which we experience life. Ma is filled with nothing but energy and feeling.”Although his aesthetic and process remain relatively consistent—Iwarmura is generous about sharing works-in-progress and studio shots on his Instagram—his approach to spatial questions continues to evolve. “My work size has physically got bigger,” he tells Colossal. “That can have (a) different relationship with Ma, either micro (or) macro.”Iwamura is currently living in Shiga near his hometown of Kyoto, and if you’re in New York, you can see his oversized faces in January at Ross + Kramer Gallery.
#ceramics
#clay
#emotions
#sculptureDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More - in Art
Interview: Sara Hagale Discusses the Therapeutic Nature of Her Practice and Why She Doesn’t Think About Authenticity
Art
Colossal
Illustration#drawing
#emotions
#interviewAugust 31, 2021
Grace Ebert“Walkerings.” All images © Sara Hagale, shared with permission
Considering their undeniable relatability, it’s no surprise that Sara Hagale’s witty, whimsical, and at times anxious drawings have amassed an incredible following in recent years, a topic she discusses in a new interview supported by Colossal Members. Her body of work is broad and idiosyncratic, spanning fanciful bouquets of leggy flowers to smudged self-portraits to quirky characters struggling through life, and it offers an array of emotional and aesthetic nuances that are unique to the artist.
I don’t have to feel goofy all the time in order to still be me. And I’m allowed to draw something that feels right to me in that moment even if it doesn’t match up perfectly with the other work I produce.
In a conversation with Colossal managing editor Grace Ebert, Hagale discusses using her practice to process her emotions in real-time, the impossibility of authenticity, and why she prefers to work with limitations.#drawing
#emotions
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Capricious Characters Express Emotional Ambivalence in Yoshitoshi Kanemaki’s Glitched Sculptures
Art#emotions
#portraits
#sculpture
#woodMay 19, 2021
Grace Ebert“Fleeting Moment Caprice.” All images @ Yoshitoshi Kanemaki, courtesy of FUMA Contemporary Tokyo, shared with permission
Japanese artist Yoshitoshi Kanemaki (previously) carves fickle, ambivalent, and even contradictory sentiments in his figurative sculptures that embody a range of emotions. The wooden characters are surreal in form with multiple limbs, duplicate features, and recurring faces that wind entirely around their bodies. Whether conveyed through kaleidoscopic or blurred techniques, each portrait “expresses the dignity of life as a human being, the hate and harassment that people experience, and the importance of environmental awareness,” the artist says, explaining:
It’s the hesitation, contradiction, two-sidedness, or multi-sidedness, double standard. These are the problems that all people have, and I express them as sculptures under the concept of “ambivalence.” I want to portrait a modern person, who visualizes the “ambivalent” state that everyone has.
Kanemaki is based in Nagareyama City and is currently altering one of his older works titled “Memento Mori” to deepen its sentiments and add more complexity. Explore an archive of his glitched figures at Fuma Contemporary Tokyo.“Singing in Rounds Geometry”
“All Day Believing”
“Singing in Rounds Geometry”
“Swing Caprice”
“Swing Caprice”
“Repetition Geometry”#emotions
#portraits
#sculpture
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Interview: Arinze Stanley Speaks to the Indelible Impact of Police Brutality and How Extreme Emotion is the Key to Change
Art
Colossal#activism
#drawing
#emotions
#hyperrealism
#portraitsMay 6, 2021
Grace Ebert“Bullets and Denim #2” (2020), charcoal and graphite on paper, 30 x 26 inches. All images © Arinze Stanley, shared with permission
For the past few years, Nigerian artist Arinze Stanley (previously) has been at the forefront of hyperrealism with his powerful and sometimes surreal portraits that are arresting in size and emotion, which he discusses in a new interview supported by Colossal Members. His charcoal-and-graphite works are rendered in stunning detail and bear broader political messages, particularly in relation to state-sanctioned violence and his own experiences suffering from police and military brutality.
What people don’t recognize about Bullets and Denim is that the artwork shows emotion on all parts, but if you have a gunshot to your head, you should be dead, right? Well, these people in the photo are not dead. That encapsulates the concept of endurance in general. Even as we try to stitch the patches of our reality, I want people to see that, that we’ve had it to the head. Enough is enough. It’s a visual representation of enough is enough because from here onwards is death.
Colossal managing editor Grace Ebert joined Stanley for a conversation in March 2021 about how he brings his subjects to points of extreme frustration, the ways his drawings resonate with different audiences around the globe, and how he envisions his artworks as catalysts for meaningful change.“The Machine Man 1” (2019), pencil on paper
#activism
#drawing
#emotions
#hyperrealism
#portraitsDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!
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