Gargantuan Straw Creatures Rise from the Fields of Japan’s Annual Rice Harvest
Art
#animals
#farming
#Japan
#public art
#sculpture
#straw
#Wara Art Festival
October 4, 2023
Christopher Jobson More
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150 Shares159 Views
Art
#animals
#farming
#Japan
#public art
#sculpture
#straw
#Wara Art Festival
October 4, 2023
Christopher Jobson More
150 Shares159 Views
in Art
Art
Food
#animals
#farming
#Japan
#sculpture
#straw
September 13, 2021
Grace Ebert
All images courtesy of Wara Art Festival
If you visit Japan’s Niigata Prefecture during the region’s annual rice harvest, you’re likely to find enormous tarantulas, eagles, and dinosaur-like creatures stalking the bucolic landscape. The towering sculptures are part of the Wara Art Festival, a summertime event that displays massive animals and mythical creations fashioned from the crop’s leftover straw.
Traditionally, the byproduct is used as livestock feed, for compost that revitalizes the soil, and to craft household goods like zori sandals, although farmers increasingly have found themselves with a surplus as agricultural technology and culture changes. This shift prompted a partnership between the people of the former Iwamuro Village, which is now Nishikan Ward, and Tokyo’s Musashino Art University (known colloquially as Musabi) in 2006. At the time, Department of Science of Design professor Shingo Miyajima suggested that the unused straw be used in a collaborative art project between the university and local farmers, resulting in the first Wara Art Festival in 2008.
Today, students design the oversized characters—you can see previous year’s creations in this gallery—and artisans from Nishikan Ward construct the wooden armature and thatched bodies. The monumental figures stand as high as 30 feet, looming over the green landscape in a playful celebration of local culture.
Although the festival paused in 2020 because of the ongoing COVID-19 pandemic, it’s back for its 13th edition at Uwasekigata Park. This year’s motley cast includes insects, animals, and even legendary monsters like the Amabie, all on view through October 31. (via Hyperallergic)
#animals
#farming
#Japan
#sculpture
#straw
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in Art
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Design
#farming
#installation
#light
#plants
#sustainability
January 22, 2021
Grace Ebert
Spread across a thick field of leeks in the Netherlands is Daan Roosegaarde’s new installation that illuminates the practice of modern farming, highlighting the plants that feed us and their plights. In “Grow,” the Dutch artist and designer, who’s known for glowing, interactive exhibits, implanted the rows with red, blue, and ultraviolet lights that shine vertically across the crop and shift in entrancing motion.
Spanning 20,000-square-meters, the multi-faceted project is both aesthetic and practical: the radiant landscape is visually stunning, while the embedded elements enhance plant growth and cut pesticide use in half. Roosegaarde worked with existing photobiological technology and distinct “light recipes” that are thought to improve crop resistance and their metabolisms without added chemicals. “It gives a new meaning to the word ‘agri-culture’ by reframing the landscape as a living cultural artwork,” the studio says in a statement.
In a conversation with Dezeen, Roosegaarde noted that a trip to a local farm spurred the project, which the designer now hopes will act as a blueprint for similar works. The Netherlands is the second-largest agricultural exporter in the world—the U.S. is first—and is known for innovating more sustainable technologies. With some shifts in the combination of lights and placement, this singular project could have wide-reaching implications for crop production around the world.
“Grow” took Roosegaarde’s studio about two years to complete and is part of Rabobank’s artist-in-residence program. It’s slated to tour 40 countries in the coming months. For more of Roosegaarde’s work that falls at the intersection of art, design, and science, head to Instagram.
All images © Daan Roosegaarde, shared with permission
#farming
#installation
#light
#plants
#sustainability
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