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    ‘Quiver’ Surveys Twenty Years of Striking Feather Sculptures by Kate MccGwire

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    “Circe” (2023). Photo by JP Bland. All images courtesy of Kate MccGwire, shared with permission

    ‘Quiver’ Surveys Twenty Years of Striking Feather Sculptures by Kate MccGwire

    August 5, 2025

    ArtNature

    Kate Mothes

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    Although we’re familiar with numerous birds displaying bright blue hues, from the aptly named blue jays to indigo buntings to various species of heron, this color in avians’ feathers is actually a trick of physics. While hues like red and yellow are produced from pigments, blue results from the way light interacts with molecules inherent to the structure of the feathers. And it’s this delightful, elusive luster that lends itself so well to Kate MccGwire’s striking sculptures.

    Next month, MccGwire (previously) opens a solo exhibition at the Djanogly Gallery at Lakeside Arts titled Quiver, surveying two decades of the artist’s work with ethically sourced feathers. Striking, framed wall pieces meet undulating specimens in freestanding vitrines and large-scale, site-specific installations. The vintage glass cases and domes nod to the 19th-century fascination with taxidermied trophy animals that adorned museum walls and grand private homes.

    “Quiver” (2012). Photo by Ian Stuart

    Working from a converted Dutch barge in West London, MccGwire’s studio mirrors her interest in nature. Like water, her compositions shimmer in the light and appear to swirl and roil, whether pool-like in frames or serpentine and encased in glass. Plumbing the inherent tensions between themes of beauty and revulsion, life and death, and wildness and captivity, the artist encourages us to consider our emotional and ever-evolving relationship with nature.

    Quiver runs from September 20 to January 4 in Nottingham. If you’re in Sag Harbor, you can also see MccGwire’s work in The Ark at The Church, curated by Eric Fischl, which continues through September 1. And a piece is also included in Iris Van Herpen: Sculpting the Senses, which runs through August 10 at the ArtScience Museum in Singapore before traveling to the Kunsthal, Rotterdam, where it opens on September 27. Find more on the MccGwire’s website and Instagram.

    “Flex”

    “Cavort (West)”

    “Host.” Photo by Tessa Angus

    “Reel” (2015). Photo by JP Bland

    “Stifle.” Photo by Tessa Angus

    “Gyrus” (2019). Photo by JP Bland

    “Surge (Columba).” Photo by Tessa Angus

    “Gag”

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      #birds
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      #birds
      #feathersDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

    • 150 Shares109 Views

      in Art

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      #birds
      #feathers
      #murals
      #painting
      #public art
      #street art

      June 4, 2021
      Grace Ebert

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      #birds
      #feathers
      #murals
      #painting
      #public art
      #street art

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      in Art

      10,000 Pigeon Feathers Cascade from a Bookcase in Kate MccGwire’s Latest Installation

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      Art

      #birds
      #feathers
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      #video

      August 11, 2020
      Grace Ebert

      “Discharge” (2020), mixed media installation with pigeon feathers, approximately 480 x 70 x 370 centimeters. All images © Kate MccGwire, shared with permission
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      “Discharge” has been exhibited in an evolution of configurations in South Korea, Berlin, Paris, and now, Harewood House in West Yorkshire until August 14. Take a video tour of the current exhibition—which also includes a massive feather rug and encased sculptures—and find more of MccGwire’s voluptuous projects on Instagram.

      

      #birds
      #feathers
      #installation
      #video

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