In Luminous Portraits, Florence Solis Invokes Feminine Power Amid Constraint
“Makahiya IX” (2025),
acrylic on canvas, 20 x 16 inches. All photos by Julieta Christy Sarmiento, courtesy of The Mission Projects, shared with permission
In Luminous Portraits, Florence Solis Invokes Feminine Power Amid Constraint
April 22, 2025
Art
Grace Ebert
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When touched, the hypersensitive makahiya plant folds its minuscule leaflets inward, protecting itself from any potential threat.
Florence Solis draws on this defensive response in an ethereal collection of portraits. Beginning with digital collages that meld figures and delicate, organic ornaments, the Filipino-Canadian artist translates the imagined forms to the canvas. Shrouded in dainty, beaded veils or entwined with botanicals, each protagonist appears bound and concealed, their bodies and faces obscured by hair or grass.
“Sirena” (2025), acrylic on canvas, 30 x 24 inches
As Solis sees it, the figures may be restricted, but they’re also able to find strength and transformation. “Filipino women, much like the makahiya, have been taught to yield, to soften, to take up less space,” she says. “And yet, beneath this quietness lies an undeniable force—one that persists, adapts, and reclaims space in its own way.”
Working in saturated, often single-color palettes, Solis renders figures who appear to harness magical powers. She references Filipino folklore and the belief in the power of the everyday to lead to the divine, painting women rooted in tradition and myth, yet determined to see their transformation through.
The vivid portraits shown here will be on view at EXPO CHICAGO this week with The Mission Projects. Find more from Solis on Instagram.
“Sa Lupa (On Ground)” (2025), acrylic on canvas, 30 x 24 inches
“Totem” (2025), acrylic on canvas, 30 x 24 inches
“Makahiya VIII” (2025), acrylic on canvas, 20 x 16 inches
“Makahiya VII” (2025), acrylic on canvas, 48 x 36 inches
“Alay (Offering)” (2025), acrylic on canvas, 48 x 36 inches
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