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Dreamlike Sculptures by Christina Bothwell Meld Ceramic, Glass, and Oil Paint into Otherworldly Figures
Art
#animals
#ceramics
#dreams
#glass
#mosaics
#oil paint
#sculpture
#surrealJanuary 24, 2022Grace Ebert“Two Violets.” All images © Christina Bothwell, shared with permissionFrom her Pennsylvania studio, Christina Bothwell (previously) sculpts surreal hybrid creatures and figures that occupy the unearthly space between dreams and wakefulness. She works with a combination of annealed glass, pit-fired ceramics, oil paint, and small mosaic tiles, which each correspond to a conceptual element. “I always come back to the idea that the physical part of us is just a small part of who we are in our entirety,” the artist tells Colossal. “The translucent parts of my pieces are meant to suggest the soul or that part of us that is more than just our bodies. The ceramic portions of my pieces represent our grounded, tangible parts.”In her most recent body of work, Bothwell continues her explorations into the liminal and states of flux: a slumbering child appears to float from its sleeping counterpart in “Lucid Dream,” while another lies upside down in “Mood Swing.” Many of the sculptures are tinged with themes of magic, imagination, and escapism, which are reflected in the ways that human bodies meld with birds, monkeys, octopuses, and deer. She explains:I was a sensitive child with eccentric parents who didn’t fit in. I didn’t even fit in with my family a lot of the time. It was like I was a changeling or an alien they were forced to live with. I felt like an outsider for most of my life, and it always felt precarious, unsafe, being who I was. For this reason, I think I identify with deer… despite their beauty and grace, they are not protected or valued (at least not where I live), and their vulnerability and innocence resonates with something deep within me.Bothwell’s fantastical works will be on view at Habatat Gallery and Muskegon Museum of Art as part of the upcoming Beyond the Glass Ceiling, Influential Women in Glass exhibition and again this summer at Tory Folliard Gallery in Milwaukee. Until then, explore more of her sculptures on Instagram.“Simian Dream”“Lucid Dream”“Snail”“Little Deer”“Mood Swing”“Speak No Evil See No Evil Hear No Evil”Left: “Here and Now.” Right: “Safe Haven”“Dream State”Top: “New Sunday.” Bottom left: “Tea with Cows.” Bottom right: “Tea Party”
#animals
#ceramics
#dreams
#glass
#mosaics
#oil paint
#sculpture
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Imaginative Glass Specimens Are Suspended in Jars in Steffen Dam’s Cabinets of Curiosities
Art
#glass
#jellyfish
#sculpture
#sea creaturesJanuary 13, 2022Grace EbertAll images courtesy of Heller GalleryHeld in tall, transparent jars are recreations of tiny jellyfish with wispy tentacles, plankton, and other delicate sea creatures by Danish artist Steffen Dam (previously). He sculpts the miniature organisms in glass and displays the exquisite creations in wooden boxes or medicine cases that evoke the 16th Century wunderkammers or cabinets of curiosities. Generally in the possession of aristocrats and monarchs, these encyclopedic collections predated museums and held objects that were valuable for scientific study and their ability to inspire wonder and awe. Although Dam’s sculptures reference the colors, textures, and shapes of real-life specimens, his imaginative works are inventive interpretations of evolution and biology.Find more of the artist’s recent works on his site and at Heller Gallery in New York, where he’s represented.“Wunderkammer” (2021), glass and illuminated wooden presentation box, 35 3/8 x 27 1/2 x 7 inchesDetail of “Wunderkammer” (2021), glass and illuminated wooden presentation box, 35 3/8 x 27 1/2 x 7 inches“Pangaean Zoology” (2018), 20 elements in glass, 72 inches“Marine Group” (2020), glass and illuminated presentation box, 13 3/4 x 39 x 7 7/8 inches“Specimen Block” (2017), glass, 11 3/8 x 11 3/8 x 1 1/2 inches“New Medicine” (2017), glass and illuminated wooden presentation box , 30 1/4 x 17 1/4 x 9 inches“Marine Specimen Collection” (2018), glass, tallest 8 3/4 inchesDetail of “Specimen Cabinet” (2017), glass and illuminated wooden presentation box, 39 1/4 x 24 3/8 x 9 3/8 inchesDetail of “The Journey to M31” (2021)
#glass
#jellyfish
#sculpture
#sea creaturesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More - in Art
Wine Streams Through Sea Creatures in Playful Glass Decanters by Charlie Matz
Art
Design
Food
#animals
#beverages
#glass
#sea creaturesDecember 22, 2021Grace EbertAll images © Charlie Matz, shared with permissionIn the sleek decanters designed by artist Charlie Matz, wine and other spirits trickle through a crab’s claws, a shark’s open jaws, and the belly of a branzino. The playful aeration vessels are handmade with borosilicate glass and position marine life at the necks of the carafe, ensuring that the creatures flush with reds and pinks with every pour. Matz, who works at the Chicago-based Ignite Glass, has a few of the decanters available in the studio’s shop, and you can follow his functional creations and new releases on Instagram.[embedded content]
#animals
#beverages
#glass
#sea creaturesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More - in Art
Comprised of Thin Panes of Glass, Illusory Sculptures Layer Fantastic Paintings into 3D-Forms
Art
#glass
#painting
#sculpture
#videoDecember 20, 2021Grace EbertAll images by Norbert Heyl, © Wilfried Grootens, shared with permissionGerman artist Wilfried Grootens (previously) suspends vibrant, textured paintings evocative of minuscule organisms, bacteria, and other microscopic creatures within sleek sculptures made of glass. He renders lines and geometric shapes on dozens of thin panes that, when pressed together into a larger composite, produce the appearance of three-dimensional forms encased within the transparent material. The resulting works are striking illusions that morph into different, otherworldly creatures depending on the viewers’ perspective, sometimes vanishing entirely depending on the angle. “It is these paintings within their special layered space that create a world unto itself, quite apart from the reality outside it,” the artist tells Colossal.Grootens’s impeccably precise sculptures will be on view with Habatat Galleries in January and April. Until then, see more of his works on his site.
#glass
#painting
#sculpture
#videoDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More - in Art
Ornate Assemblages Cast Vintage Pressed Glass as Flourishing New Scenes in Amber Cowan’s Sculptures
Art#found objects
#glass
#sculptureNovember 23, 2021
Grace Ebert“Visions of the Night Muse in Jade” (2021), 20 x 15.5 x 7.5 inches. All images by Matthew Hollerbush, © Amber Cowan, shared with permission
Philadelphia-based artist Amber Cowan (previously) molds found and flameworked glass into narrative sculptures brimming with ornate flourishes and enchanting details. Her delicate works are often monochromatic and revitalize vintage elements, including a figure from a McKee Glass Company vase in “Visions of the Night Muse in Jade,” for example, or the baubles in varying shades of purple that comprise “Hummingbirds Feast on Helio and Lavender.” The pressed glass pieces pay homage to the once-thriving industry by recasting antique scenes and motifs in new tableaus.
Diverging slightly from the precisely sculpted forms that comprise much of her work, Cowan has started to incorporate long drips into her more recent sculptures. In her vertical cornucopia and fountain pieces, leaves and other botanicals hanging over the edges of the vessels appear malleable as they splash into small, circular drops.
In January, Cowan’s solo show will open at Brunnier Art Museum at Iowa State University, and if you’re in New York City, stop by the Museum of Arts and Design in February to see some of the artist’s work as part of Craft Front & Center. Otherwise, keep up with her latest sculptures on Instagram.Detail of “Visions of the Night Muse in Jade” (2021), 20 x 15.5 x 7.5 inches
“Hummingbirds Feast on Helio and Lavender” (2021), 20 x 15.5 x 7.5 inches
Left: “Cornucopia in Shell” (2021), 8 x 5.5 x 4 inches. Right: “Fountain in Rosalene” (2021), 17 x 8.5 x 8.5 inches
Detail of “Hummingbirds Feast on Helio and Lavender” (2021), 20 x 15.5 x 7.5 inches
“Autumn Fan in Mandarin and Bittersweet Orange” (2021), 17.5 x 17.5 x 8 inches
“Garden Snail with Feather and Pearls”#found objects
#glass
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Colorful Patterns of Stained Glass Nestle Within Repurposed Sea Defense Timber
Art
Craft#glass
#light
#sculpture
#stained glass
#woodOctober 27, 2021
Grace EbertAll images © Louise Durham, shared with permission
Based in the coastal town of Shoreham-by-Sea, England, artist Louise Durham creates towering wooden sculptures of reclaimed sea defense timber and vibrant stained glass. She embeds stripes and circles in a full spectrum of color within the totem-style works, which when illuminated, cast kaleidoscopic shadows on their surroundings. “It is all about the light,” she says. “That’s the magic of glass and the magic of all living things.”
In a note to Colossal, Durham explains that she utilizes traditional leaded light techniques, along with fusing and slumping—these involve connecting two pieces together and melting the material in a mold, respectively—to create bisected circles and asymmetric stripes. Shen then arranges the translucent elements in gradients and rainbow-like columns and leaves the rugged edges and knots of the repurposed wood visible. “Even having all the colors of glass laid out in front of me on my cutting table is enough to make me feel good, and I think that’s why the work is so popular. Color makes us feel good,” she shares. “I try not to interfere too much on an intellectual level. The work is definitely not from the head and totally and utterly from my heart.”
You can find more of Durham’s brilliant sculptures on her site and Instagram. (via Women’s Art)#glass
#light
#sculpture
#stained glass
#woodDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!
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