Tavares Strachan Reimagines ‘The Last Supper’ in a Monumental Tribute to Black Historical Figures
Art
History
#art history
#bronze
#gold
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#Tavares Strachan
February 9, 2024
Kate Mothes More
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Art
History
#art history
#bronze
#gold
#identity
#sculpture
#Tavares Strachan
February 9, 2024
Kate Mothes More
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Craft
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#Jennifer McCurdy
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January 30, 2023
Kate Mothes More
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Photography
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November 4, 2021
Grace Ebert
“Joy” (2020), 24k gold leaf, acrylic on archival pigment print, 30 x 20 inches. All images © Tawny Chatmon, shared with permission
In If I’m No Longer Here, I Wanted You to Know, photographic artist Tawny Chatmon overlays portraits of young children and families with dabs of 24-karat gold leaf, precious stones, and watercolor details. The heavily adorned images are the latest in Chatmon’s superimposed works, which veered from digital collages to the hand-gilded pieces evocative of Gustav Klimt’s Golden Phase that are similar to those shown here, and respond to themes of unity and togetherness born out of the ongoing pandemic.
While many of Chatmon’s works previously centered on a single subject, she’s transitioned to also photographing two children at play or entire families, including fathers where she otherwise had not. She explains:
My father played such a paramount role in my, my sisters’, and my mother’s lives. It did not sit well with me that I wasn’t celebrating that in my work, too. It has been 10 years since we lost our father to prostate cancer, yet still, his lessons and love carry us through our days. I thought of my husband too, my brother-in-law, my friend’s fathers and husbands, and all of the world’s compassionate fathers and how important they are, and I especially wanted to celebrate Black fathers who are often depicted as anything other than what they truly are… phenomenal.
Through gilt embellishments, Chatmon emphasizes the beauty and value inherent in her subjects, whose joyful, tender expressions and gestures exude warmth and affection. “The past year’s pandemic revealed to me once more that time with our loved ones is not infinite… While the revelations of injustice leading to civil unrest reminded me of the urgency to continue to work towards a better future for our children,” she says. “I do not wish to wait for the perfect time, the perfect place, or the perfect day to express my love for family and friends.”
Currently based in Maryland, Chatmon will show some of her portraits with Galerie Myrtis at the 2022 Venice Biennial. She’s working on a new series titled Remnants, which explores themes of futurity and harmony through mosaic-style pieces comprised of snippets of the artist’s previous paintings. You can follow her progress on Instagram.
“Created in Her Image” (2020), 24k gold leaf, acrylic on archival pigment print, 40 x 30 inches
“Destined To Lead The Way” (2021), 24k gold leaf, acrylic, precious and semi-precious stones, on archival pigment print 34 x 22 inches
“He’s Got The Whole World In His Hands” (2021), 24k gold leaf, 12k gold leaf, acrylic on archival pigment print, 46 x 28 inches
“Best” (2020), 24k gold leaf, acrylic on archival pigment print, 40 x 30 inches
“Look Forward, Beloved Boy” (2020), 24k gold leaf, acrylic on archival pigment print, 36 x 24 inches
“It Was Never Your Burden To Carry” (2020), 24k gold leaf, acrylic, watercolor on archival pigment print, 52 x 36 inches
“Sweet Heart” (2016/2020), 24k gold leaf, acrylic, precious stones on archival pigment print, 20 x 16 inches
“Ahead” (2020), 24k gold leaf, acrylic on archival pigment print, 28 x 21 inches
#gemstones
#gold
#portraits
#watercolor
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January 22, 2021
Christopher Jobson
All images courtesy of Paradigm Gallery, shared with permission
Through nine ceramic bowls, Yurim Gough untangles the complex narratives surrounding performance, appearance, and gender fluidity. Her identity-centric pieces—which are infused with layers of pencil renderings, thread, and other materials that can require nearly a dozen rounds of firing at multiple temperatures to complete—depict figures outfitted with ostentatious costumes and elaborately painted faces. Drawing on aspects of queer culture, Gough’s vessels are disruptive and revisionary, simultaneously exposing the dated and constructed nature of traditional gender categories while reveling in the history of those who’ve subverted norms.
Gough’s gold-trimmed collection will be on view as part of Salvage, a group exhibition curated by Colossal’s Founder and Editor-in-Chief Christopher Jobson at Paradigm Gallery + Studio in Philadelphia. Opening tonight, January 22, Salvage shares how artists are revitalizing fragments of tradition and culture that were destined to be lost, relegated to the periphery, or buried forever. The exhibition, which you can tour virtually, launches with a live talk with Jobson, Gough, André Schulze (previously), and Debra Broz (previously)—tickets are available on Eventbrite—and runs through February 20.
Now based in the U.K., the South Korean artist has a background in fashion. Explore more of her work, which includes a variety of self-portraiture and considerations of contemporary culture, on her site and Instagram.
#ceramics
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August 4, 2020
Grace Ebert
All images by Shafik Kadi and © Victor Solomon, shared with permission
Celebrating the restorative qualities of sports and basketball’s return this past week, Victor Solomon has repaired a deteriorated court in South Los Angeles through the ancient art of Kintsugi—the Japanese method of repairing broken pottery by using metallic substances to mend the fractures. The artist filled cracks in the cement with gold-dust resin, highlighting the years of use “to accentuate the healing as a formative part of its journey,” he says. “Sport can entertain, inspire, and distract, but more apropos than all, the platform of sport can help us heal.” Titled “Kintsugi Court,” the gilded installation has similarly lavish backboards and hoops.
The restored court is just one of Solomon’s explorations into the sport and the ways it intersects with luxury. For more of his embellished projects, head to Instagram. (via The Kids Should See This)
#basketball
#gold
#installation
#kintsugi
#public art
#sports
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