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    Poetic Sculptures by Valérie Hadida Cast Composed Women with Coiffed Hair in Bronze

    
    Art

    #body
    #bronze
    #hair
    #sculpture

    March 2, 2021
    Grace Ebert

    “Seaside,” bronze, 42 x 23 x 15 centimeters. All images © Valérie Hadida, courtesy of Galry, shared with permission
    For Valérie Hadida, the deep, protective partnerships fostered between women provide the foundation for her practice. The French artist casts bronze sculptures that are poetic and nuanced, depicting female figures wearing contemplative and composed expressions. “Coming from a large family where women reign supreme and play a key role, they have established a bond of serenity, trust, and complicity with me,” she tells Colossal. “The heroines of my works are always women because I am deeply convinced that it is they who will change and save the world.”
    Hadida begins with a sketch before building the figures that eventually are covered with green patina. In recent years, the size of the sculptures has grown from smaller works into those that stand more than a meter high, an expansion that brings the scale of the works closer to a human body. “I prefer to work on the curves, the flesh more than the muscles. These seem to me disabling because they are hard and violent,” she says. Most of the sculptures depict teenage years or middle age, a time that’s marked with transition and change.
    Generally seated, the figures’ poses and gestures appear temporary as if the woman has just shifted or is precariously settled on a stone. Although the bodies are still, their curls often swell upward to imply movement and sometimes are embedded with smaller silhouettes like in “Nocturna.” Their locks “typify each woman in her origins, in her age… The hair moves like the branches of a tree,” the artist says, noting that the plumed strands both accentuate and stabilize the figures’ supple curves, elongated fingers, and overall shape. “These women are marked by life. I do not represent perfect or idealized figures. These silhouettes are on the contrary very marked, very cut out. But their imperfections highlight their femininity,” she says.
    Hadida is represented by Galry in Paris, and you can find a larger collection of her elegantly sculpted works on Artsy.

    “La grande zénitude” (2021), bronze, 39 2/5 × 31 1/2 × 13 4/5 inches
    Detail of “Nocturna” (2017), bronze, 25 1/5 × 17 7/10 × 7 9/10 inches
    Left: “La rêveuse” (2018), bronze, 32 7/10 × 8 3/10 × 10 1/5 inches. Right: “Nouvel Amour” (2020), bronze, 29 1/2 × 11 4/5 × 11 4/5 inches
    Detail of “Trio de femmes” (2018), bronze, 21 3/10 × 15 × 7 9/10 inches
    “Trio de femmes” (2018), bronze, 21 3/10 × 15 × 7 9/10 inches
    “Nocturna” (2017), bronze, 25 1/5 × 17 7/10 × 7 9/10 inches
    Detail of “Nouvel Amour” (2018), bronze, 75 x 30 x 30 centimeters
    Detail of “Nouvel Amour” (2018), bronze, 75 x 30 x 30 centimeters

    #body
    #bronze
    #hair
    #sculpture

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    Vivid Paintings by Artist Jessica Spence Highlight the Beauty of Black Hair

    
    Art

    #beauty
    #hair
    #painting
    #portraits

    July 13, 2020
    Grace Ebert

    “Braids and Barrettes” (2018 ), acrylic on canvas. All images © Jessica Spence
    Through stunning renderings of Black children and women, Jamaican-American artist Jessica Spence explores the beauty of finished braids, twists held in place with plastic barrettes, and perfectly laid edges. Her acrylic paintings generally depict a single subject, who often is turned away from the viewer, centering the hair and how it’s presented rather than the person’s face. Spence focuses on the intricacies of each lock, comparing the styling process to that of painting. “I nurtured each brushstroke like I would a strand of hair, a two-strand twist, or a braid,” she shares with Colossal.
    Based in New York, the artist imbues her paintings with social commentary derived from her own experiences and from those around her. She considers the impossibility of beauty standards, by saying:
    I was inspired to create my current body of work on Black hair in response to the discrimination and chastising experience of many Black women and girls in spaces such as the workplace or schools… The paintings show the beauty and versatility of these hairstyles and highlight the significance of hair in Black culture, while also highlighting these intimate experiences and routines of daily life.
    For more of Spence’s vivid depictions, follow her on Instagram, where she often shares news on upcoming exhibitions and prints available for purchase. (via The Jealous Curator)

    Left: “Twists and Barrettes” (2019), acrylic on canvas, 24 x 24 inches. Right: “Laid” (2019), acrylic on canvas, 24 x 24 inches
    “Sore Arms” (2017), acrylic on canvas, 36 x 36 inches
    Left: “Fearless/Fear-Less” (2019), acrylic on canvas, 30 x 30 inches. Right: “Weekends at Auntie’s” (2018), acrylic on canvas, 40 x 40 inches
    “Sunday Evening” (2017), acrylic on canvas, 36 x 36 inches

    #beauty
    #hair
    #painting
    #portraits

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    A Thick Braid Cascades Down a Marina Abramović-Inspired Porcelain Collection

     All images © Aylin Bilgiç Despite lacking any distinct facial features, porcelain figures by Istanbul-based ceramicist Aylin Bilgiç have one unmistakable, defining characteristic: The lengthy braid resting on their oversized bodies evokes performance artist Marina Abramović, who is known for donning similarly styled locks. In another of Bilgiç’s pieces, two heads are back-to-back with their […] More

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    26 Contemporary Chinese Artists Explore Materiality in ‘Allure of Matter’

     Zhu Jinshi, “Wave of Materials” (2007), Xuan paper, cotton thread, bamboo, and stones. Installation view at the Los Angeles County Museum of Art, image © Museum Associates/LACMA CHICAGO—Containing a massive paper wave, a tower of leftover fat, and a tiger-skin rug of 500,000 cigarettes, The Allure of Matter: Material Art from China encompasses 48 works […] More