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      Sentrock Captures the Sights of Chicago’s Pilsen Neighborhood in a New Series About Mental Health

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      Art
      Illustration

      #birds
      #Chicago
      #health

      June 3, 2021
      Grace Ebert

      All images © Sentrock, shared with permission
      In honor of Mental Health Month this May, Chicago artist Joseph Perez, who works as Sentrock, created an illustrated series celebrating the people and scenes around his studio in the city’s Pilsen neighborhood. “I started doing it just for myself, to take an hour or two and share my thoughts or reflections for that day or the day prior,” he tells Colossal.
      Lively, expressive, and deeply empathetic, the resulting illustrations draw on Sentrock’s background as a graffiti artist and his connection to those around him. They tell a story about the neighborhood that’s historically been rich with Latinx culture and portray the sights and experiences shared by the community through a distinctly personal lens. The artist explains:
      I started allowing myself to reflect on the past, present, the current situations I found myself in. I allowed myself to reflect on my everyday life, whether boring, exciting, or just my imagination of the moment. I started to capture the people outside my studio, whether friends or strangers. My purpose for this was to initiate a connection with the people around me, the community.
      Sentrock began with reference photos of friends, family, and community members before reinterpreting them in bright, vivid renditions of his signature bird character. Usually depicted as a beaked mask, the recurring image is Sentrock’s analogy “to humanity: a person who is able to find or escape to their freedom by placing them in a different reality.” In the new works, the character travels from person to person, sometimes worn by kids skateboarding down 18th Street and others by the artist himself, like in the moving portrait of him and his mother.
      Head to Instagram to see the full series and original images, and if you’re in Chicago, keep an eye out for the designs, which Sentrock plans to wheat paste around the city.

      Portrait of the artist with his mother

      Self-portrait

      #birds
      #Chicago
      #health

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      Surreal Watercolor Illustrations Shake Back and Forth in Marija Tiurina’s Chaotic Stereograms

      by

      
      Animation
      Art
      Illustration

      #painting
      #surreal
      #video
      #watercolor

      May 27, 2021
      Grace Ebert

      All image © Marija Tiurina, shared with permission
      Longtime Colossal readers will recognize the surreal, fictionalized scenes illustrated by Marija Tiurina (previously). Whether a bizarre mishmash of thoughts from quarantine or a crowded parallel universe in North London, Tiurina’s works are a seemingly endless exploration of mystery, delight, and general chaos, themes the London-based illustrator continues in her new series Stereogramos—the title is a portmanteau blending the “Spanish world for a bouquet (of endless objects and limbs, in my case) and ‘-os’ ending that is typical to the worlds of plural female form in Lithuanian language,” she says.
      Comprised of three jiggling gifs and a longer, scrolling animation, the works deviate from Tiurina’s static paintings and build a playful, peculiar setting around three central characters in her signature style. The female figures exude an air of cool disinterest and are surrounded by objects defining their unqiue personalities, including greasy slices of pizza, cracked vinyl, and even a disturbingly severed limb.
      To create the dizzying works, Tiurina began by drawing and painting the individual elements with watercolor, and after cutting each out, she layered them into rich, abstracted scenes with a single central character. Her stereograms, or two-dimensional renderings that give the illusion of greater depth, diverge from historical stereoscopic images that positioned two photos side-by-side on a flat plane viewed with binocular vision. Instead, the illustrator merges the two into one glitching visual that appears in three dimensions.
      Tiurina recorded her entire process for Stereogramos, which you can see in the video below, and you can find more of her packed, sprawling illustrations and similarly looping Droste Effect watercolor on Behance and Instagram. She also sells originals, prints, and books on her site, and if you’re in Reykjavík, stop by SIM Residency to see her work as part of a group show that’s open through May 29, 2021.

      

      #painting
      #surreal
      #video
      #watercolor

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      Cross A Bridge: A Typewriter Illustration Backdrops a Meditative Trip to Pittsburgh’s Carnegie Museum of Art

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      Art
      Illustration

      #ink
      #travel
      #typewriters
      #video

      May 26, 2021
      Grace Ebert

      [embedded content]
      Lenka Clayton takes viewers on a short road trip to the Carnegie Museum of Art in a tiny and unusual vehicle. A 1957 Smith Corona Skyriter chugs along sparsely illustrated streets constructed with angled letters and punctuation previously typed on a single sheet of paper in her 2018 work “Cross A Bridge.” Commissioned by the Pittsburgh institution, the video project follows Clayton’s type guide as it steadily inches along the city’s roadways and passes by landmarks like the Fort Pitt Tunnel, Fort Pitt Bridge, and Monongahela River before coming to a stop at the museum’s entrance.
      Find dozens of Clayton’s inky illustrations, along with a similar 2016 project about going home, on her site and Instagram. (via The Kids Should See This)

      #ink
      #travel
      #typewriters
      #video

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      ‘Banksy Graffitied Walls and Wasn’t Sorry’ Is a Cleverly Illustrated Book Introducing Kids to the Elusive Artist

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      Art
      Illustration

      #books
      #kids
      #street art

      May 21, 2021
      Grace Ebert

      All images courtesy of Phaidon
      Banksy Graffitied Walls and Wasn’t Sorry introduces the life and work of the anonymous street artist to some of the youngest readers. The 48-page book is cleverly written as a plainspoken autobiography, detailing both Banksy’s aesthetic sensibilities and surveying his decades-long career, including references to Dismaland, his “Better Out Than In” residency in New York, signature rats, and the subversive, overtly political messages of his pieces and antics. Illustrated in Fausto Gilberti’s whimsical style, the largely black-and-white drawings are playful and humorous and contextualize Banky’s profound impact and mysterious, unapologetic reputation in a manner fit for kids.
      Published by Phaidon, Banksy Graffitied Walls and Wasn’t Sorry is Gilberti’s fourth in a series exploring the legacies of some of the most well-known artists, including Yayoi Kusama, Jackson Pollock, and Yves Klein. Shop the complete collection on Bookshop. (via Kottke)

      #books
      #kids
      #street art

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      David Shrigley Designs a Collection of Phone Cases and Tech Accessories with His Signature Witty Illustrations

      by

      
      Art
      Design
      Illustration

      #humor
      #satire
      #technology

      May 14, 2021
      Grace Ebert

      All images courtesy of Casetify
      David Shrigley’s famously dry sense of humor and satirical quips grace a new collection of phone cases and other accessories. The British artist (previously) is collaborating with Casetify on a forthcoming line—it includes a dozen iPhone cases, plus Apple Watch bands, AirPods covers, stands, chargers, in addition to sleek laptop sleeves and bags—featuring his signature bold drawings alongside reminders to “be nice” and “work hard, play hard, eat a huge pizza.” One illustration, the pastel wolf, is even designed to howl a custom phrase.
      As part of the collaboration, 100 limited-edition black mirror cases printed with a multi-color “There are no rules” will be released through a lottery, which you can enter starting next week on Casetify’s site. The rest of the designs go on sale on May 25. (via It’s Nice That)

      #humor
      #satire
      #technology

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      Discarded Technology and Branded Trash Are Stacked into Dystopian Structures in Alvaro Naddeo’s Paintings

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      Art
      Illustration

      #logos
      #painting
      #watercolor

      May 7, 2021
      Grace Ebert

      “AmeriCan’t” (2018), watercolor on paper, 20 x 22 inches. All images © Alvaro Naddeo, shared with permission
      Behind each one of Alvaro Naddeo’s watercolor paintings is an imagined character who’s built a rickety shopping cart structure or gathered waste materials for a tiny, mobile dwelling. “I believe they are strong people, resilient, and survivalists,” the Brazilian artist tells Colossal. “They use creativity to overcome obstacles and adapt to any situation they are put in. So in a way, both of them, characters and discarded objects, are proof that there’s value in everything if you know where to look for it.”
      Evoking an alternative universe in a state of ruin, Naddeo (previously) renders ramshackle structures and vehicles—which only span a few inches—made primarily of outdated technology, rusted carts and frames, and a plethora of branded materials: a Marlboro sign props up an upper level, a Coca-Cola panel offers protection from the elements, and logoed posters and stickers cover almost every surface. By fashioning these relics anew, the artist speaks to consumerism and the waste it generates, a concern that dovetails with a focus on income and wealth inequalities. He explains:
      The gap between rich and poor continues to incessantly grow and it seems like nothing can’t stop it. That’s the harsh and important message of my work, but this message comes wrapped in a nice and warm blanket of nostalgia and the beauty of the composition. This warmth makes up for the harshness of the subject matter.
      Currently living and working in Los Angeles, Naddeo is involved in a few group shows in the coming months, including at Beinart and Outre galleries in Melbourne and A. Hurd Gallery in Albuquerque. He’s also preparing for two solo exhibitions next year, which will be at Thinkspace in Los Angeles and at Beinart. Until then, check out his Instagram for glimpses of his process and a larger collection of his dystopian paintings.

      “Die Hard” (2018), watercolor on paper, 12 x 12 inches
      “Mad as Hell” (2020), watercolor on paper, 20 x 20 inches

      Left: “Ghosts,” watercolor on paper, 12 x 24 inches. Right: “Yes, Please,” watercolor on paper, 12 x 24 inches
      “Mil Grau” (2020), watercolor on paper, 14 x18 inches

      #logos
      #painting
      #watercolor

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      Shantell Martin Designs Two Decks of Playing Cards with Her Signature Black-and-White Doodles

      by

      
      Art
      Design
      Illustration

      #cards
      #games

      May 4, 2021
      Grace Ebert

      All images via Theory11
      The Whitney Museum and luxury playing-card company Theory11 are teaming up on a series of artist-designed decks, and their first edition deals in British artist Shantell Martin (previously). Titled “LINE,” the same combination of Martin’s signature patchwork doodles and affirmational messages inscribe the dual deck, which is available in both a black and a white version. The line drawings are mostly monochromatic with the exception of bursts of color on the joker and face cards, which feature mirrored characters encircled by words like “wisdom” and “joy.”
      Each deck is printed on FSC-certified paper with vegetable inks and starch laminates, and the cards are canvas textured and blind embossed. Both the black and white versions launched yesterday and are available from Theory11 and the Whitney Shop. You also might enjoy UNO’s sold-out collaboration with Nina Chanel Abney and this revolutionary deck from Studio LO. (via Artnet)

      #cards
      #games

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      Miniature Scenes, Cross-Stitch Flowers, and Works from Art History Nestle into Eva Krbdk’s Tiny Tattoos

      by

      
      Art
      Illustration

      #animals
      #art history
      #cross-stitch
      #landscapes
      #nature
      #tattoos

      May 3, 2021
      Grace Ebert

      All images © Havva Karabudak, shared with permission
      Havva Karabudak, who works as Eva Krbdk, thrives on inking minuscule details. Focusing on innumerable lines and dot work, the Turkish tattoo artist (previously) illustrates textured florals in cross-stitch, realistic portraits of animals, and micro-paintings in the likes of van Gogh, Magritte, and Fornasetti. Many of the vivid renderings are small enough to fit into a perfectly round circle or a skinny stretch of a client’s upper arm.
      Karabudak’s background coalesces in her tattoos, including her formal education at the Fine Arts Academy of Ankara in Turkey and her love of textiles. “It’s pretty customary for young women to learn (embroidery) from their grandmothers in Turkey,” a statement about her work says. “As a result, tiny cross-stitch patterns were among the first tattooing styles that Eva embraced.”
      Karabudak just opened her studio Atelier Eva in Brooklyn, and although she’s currently booked, you can watch for openings on Instagram.

      #animals
      #art history
      #cross-stitch
      #landscapes
      #nature
      #tattoos

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