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      6,000 Strips of Washi Tape Intersect in a Kaleidoscopic Installation by Artist Emmanuelle Moureaux

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      #tapeJanuary 25, 2022Grace EbertAll images by Daisuke Shima, courtesy of Emmanuelle Moureax, shared with permissionOne hundred colors and 6,000 strips of masking tape later, Tokyo-based French architect and artist Emmanuelle Moureaux (previously) has constructed an elaborate installation of intersecting lines in Kurashiki, Japan. The immersive work, which was a commission from the brand mt, extends from the factory floor to ceiling in a crisscrossing mishmash of diagonals and pigments. To complete the piece, which is part of Moureaux’s 100 Colors series, the artist fastened 15-millimeter tape in a vibrant, rainbow gradient throughout the space, leaving a tunnel-like walkway for visitors to pass through and experience how perspectives shift depending on the angle.Explore more of the artist’s architectural installations on her site and Instagram. (via designboom)
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      Illuminated Dinosaurs Stalk Paris’s Jardin des Plantes in a Spectacular Journey Through Time

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      #dinosaurs
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      #lightDecember 6, 2021Grace EbertAll images © China Light Festival B.V.& Sichuan Tianyu Culture Communication Co., Ltd, shared with permissionTrilobites, luminous flying raptors, and a T-Rex towering 27 meters above the ground are just a few of the otherworldly creatures currently haunting the grounds of the Jardin des Plantes. The massive organisms are the subjects of a fantastic exhibition now on view at the Paris venue that takes viewers on a spectacular journey of development and biodiversity through the ages.Populated by hand-painted silk sculptures crafted by the Sichuan-based company China Lights, Evolution on a Path to Enlightenment opens about 3,700 million years ago with the Precambrian era’s marine creatures. The walkable, outdoor show then ventures into the early terrestrial environment of the Paleozoic period, greets the dinosaurs of the Jurassic and Cretaceous ages—this segment includes fanciful renditions of well-recognized creatures like the stegosaurs and velociraptor, all of which are based on research from paleontologists from the National Museum of National History—before closing with the birds and mammals that remain today.Visit the botanical garden before January 30, 2022, to explore life 600 million years ago or take a virtual tour in the video below.
      #dinosaurs
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      #lightDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

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      Furry Tendrils and Tufts of Technicolor Hair Erupt Across Shoplifter’s Immersive Installations

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      #hair
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      #video

      September 29, 2021
      Grace Ebert

      
      Icelandic artist Hrafnhildur Arnardóttir, otherwise known as Shoplifter (previously), fittingly describes her immersive environments of hair as “an exploded rainbow.” Cloaking walls with neon fur and hanging tendrils of fuzzy fibers from the ceiling, the artist creates enormous, extravagantly colored landscapes designed to be ruffled and stroked as viewers pass through the cave-like walls and underneath the suspended strands.
      In a new interview with Lousianna Channel, Shoplifter recounts her first encounter with the medium as a child in Iceland and her later move to New York, where she’s spent the last 25 years creating kaleidoscopic landscapes brimming with textures. She perpetually gravitates toward vibrant, bold color palettes because of their therapeutic, playful, and ornamental qualities, and although she creates such strikingly manufactured installations, she describes her practice as a form of “hyper-nature… I’m not competing with nature. I just exaggerate and create this abstraction that resembles it but isn’t literal.”
      Watch the full interview above to dive deeper into Shoplifter’s inspirations and process, and see an archive of her technicolor creations on Instagram.

      “Hyperlings” at the Art Gallery of Alberta. All images courtesy of Shoplifter
      “Hyperlings” at the Art Gallery of Alberta
      “Hyperlings” at the Art Gallery of Alberta
      “Hyperlings” at the Art Gallery of Alberta

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      #video

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      A Spectacular Collection of 40 Artist-Built Environments Are on Display in Sheboygan’s Art Preserve

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      #museums
      #painting
      #sculpture

      September 28, 2021
      Grace Ebert

      Emery Blagdon’s “The Healing Machine” at the Art Preserve. Photo by Rich Maciejewski, courtesy of John Michael Kohler Arts Center. All images shared with permission
      On the edge of the city of Sheboygan in northeast Wisconsin is a new museum nestled into the hillside. Opened earlier this year, the Art Preserve of the John Michael Kohler Arts Center is home to 40 artist-built environments, or “spaces and places that have been significantly transformed by an artist to embody and express aspects of their history, place, and culture, their ideas and imagination.” The first of its kind, the spectacular, immserive space is an ode to the artists and their intellectual and creative trajectories, displaying a staggering array of installations, sculptures, paintings, and myriad works across mediums.
      Ranging from Emery Blagdon’s suspended kinetic assemblages made of sheet metal, holiday lights, and other found objects to Nek Chand’s troupe of more than 150 mosaic figures, the artworks are eclectic in discipline, scale, and aesthetic. Each of the environments consists of thousands of objects, structural components, and ephemera that form a holistic, comprehensive view of the artist’s life and work. Around the circular pathway winding through Ray Yoshida’s reconstructed Chicago apartment, for example, are ritual masks from New Guinea, printed works, pieces of pop culture from Maxwell Street Market, and notes and letters, offering an intimate glimpse into his diverse collection and personal relationships.
      In addition to the environments, the 56,000-square-foot space also houses 11 commissioned responses that included standalone works and projects literally embedded into the preserve’s structure. The stairwell, for example, was designed by the Denver-based architecture studio Tres Birds in collaboration with the late Ruth DeYoung Kohler II and uses concrete pavers that jut out beyond the walls to display a series of “hobo symbols,” or emblems travelers historically used to denote safety. Kohler conceived of the Art Preserve while director of the John Michael Kohler Arts Center, where she championed local and international artists and devoted herself to protecting their works and legacies.
      Watch the video below for a tour of the expansive space, and dive into the full collection, which includes pieces from sites in Wisconsin, New York City, Mississippi, India, and other global locations, on its site.

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      Loy Bowlin’s “Beautiful Holy Jewel Home” in McComb, Mississippi
      Installation view of works by Nek Chand at the Art Preserve (2021). Photo courtesy of John Michael Kohler Arts Center
      The glittery “Beautiful Holy Jewel Home” by Loy Bowlin is flanked by an installation of paintings by Gregory Van Maanen at the Art Preserve. Photo by Rich Maciejewski, courtesy of John Michael Kohler Arts Center
      Installation view of works by Jesse Howard at the Art Preserve. Photo by Rich Maciejewski, courtesy of John Michael Kohler Arts Center
      Installation view of works by Ernest Hüpeden, Carl Peterson, Fred Smith, and Eugene Von Bruenchenhein at the Art Preserve, 2021. In the foreground is Fred Smith’s “Untitled,” concrete, glass, paint, and wood, 78 x 41 3/4 x 41 inches. Courtesy of John Michael Kohler Arts Center

      #immersive
      #installation
      #museums
      #painting
      #sculpture

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