Casey Curran’s Gilded Skeletal Sculptures and Kinetic Blooms Explore Bodily Degeneration
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March 28, 2023
Grace Ebert More
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#Casey Curran
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March 28, 2023
Grace Ebert More
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#beetles
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January 20, 2023
Grace Ebert More
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November 30, 2022
Kate Mothes More
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June 1, 2022
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#textilesJanuary 23, 2022Anna MarksAll images © Larysa Bernhardt, shared with permissionIn a cozy studio overlooking a garden in Blackwell, Missouri, artist Larysa Bernhardt creates colorful moth sculptures with a needle and thread. Her fabric creatures are embroidered with old tapestries, often portraying historical people, animals, and delicate botanical forms on their wings: one specimen with a rusty orange abdomen depicts a little bird taking flight, while another is blue with a Medieval woman looking at a flower.Able to stand on their own or hang from the wall, the handmade moths feature eyes made from Czech glass beads and bodies of cotton velvet and Belgian linen. Bernhardt also wires their wings, enabling people to shape them into their desired position.The artist initially began by collecting vintage textiles, including silk tapestries and wool, and was interesting in analyzing and unraveling their histories, taking an interest in how creatures, such as moths, often inhabit such materials. “I have some very old wool and silk tapestries, and I’m still trying to unravel the stories behind them,” she tells Colossal. “Those will never be cut, they’re treasures, and I’m constantly checking for moth larvae…and just like that, moths entered the chat! What I love and what I fear melded into my work, in what I believe is a magical, albeit slightly menacing way.”In addition to the material components, the moths are inspired by travel, television shows, books, and “even phrases someone drops in the grocery line to checkout,” Bernhardt says. “I will never tire of seeing how magically creative humans are,” Bernhardt explains.Some of her works are on view now at New Orleans’ Mortal Machine Gallery, and you can view more of her work on Instagram and shop available pieces on Etsy. (via Supersonic Art)
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#potteryNovember 30, 2021Grace EbertAll images © Carol Long, shared with permissionHonoring the humble shape of the vessel is at the center of Carol Long’s practice. From her studio in rural Kansas, the artist throws simple ceramic cylinders that she contorts into supple butterfly wings, curved chrysalises, or vases with embellished handles.“When it comes off the potter’s wheel, that’s just the beginning,” she tells Colossal. “I usually sit for a second and look at the piece and see which way I can push it out or in.”The resulting forms are evocative of both flora and fauna and traditional pottery, although Long’s sculptures emphasize smooth, sinuous walls and squiggly bases rather than angled edges. She uses slip trailing to add tactile decorative elements to the piece like small spheres, handles, or raised linework. “The relationship between the glazes that are inside the vectors, the shapes made by the slip trailing, are really important in how they’re divided and how they sit next to each other,” she says, noting that the process is particularly meticulous because it involves applying the material to each intricate, ribbed pattern and delicate outline.Whether a vase or wide-mouthed jar, the whimsical sculptures are brimming with color and textured details. “I love the flowing lines, and I love the idea of framing a picture on my pots. A lot of times I have a focal point like an animal or insect and then I’ve framed it with other designs,” the artist says.Long is hosting an annual open house at her studio next month and will show a body of work at Charlie Cummings Gallery in July of 2022. Until then, shop available pieces on Etsy—she also has an update slated for mid-December—and follow her latest pieces on Instagram. (via Women’s Art)
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