Laura Kramer’s Glass Sculptures Intersect Aesthetics and Archaeology
“Curiosity Box.” All images © Laura Kramer, shared with permission
Laura Kramer’s Glass Sculptures Intersect Aesthetics and Archaeology
November 13, 2024
ArtNature
Jackie Andres
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Material culture is an important aspect of understanding past and present histories. Used in anthropology and archaeology, the concept refers to the the cultural significance an object may hold. Whether it be tools, religious articles, clothing, or even art, physical items have always been a reflection of the societies that wield them. Glass artist Laura Kramer is driven by this phenomenon.
Into her work, Kramer carries personal experiences from studying anthropology and archaeology and participating in excavations—or “digs”— in St. Eustatius, an island in the Caribbean. “I am interested in the connection of the imbued spirit within the object,” she explains. “My work is deeply influenced by the cabinet of curiosities—odd objects that may not be easily categorized.”
“Cinnabar”
From her studio in Rhode Island, Kramer sculpts organic forms encrusted in ornate textures that mimic the natural formation of crystals. Sometimes using found objects like wasp nests, the artist creates peculiar sculptures that defy generally accepted systems of classification. Challenging the typical boundary between the manmade and natural, her sculptures land in a liminal space when examined from an anthropological point of view.
See more from Kramer on Instagram.
“Marie”
“Memento Mori”
“Azurite”
“Mary”
“Crystal Bowl”
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