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in ArtA New Book Explores the Innovative Sculptures of Abstract Artist El Anatsui
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in ArtCoiled Cats, Parrots, and Deer Form a Menagerie of Metal Animal Sculptures by Lee Sangsoo
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in ArtFolds in Recurring Patterns Form the Tessellated Origami Sculptures by Goran Konjevod
Art
Craft
#copper
#metal
#origami
#paper
#sculptureFebruary 8, 2022Grace EbertAll images © Goran Konjevod, shared with permissionWhether folding flat, square tessellations or rounded forms that billow from a central point, origami artist Goran Konjevod (previously) focuses on the tension inherent in a single sheet of material. His sculptures draw on his background in mathematics and computer science and configure precise geometries, fanned pleats, and small woven pieces that appear to be individual strips threaded together rather than a series of carefully aligned creases. Each form is a meticulous blend of texture, pattern, and dimension that’s translated into elegant, abstract constructions through repetitive folds.In recent months, Konjevod has shifted to working with paper infused with encaustic paint, although he’s also created an array of knotted creatures, twisted ropes, and small vessels out of thin sheets of copper, other metals, and mesh. You can find hundreds of his sculptures on his site, and take a peek into his process on Instagram.
#copper
#metal
#origami
#paper
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in ArtSculptural Kinetic Lifeforms by Choe U-Ram Sway and Flutter in Hypnotic Motion
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#kinetic
#LED lights
#metal
#sculpture
#videoJanuary 20, 2022Grace Ebert[embedded content]With assistance from embedded CPU motors, Seoul-based artist Choe U-Ram (previously) mimics the lithe movements of animals and plants with his mesmerizing kinetic sculptures. The large-scale pieces are often suspended from the ceiling and illuminated by LED lights that cast glimmering reflections on the metallic components.Included in his most recent works is the frayed, Tyvek-coated sculpture titled “One,” which imitates the lifecycle of a flower as it opens to a bright, full bloom before retreating to a smaller, darker form associated with decay. “Orbis” and “Song of the Sun” conjure more animalistic motions that evoke long fins gliding through the water and flapping wings, respectively, although the latter’s petal-like elements produce shadows that fill the gallery space with silhouettes of thick foliage.Watch more of the artist’s sculptural creatures in action on his site and YouTube.
#kinetic
#LED lights
#metal
#sculpture
#videoDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More150 Shares109 Views
in ArtComplex Networks of Metallic Branches Shape Animal Sculptures by Kang Dong Hyun
Art
#animals
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#sculpture
#steelJanuary 6, 2022Grace Ebert“Forest of Coexistence” (2019), stainless steel and urethane paint, 300 x 160 x 120 centimeters. All images © Kang Dong Hyun, shared with permissionWhat eventually becomes a stately stag or majestically posed lion in Kang Dong Hyun’s Forest of Coexistence starts with countless metallic branches that splay in every direction. The Korean artist (previously) welds spindly shoots and sprawling root-like shapes into facial features and bodies that are then finished with urethane paint. Creating a cohesive display of flora and fauna, each hollow, stainless steel sculpture considers the relationship between species and the idea that “all life on Earth may lead to an invisible string,” Kang says. For more of the artist’s intricately formed animals, visit Instagram.“Forest of Coexistence” (2020), stainless steel and urethane paint, 73 x 46 x 11 centimeters“Forest of Coexistence” (2021), stainless steel and urethane paint, 150 x 120 x 50 centimeters“Forest of Coexistence” (2021), stainless steel and urethane paint, 64 x 36 x 114 centimeters“Forest of Coexistence” (2021), stainless steel and urethane paint, 68 x 80 x 20 centimeters“Forest of Coexistence” (2018), stainless steel and urethane paint, 130 x 45 x 85 centimeters“Forest of Coexistence” (2020), stainless steel and urethane paint, 51 x 80 x 39 centimeters
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#metal
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#steelDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More163 Shares159 Views
in ArtColorful Strips of Metal Coil into Minimal Animal Sculptures by Artist Lee Sangsoo
Art#animals
#metal
#sculpturesOctober 12, 2021
Grace EbertAll images © Lee Sangsoo, shared with permission
Considering his practice a form of “drawing in the air,” artist Lee Sangsoo forges colorful, spiraled flamingos, dogs, parrots, and other creatures with long strips of metal. He sculpts the minimal works with resin or stainless steel depending on the size—he uses the latter for any piece that spans more than one meter—and coats each angled side with subtle gradients or a complementary palette. Although three-dimensional and sometimes so large that they tower over the landscape, the creatures are inspired by Picasso’s small, abstract animal drawings, which the artist explains:
Lines, planes, and colors are important elements that work in my work. The lines drawn in the two-dimensional sketchbook determine the large flow and form of the work, and it becomes three-dimensional in the three-dimensional space. The square lines are shown in various shapes and colors according to the flow and twist, and you can feel the dynamism in the still work. Also, depending on the flow, the thickness of the lines may be rhythmically thickened or thinned.
Some of Lee’s works are on view as part of KIAF Seoul, and you can find more of the twisted menagerie on his Instagram. (via Lustik)#animals
#metal
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in ArtUnearthly Anatomical Works Sculpted in Crystal and Glass by Debra Baxter Explore Grief and Loss
Art#anatomy
#crystals
#glass
#metal
#sculptureOctober 8, 2021
Grace Ebert“Catch your Breath” (2021), alabaster, bronze, and druzy snow chalcedony, 10 x 10 x 5 inches. All images courtesy of form & concept, shared with permission
Artist and jewelry designer Debra Baxter (previously) explores the endurance of grief, mortality, and human bonds in Love Tears. Comprised of anatomical and figurative sculptures, the multifaceted series blend alabaster, quartz, and wood with delicate glass or metal to create forms that contrast the fragility of the body and natural world with the rugged topographies of crystals and rock.
Simultaneously corporeal and unearthly, the spliced works evoke the Victorian tradition of mourning jewelry, which used various motifs and deep colors as memorials. In “Catch Your Breath,” for example, branch-like veins in bronze sprawl throughout crystalline lungs, while “Love Hard” bisects a smooth, glass heart with spiky quartz. “There’s inevitable pain in every form of love,” Baxter says about the series. “I’m fascinated by the ways in which we decorate this grief and mourning, and I wanted to see how far I could push myself with balancing the immediate, often ornate, demonstration of loss, and my use of permanent materials. This is about loss and legacy.”
Love Tears will be on view at Santa Fe’s form & concept gallery from October 29, 2021, to January 15, 2022, and you can find more of Baxter’s bodily works on Instagram.“Crystal Brass Knuckles (forever)” (2021), sterling silver and quartz, 5 x 4.5 x 2 inches
Left: “Soften the Blow” (2021), walnut and glass, 9.25 x 10 x 7.5 inches. Right: “” (2021), alabaster and glass, 9 x 6 x 6 inches
“Love Hard” (2020), glass and quartz, 8 x 3 x 3.5 inches
Left: Detail of “Ear to the Ground” (2020), alabaster and glass, 10 x 4 x 3 inches. Right: “” (2020), alabaster and green onyx, 12 x 7 x 4 inches
“Holding It Together” (2021), bronze and amethyst, 9 x 16 x 5 inches#anatomy
#crystals
#glass
#metal
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