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    Tiff Massey Celebrates Detroit Culture and Style in Monumental Mixed-Media Installations

    “I’ve Got Bundles and I Got Flewed Out (Green)” (2023). All images courtesy of the artist and Detroit Institute of Arts, shared with permission

    Tiff Massey Celebrates Detroit Culture and Style in Monumental Mixed-Media Installations

    April 23, 2025

    Art

    Kate Mothes

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    From larger-than-life double-bobble hair bands to a wall of elaborate braids, Tiff Massey spotlights distinctive Detroit style. Trained as a metalsmith, the artist employs the power of material and scale to highlight the city’s neighborhoods and Black identity and culture.

    7 Mile + Livernois, Massey’s solo exhibition at the Detroit Institute of Arts, takes inspiration from the crossroads at the heart of the city’s Black business and fashion district, where the artist grew up. The area will soon be home to a new arts and community space that Massey is spearheading in an effort to guide and celebrate local kinship.

    “Everyday Arsenal” (2018)

    Personal adornment is central to the artist’s expression, which she channels through jewelry, sculptures, and mixed-media assemblages to underscore Black style with a focus on her hometown. “Whatupdoe” and “Everyday Arsenal,” for example, respectively transform a contemporary chain necklace and silver rings into monumental installations, creating terrains of portal-like tunnels and interlocked angles.

    The “ancestral flyness” of the artist’s parents and previous generations also provides a limitless well of inspiration. “How they adorned themselves has definitely been influential not only to how I adorn myself but also to the ideas that I have within the works,” Massey says in an interview for the DIA exhibition catalogue. “Detroiters, when we step outside, we step outside. We want people to see it. We want people to see us. And that has left a tremendous impression on me.”

    7 Mile + Livernois continues through May 11. Find more on the artist’s website and Instagram.

    “Baby Bling” (2023)

    “Whatupdoe” (2024)

    Detail of “I’ve Got Bundles and I Got Flewed Out (Green)”

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    Welded Stainless Steel Creatures by Georgie Seccull Twist and Unfurl in Eternal Motion

    
    Art

    #animals
    #metal
    #metalwork
    #sculpture
    #steel
    #welding

    August 27, 2020
    Christopher Jobson

    Zenith & Nadir, 2020. All images by Andrew J Bourke, © Georgie Seccull, shared with permission.
    Australian sculptor and installation artist Georgie Seccull creates large-scale stainless steel sculptures of animals and other creatures seemingly locked in motion. Comprised of numerous pieces cut from metal sheets, the materials lend themselves to organic forms like feathers, scales, wings, or the armaments of crustaceans. Seccull’s work scales up dramatically in her installation practice where she’s filled entire rooms and atriums with suspended pieces.
    “We are born out of chaos in darkness and come into the light—my process is much the same: I begin with a thousand pieces scattered on the ground, then working almost like a jigsaw puzzle, I pick them up one by one and allow each piece to come together organically and dictate the outcome,” the artist shares in a statement.
    One of Seccull’s most recent sculptures has been nominated for a Beautiful Bizarre People’s Choice art prize, and she has an upcoming solo show at the Gasworks Art Park near Melbourne. You can see more of her work on Instagram.

    The Beyond
    Cancer Rising
    Dancing in the Dark
    The Gatekeepers, detail
    Through the Dark
    Resistance, 2019
    Return to the Source
    Artist Georgie Seccull in her studio.

    #animals
    #metal
    #metalwork
    #sculpture
    #steel
    #welding

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