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    Dinosaurs Overrun a World Post Climate Disaster in Michael Kerbow’s Paintings

    “Late Capitalism.” All images © Michael Kerbow, shared with permission

    Dinosaurs Overrun a World Post Climate Disaster in Michael Kerbow’s Paintings

    January 17, 2025

    ArtClimateNature

    Jackie Andres

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    After ending another year of record-breaking climate statistics, we stand at the precipice of 2025, which has already revealed its own devastating challenges. As the window for meaningful change continues to narrow during the next several years, we’re left to wonder what the world might look like if we stay on this path. Through the lens of hyper-consumerism, San Francisco-based artist Michael Kerbow (previously) envisions the future in his wry and imaginative landscape paintings.

    Swarming decayed gas station roofs, perching atop abandoned vehicles in forests, and sauntering past crumbling highways and fast food joints, the dinosaurs in Kerbow’s paintings govern a world overrun by the effects of late-stage capitalism. Hints of climate devastation reveal themselves through small details in the background, such as volcano eruptions, dense, hazy skies, and pools of floodwater.

    “Bypass”

    Kerbow scatters familiar signage and advertisements from recognizable chains within his scenes to introduce humor and make his work more approachable. However, the artist emphasizes the gravity of the issue at hand:

    We like to believe everything we currently have will always be there for us, but I suspect it could just as easily fall apart and slip away.  I try to stay optimistic about the future, but the truth is I am troubled by where I see things appear to be headed, specifically with the health of our ecosystem. Each passing year seems to bring more alarming statistics, and this comfortable place we call home seems to grow more precarious.  It is sobering to consider my artwork as foreshadowing a future reality.

    As Kerbow continues to make new paintings, you can follow along on Instagram and see his website for more.

    “Adaptive Reuse”

    “Vestige (Golden Arches)”

    “Black Monday”

    “Highwater”

    “Glade”

    “Economic Decline”

    “Siren Song”

    “Shadowplay”

    “Oasis”

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    Mantra’s Murals Collect Enormous Butterflies in Building-Size Specimen Cases

    Mural on the Southeast Financial Center building in Miami, Florida. All images courtesy of Mantra and Justkids.art, shared with permission

    Mantra’s Murals Collect Enormous Butterflies in Building-Size Specimen Cases

    January 10, 2025

    ArtNature

    Kate Mothes

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    French artist Youri Cansell, a.k.a. Mantra (previously) continues to brighten neighborhood streets and large cities alike with his vivid insect murals. Drawing on a fascination with nature and its preservation, he creates monumental specimen cases on buildings around the world, filled with a wide variety of butterflies.

    The artist recently completed his largest mural to date in Miami, positioned on the rooftop of the Southeast Financial Center building. Nestled into the surface of a characteristically organized case, a range of colorful butterflies rest alongside the structure’s utility systems.

    Detail of progress on mural in Miami

    The mural features numerous species, including the endangered Miami blue butterfly that’s native to South Florida. “It’s always a pleasure to paint in Miami, a city that thrives on its vibrant mix of people and cultures—much like the butterflies in my mural, which represent a diverse selection of specimens,” the artist says.

    Additional recent projects include a giant glass-fronted display on the side of a building in Brooklyn and a towering, narrow composition in downtown Houston. Find more on Mantra’s website and Instagram.

    Houston, Texas

    Brooklyn, New York

    Crans-Montana, Switzerland

    Breda, The Netherlands

    Detail of progress on mural in Miami

    Rombas, France

    Detail of progress on mural in Miami

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    Through Gestural Oil Paintings, Maria Calandra Guides Her Stream of Consciousness Onto Canvas

    Images courtesy of Courtesy of Fredericks & Freiser, NY, shared with permission

    Through Gestural Oil Paintings, Maria Calandra Guides Her Stream of Consciousness Onto Canvas

    December 21, 2024

    ArtNature

    Jackie Andres

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    While traditional plein air painters capture their surroundings while outdoors, artist Maria Calandra takes a different approach. By roaming the coastal headlands of Maine, exploring the waters of Florida, and venturing out to the rolling fields of Southern France, Calandra finds inspiration in nature for her dynamic oil landscapes.

    The artist’s Brooklyn studio is laden with energy after she returns from such invigorating excursions. “I paint while reflecting on that moment during a hike when you start to feel Earth’s vibrations pulse through your feet and up your spine, letting memory, intuition, and those leftover vibrations take the reins,” she describes.

    Calandra’s painting style mimics this intensity as she translates a stream of consciousness through fluid brushstrokes and oscillating organic forms. Instinct guides the artist, who describes the act as “automatic painting.”

    This January, the artist will be in a group show at Half Gallery in New York followed by a solo show in June at the gallery’s Los Angeles location. Find more on Calandra’s website and follow along on Instagram.

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    Tropical Birds Burst to Life in the Intricate Paper Cutouts of ‘The Parrot Project’

    All images courtesy of The Paper Ark, shared with permission

    Tropical Birds Burst to Life in the Intricate Paper Cutouts of ‘The Parrot Project’

    December 18, 2024

    ArtCraftNature

    Kate Mothes

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    The Paper Ark, a collaboration between Nayan Shrimali and Venus Bird (previously), celebrates the diverse beauty of our planet’s wildlife. In The Parrot Project, a new series of intricate paper-cut pieces, the striking creatures take center stage in vivid color.

    “This series focuses on the vibrant beauty of parrots and their contribution to the ecosystem,” say the Ahmedabad, India-based artists, who created 40 different species during the course of one year. Each piece is meticulously hand-cut and painted, realistically depicting the feathered beings.

    The Paper Ark’s collection captures the vibrancy of myriad tropical avian varieties, from the bright blue, yellow, and red of the macaw to the dramatic flash of color in the red-tailed black cockatoo.

    “We want our audience to not just appreciate the beauty of this wonderful species but also understand its importance in nature,” the pair says. Ten percent of proceeds from sales of this series will be donated to a parrot conservation organization.

    See more on The Paper Ark’s website and Behance, and follow updates on Instagram.

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    Colossal’s Top Articles of 2024

    Image courtesy of Wally Dion

    Colossal’s Top Articles of 2024

    December 10, 2024

    ArtColossalDesignHistoryNaturePhotography

    Colossal

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    Throughout 2024, we were awed by archaeological finds, vibrant paintings, striking sculptures, remarkable photography, immersive installations, and so much more. It’s tough to choose only 10 top articles for the year!

    Lucky for us, dear Colossal readers, you’ve helped pick the best. Below, dive into our most-read stories on the site during the past twelve months, and find hundreds more in the archive.

    “Untitled (after François Gérard)” (2023), oil on canvas, 100 x 80 centimeters. Images © Ewa Juszkiewicz, courtesy of Almine Rech

    Ewa Juszkiewicz’s Reimagined Historical Portraits of Women Scrutinize the Nature of Concealment

    From elaborate hairstyles to hypertrophied mushrooms, an array of unexpected face coverings feature in Ewa Juszkiewicz’s portraits. Drawing on genteel likenesses of women primarily from the 18th and 19th centuries, the artist superimposes fabric, bouquets of fruit, foliage, and more, over the women’s faces.

    Image courtesy of Greg Jensen

    A Rare Cross-Section Illustration Reveals the Infamous Happenings of Kowloon Walled City

    At its height in the 1990s, Kowloon Walled City in Hong Kong housed about 50,000 people. Its population is unremarkable for small cities, but what set Kowloon apart from others of its size was its density. For a now out-of-print book titled Kowloon City: An Illustrated Guide, artist Hitomi Terasawa drew a meticulous cross-sectioned rendering of the urban phenomenon to preserve its memory.

    Image © Isak Finnbogason

    Remarkable Drone Footage Captures a New Volcanic Eruption in Iceland

    In January, photographer and drone pilot Isak Finnbogason captured stunning footage of an eruption on Iceland’s Reykjanes peninsula in December, documenting the nearly two-mile-long lava vent on the first day it was active. 

    “Water Lilies in Bloom” (2023), oil on canvas. Image courtesy of Erin Hanson

    Landscapes Radiate Light and Drama in Erin Hanson’s Vibrant Oil Paintings

    In vivid pinks, blues, and greens, radiant landscapes emerge in Erin Hanson’s impressionistic oil paintings. The artist is based in Oregon’s Willamette Valley, where the rolling hills and surrounding mountain ranges cradle miles of vineyards.

    Image © Richard Johnson

    Framed by Frozen Lakes, Richard Johnson’s ‘Ice Huts’ Capture Wintertime Communities in Canada

    Every year, Ontario’s 279-square-mile Lake Simcoe draws more people for its ice fishing than any other lake in North America, attracting upwards of 4,000 huts each year. The colorful villages caught the eye of Toronto-based architectural photographer Richard Johnson (1957-2021), who captured hundreds of the structures, from the artistic to the ad-hoc, in a series of bold portraits taken between 2007 and 2019.

    Image courtesy of the Italian Ministry of Culture / AFP Photo

    Archaeologists Discover an Extraordinary 2,100-Year-Old Mosaic Near the Colosseum

    Early this year, we shared news that the Italian Ministry of Culture had a remarkable find in the heart of Rome. In the late Republican era, a luxurious townhouse had been laden with designs made from shells, glass, white marble, and Egyptian blue tiles. A large “rustic” mosaic dating to the last decades of the 2nd century B.C.E.—a little over 2,100 years ago—was likely inspired by the decorative styles of Near East monarchies.

    ‘The Whole Booke of Psalmes.’ London: Company of Stationers, 1643. Image courtesy of The Grolier Club

    Spanning Seven Centuries, ‘Judging a Book by its Cover’ Celebrates an Enduring Art

    The Grolier Club’s exhibition, Judging a Book by its Cover, highlighted some of the most unique editions within its collection, including a pigskin- and brass-bound Jewish Antiquities and the Jewish War created for a Benedictine monastery in Bavaria around 1473—the oldest in the club’s library. The collection also features several religious texts, like the miniature book of psalms shown above, made by women at the Royal Exchange in London with a variety of silk and gold threads.

    Image courtesy of Wally Dion, shared with permission

    Vivid, Translucent Quilts by Wally Dion Stitch Together Indigenous Culture and Making Traditions

    For many rural and economically strapped communities throughout history, quilting was a necessity. Tattered clothing and blankets were cut up and refashioned into new blankets, their patchwork styles evidence of the fabrics’ earlier uses. For Indigenous people, though, quilts “hold a particularly important cultural value,” says artist Wally Dion, “appearing as gifts, ceremonial objects, and celebratory markers.”

    “লয় [Loy]” (2019), Arjunpur Amra Sabai Club, Kolkata. Photo by Vivian Sarky. Image courtesy of Asim Waqif

    Immersive Bamboo Installations by Asim Waqif Whirl and Heave in Monumental Motion

    In his monumental, swirling structures, Delhi-based artist Asim Waqif merges tenets of architecture and sculpture into sweeping site-specific compositions. Using natural materials like bamboo and pandanus leaves, he often incorporates found objects, scaffolding, sound elements, cloth, and rope.

    “Animal in the Wind” (2014), clay, 36.7 x 20.8 x 30 centimeters. Image courtesy of JiSook Jung

    From Fire to Wind, JiSook Jung’s Ceramic Sculptures Animate the Elements

    JiSook Jung has long been drawn to clay for its inherent malleability. “Clay has the advantage of being able to quickly mold an image in my head into a visual form because it is soft and plastic,” the Seoul-based artist tells Colossal. “In that sense, I think clay is an intuitive and instinctive material.”

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    Yumi Okita’s Butterflies and Botanicals Metamorphose from Colorful Thread

    Yumi Okita’s Butterflies and Botanicals Metamorphose from Colorful Thread

    December 2, 2024

    ArtCraftNature

    Kate Mothes

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    From vibrant thread and wire, Yumi Okita conjures thrillingly lifelike moths, butterflies, and flowers. The Raleigh-based artist (previously) meticulously embroiders insects’ colorful wings with an eye for realism, so until you’re up close, they appear as though they could flutter away at any moment. And in her more recent series of otherworldly botanicals, petals, leaves, and roots curl to look as though they were just plucked from their habitats.

    Okita often adds original sculptures to her Etsy shop, and you can also follow updates on Instagram.

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    Lush Growths and Classical Architecture Converge in Eva Jospin’s Meticulous Sculptures

    “Forêt” (2024), wood, cardboard, 94 1/2 x 133 7/8 x 19 3/4 inches. All images courtesy of Mariane Ibrahim, shared with permission

    Lush Growths and Classical Architecture Converge in Eva Jospin’s Meticulous Sculptures

    November 16, 2024

    ArtNature

    Grace Ebert

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    Rather than position herself as an observer of landscapes, Eva Jospin imagines humans and their environments as one. The Parisian artist carves intricate forests and stately architecture subsumed by vines and craggy cliffs all from humble cardboard, accentuating the corrugated textures to add depth and intrigue.

    In her Chicago debut at Mariane Ibrahim, Jospin presents a series of freestanding sculptures and wall works that invite the viewer to venture into her large-scale, yet incredibly intricate worlds. Titled Vanishing Points, the exhibition gestures toward perspective and the ways subtle details and contemplation can shift how we see.

    “Forêt troglodyte” (2024), wood, cardboard, and mixed media, 72 1/2 x 59 x 31 1/2 inches

    As with earlier bodies of work, Jospin’s paper sculptures and vivid, silk tapestries draw on classical styles and the 18th-century tradition of follies, architectural structures designed for decoration. These often ornate buildings could be found in many Baroque gardens, which took human mastery over nature as an imperative.

    The artist’s works instead depict a convergence between the manufactured and the organic. In the six-foot tall “Forêt troglodyte,” for example, vines crawl down from a ceiling embedded with shells and sea sponges. The exquisite vault stands parallel to a similarly shaped cavern, occupied by trees rising from a rugged bluff.

    Jospin walks viewers through her process and studio in the video below. If you’re in Chicago, see Vanishing Points before January 25.

    Detail of “Forêt troglodyte” (2024), wood, cardboard, and mixed media, 72 1/2 x 59 x 31 1/2 inches

    “Capriccio” (2024), wood, cardboard, and mixed media, 76 3/8 x 41 3/8 x 21 5/8 inches

    Detail of “Capriccio” (2024), wood, cardboard, and mixed media, 76 3/8 x 41 3/8 x 21 5/8 inches

    “Jardin Constantine” (2024), silk thread, silk canvas, wood and cardboard frame,46 x 96 7/8 x 4 inches

    “Jardin Constantine” (2024), silk thread, silk canvas, wood and cardboard frame,46 x 96 7/8 x 4 inches

    “Petit Bois” (2024), wood, cardboard, 28 x 34 1/2 x 9 1/4 inches

    “Treille” (2024), silk thread, silk canvas, wood and cardboard frame, 100 3/4 x 69 1/4 x 4 inches

    Detail of “Forêt” (2024), wood, cardboard, 94 1/2 x 133 7/8 x 19 3/4 inches

    Detail of “Treille” (2024), silk thread, silk canvas, wood, and cardboard frame, 100 3/4 x 69 1/4 x 4 inches

    “Labyrinthe” (2024), wood, cardboard, and mixed media, 41 x 39 3/8 x 27 1/2 inches

    Detail of “Labyrinthe” (2024), wood, cardboard, and mixed media, 41 x 39 3/8 x 27 1/2 inches

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    Laura Kramer’s Glass Sculptures Intersect Aesthetics and Archaeology

    “Curiosity Box.” All images © Laura Kramer, shared with permission

    Laura Kramer’s Glass Sculptures Intersect Aesthetics and Archaeology

    November 13, 2024

    ArtNature

    Jackie Andres

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    Material culture is an important aspect of understanding past and present histories. Used in anthropology and archaeology, the concept refers to the the cultural significance an object may hold. Whether it be tools, religious articles, clothing, or even art, physical items have always been a reflection of the societies that wield them. Glass artist Laura Kramer is driven by this phenomenon.

    Into her work, Kramer carries personal experiences from studying anthropology and archaeology and participating in excavations—or “digs”— in St. Eustatius, an island in the Caribbean. “I am interested in the connection of the imbued spirit within the object,” she explains. “My work is deeply influenced by the cabinet of curiosities—odd objects that may not be easily categorized.”

    “Cinnabar”

    From her studio in Rhode Island, Kramer sculpts organic forms encrusted in ornate textures that mimic the natural formation of crystals. Sometimes using found objects like wasp nests, the artist creates peculiar sculptures that defy generally accepted systems of classification. Challenging the typical boundary between the manmade and natural, her sculptures land in a liminal space when examined from an anthropological point of view.

    See more from Kramer on Instagram.

    “Marie”

    “Memento Mori”

    “Azurite”

    “Mary”

    “Crystal Bowl”

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