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    Geometric Shapes and Three-Dimensional Illusions Disrupt Existing Architecture in Peeta’s Anamorphic Murals

    
    Art

    #murals
    #optical illusion
    #public art
    #street art

    August 30, 2021
    Grace Ebert

    Milan (2021). All images © Peeta, shared with permission
    Italian artist Peeta (previously) uses the interplay between shadow and light to turn flat, monochromatic planes into deceptive three-dimensional murals. His large-scale works sever residences and public buildings with curved ribbons, angular shapes, and geometric blocks of color that appear to jump out from or be built directly into the existing architecture. Spanning locations across Europe, the spray-painted works shown here are some of the most recent additions to Peeta’s extensive archive of abstracted illusions, which shift in perspective depending on the viewer’s positions.
    In September, the prolific artist will travel to Fidenza Village in Fidenza, Italy, for his next project, and you can follow progress on that piece on Instagram. Until then, check out his shop for prints, posters, and the sprawling fragmented sculptures that inform his murals.

    Neuekirchen, Germany (2020)
    Inforooms Padova, Italy (2021)
    University of Padua, Italy (2021)
    Grenobles, France (2021)
    Dan Helder, The Netherlands (2020)
    Florence (2020)
    Left and right: Florence (2020)
    Florence (2020)
    Florence (2020)

    #murals
    #optical illusion
    #public art
    #street art

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    An Anamorphic Mural Transforms a Montreal Street into Undulating Sand Dunes

    
    Art

    #anamorphosis
    #murals
    #optical illusion
    #public art
    #sand
    #street art

    November 3, 2020
    Grace Ebert

    All images © NÓS, by Olivier Bousquet, Eloa Defly, Raphaël Thibodeau, Alex Lesage, and Charles Laurence Proulx
    Along the Montreal Museum of Fine Arts, sandy drifts swell and surge in a massive mural by the Canadian architecture firm NÓS. Aptly named “Moving Dunes,” the anamorphic artwork is comprised of neutral-toned lines that undulate along the walkway, creating a deceptive path mimicking deserts and beaches. Chrome spheres sporadically appear along the street in order to reflect the surrounding architecture and rippling patterns on the ground.
    The 2018 project coincided with the museum’s exhibition, From Africa to the Americas: Face-to-face Picasso, Past and Present, which prompted NÓS to evoke the perspective-bending approach of cubist painters. “Moving Dunes” was chosen after an annual call for proposals to install a large-scale artwork on the Avenue de Musée. Follow NÓS’s latest designs and illusory projects on Instagram. (via designboom)

    #anamorphosis
    #murals
    #optical illusion
    #public art
    #sand
    #street art

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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    A 3D Mural by Artist Leon Keer Wraps a French Housing Complex Like a Gift

     “Safe House” (2020). All images © Leon Keer, shared with permission Dutch artist Leon Keer is known for his large-scale anamorphic and Trompe-l’œil projects, transforming the sides of buildings and sidewalks into illusory public art. His latest mural, titled “Safe House,” turns the side of a housing complex in Morlaix, France, into a massive, […] More

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    Illusory Street Typography Pops Off the Wall in Bold Murals by Ben Johnston

     All images © Ben Johnston Toronto-based designer Ben Johnston plays with color, shadow, and perspective to create typography that appears three-dimensional in his site-specific murals. He’s a self-taught designer, spending time in the agency world of South Africa before moving back to his home country of Canada to pursue a freelance career focusing on […] More

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    Historic Lithograph Reveals Anamorphic Views of Razed Bank of Philadelphia

    “Horizontorium” (1832), hand-colored lithograph, 22.5 x 16.5 inches In 1832, artist John Jesse Barker added depth to a drawing by Philadelphia-based William G. Mason to create an optical illusion titled “Horizontorium.” Part of a tradition of anamorphic works, this depiction of the Bank of Philadelphia is one of the two surviving works looking at the […] More