painting

Subterms

    More stories

    • 163 Shares189 Views

      in Art

      Balloons, Plants, and Bubble Wrap Become Powerful Subversive Symbols in Alicia Brown’s Portraits

      by

      
      Art
      #balloons
      #oil painting
      #painting
      #plants
      #portraitsJanuary 31, 2022Grace Ebert“Love notes from my father in a foreign land when the apple trees blossom” (2021), oil on canvas, 48 x 36 inches. All photos by Daniel Perales Studio, © Alicia Brown, shared with permissionIn her new body of work What About the Men?, Jamaica-born, Sarasota-based artist Alicia Brown extracts and reenvisions elements of traditional portraiture. She recasts objects of cultural and social status, like the elaborate gowns and thick ruffled collars worn by wealthy aristocrats throughout the 16th and 17th centuries, by instead rendering her subjects in casual clothing like shorts and rubber flipflops with colorful latex balloons, plants, and plastic bubble wrap coiled around their necks.Contemporary and subversive, Brown’s oil paintings are rooted in history and a reinvented use of symbols interpreted as power, control, celebration, adaptation, and survival. She explains:As an artist from the Caribbean, Jamaica, which was colonized by Europe, presently there is still that system of classism that has its origin during slavery and colonialism in Jamaica that the natives have to navigate in order to fit into society. I have referenced the collar as an object that is European and replaced it with objects such as spoons, cotton swaps, shells, balloons, bubble wrap, and recently elements of nature. These collars adorned the neck of the models who are regular people and who are constantly going through a performance of creating an identity to gain acceptance.Derived from a photograph of a friend, family member, or neighbor, each intimate portrait is set against a lush backdrop of foliage or in domestic scenes with encroaching plant and animal life. “Through my work, I hope to convey to the viewer to look beyond their eyes and to see themselves as the person represented in the painting, to share their world, and to come to the awareness that we share so much in common, we are all connected as beings,” the artist shares.If you’re in Rochester, you can see What About the Men? through March 6 at UUU Art Collective. Otherwise, visit Brown’s site and Instagram.“The Duke of Portmore-dad’s legacy” (2022), 48 x 36 inches“The queen’s coronation” (2020), oil on canvas, 48 x 36 inches“Male bird of paradise” (2021), oil on canvas, 64 x 42 inches“You look just like your father” (2021), oil on canvas“There is a race of men who do not fit in” (2021), oil on canvas, 48 x 36 inches“Portrait of lady Cameal from Alva” (2020), oil on canvas, 28 x 36 inches
      #balloons
      #oil painting
      #painting
      #plants
      #portraitsDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

    • 200 Shares149 Views

      in Art

      Stars, Circles, and Symbols in Primary Colors Form Astrological Maps and Coded Works by Shane Drinkwater

      by

      
      Art
      #acrylic
      #paintingJanuary 25, 2022Grace EbertAll images © Shane Drinkwater, shared with permissionAs a child, Australian artist Shane Drinkwater (previously) was fascinated by maps, astronomical charts, and ciphers. “This possibly relates to my dyslexia: images and shapes had a strong attraction whereas words on paper were a difficult subject,” he tells Colossal. “I found maps on paper quite appealing, coloured shapes and unraveling a code to find a path in the real world.”This cartographic interest permeates the artist’s current body of work, which features dots, stars, dashes, and concentric circles arranged in vast systems and imaginary cosmic charts. Rendered in acrylic on paper or canvas, the hypnotizing works rely mostly on neutral tones similar to that of weathered parchment combined with reds, blues, and yellows. This influence comes from medieval illuminated manuscripts, which used “primary colours for maximum visual impact,” he says.Drinkwater, who was born in Tasmania and currently lives in Queensland, has pieces available at Cavin-Morris Gallery, Pulp, and Copenhagen Outsider Art Gallery, along with a solo show slated for June at Boom Gallery in Victoria. He recently collaborated with the clothing brand indi + ash to create patterns for some of its garments, which you can see more of on Instagram.
      #acrylic
      #paintingDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

    • 138 Shares189 Views

      in Art

      Serene Wooded Landscapes Nestle Inside Introspective Silhouette Paintings by Megan Aline

      by

      
      Art
      #acrylic
      #landscapes
      #nature
      #painting
      #silhouettesJanuary 24, 2022Grace Ebert“Everything Changes,” acrylic on panel, 16 x 12 inches. All images © Megan Aline, shared with permissionIn Unseen Roots, artist Megan Aline fills silhouettes with brush, autumn foliage, and tall, skinny trees that span from torso to crown. Her solo show at Robert Lange Studio in Charleston consists of dozens of acrylic works that expose a small glimpse of a landscape hidden within each figure. “As we become increasingly disconnected from the natural world, I think the memory of nature becomes even stronger inside each of us,” the artist shares. “If you only spent weekends in the woods or summers at your grandmothers or you have a park you visit from time to time, it becomes the quiet space inside you that you can escape to even when you aren’t there.”To render the contemplative works, Aline paints inside a stenciled silhouette on panel, which creates crisp outlines of each figure—she shares videos of this process on Instagram—and visible brushstrokes in pastel and neutral tones comprise the paintings’ backdrops. “As an artist, I spend a lot of time reflecting inwardly as I paint outwardly,” she writes. “I like the idea that we have an ‘inner landscape,’ a map created from emotions, ideas, and sensations collected throughout our lives.”Unseen Roots is on view through January 28, and you can shop prints of Aline’s introspective silhouettes on her site. (via Supersonic Art)“Deepest Pathways,” acrylic on panel, 16 x 16 inches“Deeper Time,” acrylic on panel, 20 x 20 inchesTop: “Constantly Growing,” acrylic on panel, 20 x 30 inches. Bottom left: “Emergence,” acrylic on panel, 18 x 24 inches. Bottom right: “Radiance,” acrylic on panel, 16 x 16 inches“Deeper Change,” acrylic on panel, 20 x 20 inches“Positive Light,” acrylic on panel, 8 x 8 inches“An Underlying Message,” acrylic on panel, 24 x 24 inches“Beyond the Surface,” acrylic on panel, 16 x 16 inches
      #acrylic
      #landscapes
      #nature
      #painting
      #silhouettesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

    • 150 Shares159 Views

      in Art

      Contemplative Works by Ali Cavanaugh Consider Vulnerability and the Sublime Through Watercolor

      by

      
      Art
      #painting
      #portraits
      #watercolorJanuary 20, 2022Grace Ebert“Steep” (2017), 16 x 20 inches. All images © Ali Cavanaugh, shared with permissionThrough delicate washes of peach, aqua, and smoky gray, St. Louis-based artist Ali Cavanaugh (previously) renders watercolor portraits that lay her subjects’ spirits bare. “I’m continually searching for something complex in human expression,” she tells Colossal. “Curiosity, sadness, wonder, hesitation, peace, and acceptance all in one glance.”Cavanaugh paints her dreamlike works on wet clay panels, allowing the bright backdrops to illuminate the translucent pigments. The resulting works are introspective and intimate while simultaneously harnessing the universal experience of the sublime. “I want the viewer to look at one of my portraits and say, ‘What are they thinking?,’ and also at the same time say, ‘This is so familiar and is exactly how my loved one looks at me when they are vulnerable,’” she says.If you’re in New York, you can see Cavanaugh’s portraits through January 28 at Salmagundi Club. Otherwise, shop available originals on her site, and keep an eye out for future print releases on Instagram. She also shares videos chronicling her process and tutorials on some of her techniques on Patreon.“Above,” 12 x 12 inches“Smolder” (2017), 12 x 12 inches“Only Once” (2015), 18 x 18 inches“Confidante” (2017), 12 x 16 inches“One to Listen and One to Love”“Rest on Water” (2017), 12 x 12 inches
      #painting
      #portraits
      #watercolorDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

    • 125 Shares159 Views

      in Art

      Diminutive Figures Traverse Vibrant, Post-Climate Disaster Environments by Seonna Hong

      by

      
      Art
      #acrylic
      #climate crisis
      #identity
      #oil painting
      #painting
      #pastelJanuary 19, 2022Grace Ebert“Kid World” (2021). All images © Seonna Hong, courtesy of Hashimoto Contemporary, shared with permissionIn Late Bloomer, Los Angeles-based artist Seonna Hong wades into landscapes filled with amorphous swatches of color and marred by climate disaster. Her acrylic, oil, and pastel works are on view through February 5 at Hashimoto Contemporary in Los Angeles in an introspective solo show that considers her place in an ever-evolving world. Set against abstract, blurred backdrops, Hong’s distinctly rendered animals and anonymous subjects navigate distorted terrains of once-familiar architecture and natural landmarks.Many of the stylized compositions evoke traditional Korean landscapes from the Joseon period—these are known for their asymmetrical forms, vibrant brushstrokes, and skewed perspectives—that contemplate the human-nature relationship by placing miniature figures among formidable environments. “I’m a second-generation Korean American that is surprised to be making identity-based work but realizing I’ve been making it all along. I’ve spent my entire life between the push and pull of being Korean and American, never feeling quite Korean enough or American enough,” Hong writes on Instagram. “I’ve realized the inherent connection between my work and my history, a belated but cherished revelation.”“Granny Square” (2021)“In The Joseon Period” (2021)“The View From the Studio” (2021)“Sunset Stone” (2021)“Gumball Dystopia” (2021)“Like Minded” (2021)
      #acrylic
      #climate crisis
      #identity
      #oil painting
      #painting
      #pastelDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

    • 163 Shares99 Views

      in Art

      Shipping Containers and Intersecting Lines Clutter Landscapes in Mary Iverson’s Paintings on Globalization

      by

      
      Art
      #acrylic
      #found photographs
      #ink
      #landscapes
      #oil painting
      #paintingJanuary 18, 2022Grace Ebert“Calamity at Cairo,” acrylic and found photograph on panel, 12 x 12 inches. All images © Mary Iverson, shared with permissionLatticed lines and brightly colored boxes overlay the chaotically transformed landscapes by Mary Iverson (previously). Based in Seattle, the artist uses a combination of oil and acrylic paints, ink, and found photographs to render shockingly prescient scenes blighted by globalization and environmental disaster: barges and shipping containers float in the sea and haphazardly occupy beaches, with their contents sometimes spilling out onto the surrounding area.The largely natural scenes and the clean, angled lines and geometric forms clash in Iverson’s superimposed works in a manner that evokes the competition of industry. In a note to Colossal, she shares that given the dramatic changes the world has undergone in the last few years, her “paintings are no longer theoretical.” She explains:Because at the same time as the pandemic was unfolding, the super mega-ships were entering the trade system. Everyone was stuck at home and ordering stuff at an unprecedented pace, the demand for goods got very high, the workforce shrank, and everything got backed up, creating “supply chain issues.” We now have actual real sea-level rise, huge apocalyptic fires, and shipping disasters unfolding before our very eyes. We are at the precipice of an apocalypse. The question is, how are we going to deal with it?Often rendered on images of historically and culturally significant sites like Machu Picchu, the Colosseum, and the pyramids of Cairo, Iverson’s works indicate the evolution of human society with a bleak, discouraging perspective. “I look at photos of lost civilizations and think about their hopes, dreams, and ideals, and I wonder what the end will look like for us,” she says.Iverson shares glimpses into her process and works-in-progress on Instagram, and prints of “Calamity at Cairo” are available in the Juxtapoz shop through January 19.“Sunk 2,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Calamity at Crater Lake,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Lost Shipment,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Calamity at Machu Picchu,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Calamity at the Colosseum,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Point Reyes Lighthouse,” acrylic, ink, and found photograph on panel, 12 x 12 inches“Calamity at Summit Lake (Mount Rainier),” oil on canvas, 16 x 20 inches“Rube Beach with Containers,” oil on canvas“Fleet,” acrylic, ink, and found photograph on panel, 12 x 12 inches
      #acrylic
      #found photographs
      #ink
      #landscapes
      #oil painting
      #paintingDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

    • 188 Shares139 Views

      in Art

      Teeming with Leaves and Grasses, Oil Paintings Cloaked in Lush Foliage Evoke the Forest Floor

      by

      
      Art
      #oil painting
      #painting
      #plantsJanuary 14, 2022Grace EbertAll images © JA Paunkovic, shared with permissionThick foliage in shades of green sprout from every inch of JA Paunkovic’s canvases. The Serbian husband-and-wife duo of Jelena and Aleksandar render luxuriant scenes brimming with realistic plant life. Patches of verdant grasses, shrubs, and flowering specimens sprawl across the oil-based works, which mimic the lush patches of vegetation that the pair encounters while hiking.  “Visiting (a) new environment becomes material that will later serve us in the studio as a sketch for a new painting,” Jelena shares. “We have found a way to bring nature to a home or gallery and hang it on the wall to serve as a reminder that we need to think more about how our modern lifestyle affects the environment.”In addition to working on a few commissions, the artists currently are building a new studio, and you can follow their progress on Instagram. Find limited-edition prints and originals in their shop.
      #oil painting
      #painting
      #plantsDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More

    • 150 Shares139 Views

      in Art

      Playfully Absurd, Idiosyncratic Characters Grace the Salvaged Book Sculptures by Mike Stilkey

      by

      
      Art
      #animals
      #books
      #painting
      #sculptureJanuary 6, 2022Grace EbertAll images © Mike Stilkey, shared with permissionDapper penguins, nonchalant musicians, and self-destructive politicians are a few of the distinct figures adorning Mike Stilkey’s sculptures. The Los Angeles-based artist (previously) rummages through heaps of discarded books, plucking out complementary titles that become the basis for his towering works. Using ink, colored pencil, paint, and lacquer, he renders minimal portraits of figures with exaggerated limbs or instruments and gestures that show a flair for the absurd.Vacillating from the playful and whimsical to the cheeky and ironic, Stilkey’s idiosyncratic, sometimes anthropomorphized characters translate an essential interpretation of the volumes’ messages or subject matter through a contemporary lens. He explains:Sometimes it’s a wry, tongue-in-cheek, satirical kind of thing, and sometimes it’s an extension or interpretation of it. It depends on the book and my mood. There’s been a lot of fodder over the past couple of years with all of the political conversations and things you hear or read on the news or social media. But I’ve always been able to do this with books. It’s one of the reasons I started using books as a canvas or vehicle for painting—the richness of layering literary and visual narratives over each other to convey something more complex.As well as the repurposed sculptures shown here, Stilkey also creates installations with thousands of books and large characters, although these on-site projects have been put on hold since the onset of the pandemic. Prints and postcards are available in the artist’s shop, and you can follow his works on Instagram.
      #animals
      #books
      #painting
      #sculptureDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story  More