The restless spirit of Stephen Shore
<!– The restless spirit of Stephen Shore | Apollo Magazine More
Subterms
75 Shares169 Views
in Photography<!– The restless spirit of Stephen Shore | Apollo Magazine More
75 Shares169 Views
in Photography<!– The changing face of war | Apollo Magazine More
150 Shares139 Views
in Art
Art
Craft
History
Photography
#embroidery
#found photographs
#thread
April 14, 2022
Grace Ebert More
175 Shares169 Views
in Art
Art
Illustration
Photography
#fundraiser
#posters and prints
#Ukraine
March 14, 2022
Grace Ebert More
150 Shares169 Views
in Art163 Shares179 Views
in Art
Art
Photography
#books
#camouflage
#landscapes
#nature
#portraits
February 11, 2022
Grace Ebert
Eyes as Big as Plates # Andrea (Outer Hebrides 2019)
Hailing from fifteen countries, the individuals participating in Eyes as Big as Plates have backgrounds as varied as their surroundings: there are zoologists, academics, and librarians; fishermen, wild boar hunters, and Sami reindeer herders; and opera singers, kantele players, and artists. They’re tethered by the ongoing project, which dresses each figure in sculptural wearables made of organic materials that allow them to blend in with the surrounding landscape.
Launched in 2011 by Norwegian-Finnish artist duo Karoline Hjorth and Riitta Ikonen (previously), Eyes as Big as Plates hinges on the idea that it’s essential to explore how humans exist within nature. The portraits center on lone figures partially camouflaged with their backdrops or outfitted with imaginative garments constructed with objects found nearby. Boubou (shown below), for example, is a Senegalese fisherman who wears a mesh shawl of sea creatures, while North Tolsta-based photographer Andrea (above) is almost entirely masked by spindly branches and peat near her home. Every portrait comes after a conversation with the subject and a collaborative effort to find the proper location and attire.
The duo has now compiled dozens of photos in a forthcoming book that marks the 10th anniversary of the project. A follow-up to their sold-out first volume, Eyes as Big as Plates 2 is comprised of 52 new portraits, conversations with those featured, and field notes from their travels. “While transcribing the interviews for each of the collaborators here, we got to experience what many of them often say is the most exciting part: ‘ … just being there, looking at a familiar landscape like you’ve never looked at it before. Letting the surroundings wash over you,’” they write.
Eyes as Big as Plates 2 is currently available for pre-order on the project’s site. Some of the series is on view through June at the landmarked entry at 200 5th Avenue in New York and will be up this May at London’s Barbican and at the Harbourfront Centre in Toronto in September.
Eyes as Big as Plates # Boubou (Tasmania 2019)
Eyes as Big as Plates # Liv (Norway 2017)
Eyes as Big as Plates # Momodou Toucouleur (Senegal 2019)
Eyes as Big as Plates # Mr Oh (South Korea 2017)
Eyes as Big as Plates # Niels (Faroe Islands 2015)
Eyes as Big as Plates # Scotty (Tasmania 2019)
Eyes as Big as Plates # Sinikka (Norway 2019)
#books
#camouflage
#landscapes
#nature
#portraits
Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!
Share this story
More
163 Shares149 Views
in Art
Art
Photography
#art history
#paintingJanuary 4, 2022Grace EbertAll images courtesy of RijksmuseumTotaling a whopping 717 gigapixels, a new photo of Rembrandt’s 1642 painting “The Night Watch” unveils an astounding array of minuscule details and precise artistic choices behind the Dutch Golden Age masterpiece. A team at Amsterdam’s Rijksmuseum, which is currently housing the art historical work, captured 8,439 individual images to create the gigantic composite that leaves just 0.0002 inches between each pixel, which themselves are smaller than a red blood cell.One of Rembrandt’s most iconic works, “The Night Watch”—its formal titles include “Militia Company of District II under the Command of Captain Frans Banninck Cocq” and “The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch”—stretches 11.91 x 14.34 feet and is evidence of the artist’s famed use of light and shadow and ability to imbue movement into the cast of nearly life-size characters. Rijksmuseum’s composite now shows the cracked texture of the paint, brushstrokes, and slight pigment variations that wouldn’t be visible even if you were standing in front of the work itself. Zoom in on hard-to-see spots like the blurred fur of a reactive dog, the gleaming light that bounces off guns and the figures’ ornamental clothing, and the gray-blue tones underlying the captain’s facial features. The magnifiable image also retains evidence of the damage done by a knife gash in 1975.In addition to this project, the team used artificial intelligence to restore pieces that had been cut off the original painting in 1715, including two shooters on the left side and part of a soldier’s helmet on the right. You also might enjoy this 10 billion pixel panorama of Vermeer’s “Girl With a Pearl Earring.” (via New Atlas)
#art history
#paintingDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More
100 Shares99 Views
in Art
Art
Dance
History
PhotographyDecember 29, 2021ColossalWe spent the last year collaborating with creatives from every corner of the planet to publish nearly 700 articles and interviews that range from art, design, and photography to science and history. As we plan our coverage for 2022, we’re looking back at some of the stories you read most (thank you!). And in case you missed it, make sure you check out Colossal’s favorite short films and books from 2021, too.Nine Massive Waves of Deadwood Surge Across a Forest Floor Near HamburgBetween November 2020 and March 2021, Jörg Gläscher gathered deadwood and constructed nine massive crests that overwhelm the forest floor in undulating layers of branches and twigs.Mammoth Straw Creatures Populate Japanese Farmland in the Annual Wara Art FestivalEnormous tarantulas, eagles, and dinosaur-like creatures occupy Japan’s Niigata Prefecture as part of the Wara Art Festival, a summertime event that displays massive animals and mythical creations fashioned from the rice crop’s leftover straw.An Intimate Photographic Series Glimpses the Lives of the Children Who Fish in Ghana’s Lake VoltaPhotographer Jeremy Snell unveils the more sinister side of Ghana’s Lake Volta through an intimate and profound series documenting the lives of the children working in the region.‘Beneath the Bird Feeder’ Documents the Spectacular Wildlife Visiting a Wintertime Food SourceDuring the winter months of late 2020 into early 2021, Carla Rhodes photographed a diverse cast of cold-weather adventurers, including a brilliant northern cardinal, numerous pairs of mourning doves, and furry little field mice, that visited her birdfeeder.Impasto Marks and Thick Dabs of Paint Render Dreamy Landscapes in Rich Layers of ColorRussian artist Anastasia Trusova works in a style she terms “textured graphic impressionism” that involves deftly layering acrylic paints into lush foliage, clouds, and fields of wildflowers.A Restored Vermeer Painting Reveals a Hidden Cupid Artwork Hanging in the Background2021 changed the way we understand a 17th-century painting by the Dutch artist Johannes Vermeer. What was once thought to be a somewhat glum depiction of a young girl was revealed to be an amorous portrayal complete with a naked Cupid in the background.Cheeky Busts by Gerard Mas Are Sculpted with a Contemporary TwistThe women artist Gerard Mas sculpts are spirited and unconventional as they blow a wad of bubblegum, sport visible tan lines, or unabashedly dig in their noses. Each corset-clad figure is steeped in humor and wit as it casts a contemporary light on the traditional form.Herds of Life-Sized Elephants Roam Through London’s Parks for a Global Conservation ProjectSixty migrating elephants passed between Piccadilly and Buckingham Palace in London’s Green Park earlier this year as one of nine herds roaming throughout the city. The lumbering creatures are part of a collaboration that explores how humans can better live alongside animals.Ceramic Mosaics Mend Cracked Sidewalks, Potholes, and Buildings in Vibrant Interventions by EmememThroughout his home city of Lyon, Ememem is known as “the pavement surgeon” because he repairs gouged sidewalks with colorful mosaics.A Mesmerizing Dance Performance for the Paralympics Hand-Off Ceremony Choreographed by Sadeck WaffAs part of a closing hand-off ceremony for the 2020 Tokyo Paralympic Games, choreographer Sadeck Waff worked with 128 performers in a dizzying performance focused on arms and hands.Chicago’s Manual Cinema Reveals How Its Shadow Puppets Became a Defining Feature of the New ‘Candyman’Nia DaCosta’s Candyman is deeply rooted in Chicago’s history and draws in local artists, like the talented team at Manual Cinema. Colossal editor-in-chief Christopher Jobson interviewed co-artistic director Drew Dir when the film was released to discuss the unprecedented process of using shadow puppets in a blockbuster live-action film, experimenting with the technical limits of the medium, and conveying a story of racism and trauma.Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More
This portal is not a newspaper as it is updated without periodicity. It cannot be considered an editorial product pursuant to law n. 62 of 7.03.2001. The author of the portal is not responsible for the content of comments to posts, the content of the linked sites. Some texts or images included in this portal are taken from the internet and, therefore, considered to be in the public domain; if their publication is violated, the copyright will be promptly communicated via e-mail. They will be immediately removed.