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      Meticulously Sculpted and Tarnished Dandelions Preserve the Herb’s Ephemeral Nature in Metal

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      Art
      Craft

      #dandelions
      #metal
      #plants
      #sculpture

      January 6, 2021
      Grace Ebert

      All images © Shota Suzuki, shared with permission
      Staining friend’s hands with dandelion heads and blowing their wispy seeds are a common childhood pastime and a simple joy that Shota Suzuki channels in his delicately constructed sculptures. The Kyoto-based artist painstakingly carves copper, brass, and silver into barbed leaves and feathery seeds to recreate the ubiquitous herbs in each state of bloom and decay.
      To tarnish the textured metals and alter their colors, Suzuki uses combinations of vinegar, copper sulfate, and acetic acid to create purples and blues. For the black components, he oxidizes pieces in dissolved sulfur. Suzuki’s coloring techniques are rooted in traditional Japanese patina methods including niiro, which historically used daikon juices to alter the metal, and are the most demanding part of his process. “The chemical modification is very sensitive and is affected by everything from the weather conditions to the dirt on my hands. It’s hard to make the same color every time,” he says in an interview with Kyoto Journal.
      Each dandelion is the product of hours of research, which begins while Suzuki walks around his neighborhood and spots weeds in sidewalk cracks or garden flowers. He then works from memory and occasional glimpses of photos of the chosen plant, forgoing sketches and models to create pieces that merge scientific accuracy with the artist’s vision, which he explains:
      I’ve never practiced the art of ikebana, but there is an element of it that comes through. My work does not portray a plant as it would be in its natural environment. Rather I manipulate it in a way that I find to be beautiful. I think the composition especially, like the placement and length of the flowers and stems of the plant, is really important. So in that respect, it is rather similar to ikebana.
      See more of Suzuki’s botanic sculptures, which include violets, cherry blossoms, and seaside daisies, on Artsy, and follow his latest works and updates to his shop on Instagram.

      #dandelions
      #metal
      #plants
      #sculpture

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      A Frozen Installation by Azuma Makoto Preserves a Vibrant Floral Arrangement in Ice

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      Art

      #flowers
      #ice
      #installation
      #plants
      #snow

      January 4, 2021
      Grace Ebert

      All images © Shiinoki/AMKK, shared with permission
      Japanese artist Azuma Makoto (previously) is known for shifting the contexts in which we typically view florals—think encasing bouquets in blocks of ice or suspending them in the stratosphere—through installations and designs that blur the boundaries between art and botany. Shown here is a 2018 project titled “Frozen Flowers” from Makoto’s In Bloom series. The undertaking brought the artist to Notsuke Peninsula in Hokkaido where he doused open blossoms and greenery in water. Positioned against the stark, snowy landscape, the resulting arrangement is frozen in its original splendor, allowing the vibrancy of the flowers to peek through the icicles.
      “The place where this installation was held in Hokkaido is also called the end of the world since blighted pine trees are usually spread out there and that place freezes over in winter,” says Makoto’s studio. “It was the series of how Azuma pursued unknown possibilities of flowers and how flowers express themselves under this condition.”
      More images and a short video of Makoto’s process are available on his site, and you can follow his latest works on Instagram. (via The Jealous Curator)

      #flowers
      #ice
      #installation
      #plants
      #snow

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      Overflowing with Flora and Fauna, Collaged Paper Installations Comment on Earth’s Dwindling Biodiversity

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      Art

      #animals
      #found photographs
      #installation
      #nature
      #paper
      #plants

      October 21, 2020
      Grace Ebert

      “Intimate Immensity” (2016). Photograph by Trevor Good. All images © Clare Börsch, shared with permission
      Sprawling across paint-chipped walls and tiny alcoves, the collaged installations of artist Clare Börsch mimic overgrown jungles and whimsical forest scenes. Layers of flora, fauna, and the occasional gemstone or human figure comprise the amorphous paper artworks as they transform spaces into fantastical ecosystems.
      In a note to Colossal, Börsch shares that she began her artistic practice as a way to translate her dreams, which are often lucid and informed by memories and a strong tie to nature, into physical objects that others could immerse themselves in. “Growing up in Brazil, I had the ocean, rivers, and jungles that always existed in stark contrast to the industrial cities (I lived in Sao Paulo). So my earliest and most formative memories are of lush, humming tropical ecosystems —and the encroaching industrial landscapes of Brazil’s cities,” she says.
      The Berlin-based American artist sources her many of the vintage photographs from open source archives, including the Biodiversity Heritage Library (previously), Pixabay, and Unsplash. Some of the botanical elements she draws or photographs herself before cutting around the organic elements and assembling them in new, sometimes bizarre, compositions.

      Jungle installation commissioned by Book A Street Artist Berlin for Riem Arcaden in Munich. Photograph by the artist
      Despite the vibrancy and lively qualities of the three-dimensional collages, Börsch uses her artworks to reflect on the ongoing climate crisis and destruction of biodiversity, commentary that’s laced with themes of decay and death. She explains:
      This came into focus for me when I made a series of collages and then later realized that many of the species in the vintage illustrations had already gone extinct. Humanity has wiped out 68% of all our planet’s biodiversity since 1970, so working with vintage illustrations can be very heartbreaking as much of the diversity in these gorgeous old naturalist prints has been wiped out by human activity.
      Since then, Börsch has been collaborating with scientist Louisa Durkin, of the Nordic Academy of Biodiversity and Systematics Studies, to identify ways the artworks can spark awareness and dialogue about environmental issues. “I often say that I do not want my art to be a funerary dirge for everything we could have saved,” she says.
      In recent months, Börsch has been working on a commissioned series that will culminate in a forthcoming book, titled Why Do Tigers Have Whiskers? And Other Cool Things About Animals, which is scheduled for release by Thames & Hudson in May 2021. Follow the artist on Instagram to see her latest projects, including an immersive installation commenting on regenerative approaches to tackling problems of biodiversity, which she plans to unveil in early November. (thnx, Elsie!)

      “Intimate Immensity” (2016)
      “Intimate Immensity” (2016)
      Jungle installation commissioned by Book A Street Artist Berlin for Riem Arcaden in Munich
      Photograph by Kolja Raschke
      “Intimate Immensity” (2016). Photograph by Trevor Good
      Photograph by Kolja Raschke
      Photograph by Kolja Raschke

      #animals
      #found photographs
      #installation
      #nature
      #paper
      #plants

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      Revealing Struggles and Joy, Expressive Portraits Are Superimposed onto Watercolor Foliage

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      Art

      #flowers
      #plants
      #portraits
      #watercolor

      September 24, 2020
      Grace Ebert

      “Being true to your nature III.” All images © Àngela Maria Sierra, shared with permission
      Spanish artist Àngela Maria Sierra, who works as Riso Chan, explores the human psyche through subtly layered foliage. “I always imagine that they are someone’s soul, what we don’t see, our nature,” Sierra says of the delicate botanical assemblages that she overlays onto her subjects’ faces and torsos. Each portrait begins with a focus on texture and pattern as the artist paints clusters of twigs and leaves with watercolor. She then scans those botanical elements and uses Procreate to superimpose the figure onto the original piece.
      Alongside their simple beauty, the pastel paintings, some of which are self-portraits, reflect the narratives and worries that consume the artist’s daily life. She describes her work as “a journal where I express moments or feelings that are important for me during those days. It’s a way to give those feelings space and then let them go.” Tied to both struggles and joys, topics include finding freedom through creativity during lockdown, growing up in an drug-filled home, and the bravery required to move forward.
      Based in Amsterdam, Sierra is the founder of Bloom Art House, which hosts creative workshops throughout the capital city. Keep up with her expressive artworks on Instagram.

      “Freedom”
      “Being true to your nature II”

      “Spring”
      Left: “Turning on the lights inside.” Right: “Being true to your nature I”
      “New Path”
      “Toxic home”

      #flowers
      #plants
      #portraits
      #watercolor

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      A Plant Overruns an Incredibly Intricate Cardboard Universe for Robots by Greg Olijnyk

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      Art
      Craft

      #cardboard
      #light
      #plants
      #robots
      #science fiction
      #sculpture

      September 18, 2020
      Grace Ebert

      All images © Greg Olijnyk, by Griffin Simm, shared with permission
      Until now, Greg Olijnyk’s cardboard robots have been poised for adventure, whether perched on a speed bike or sailing an undulating sea. His meticulously crafted universe, though, has taken an eerie and slightly dystopic turn. The Melbourne-based artist presents fully articulate robots lying on an operating table and attempting to wrangle an aloe plant bound to a cage. Complete with LED lights and glass where necessary, the latest iteration even features an illustrated danger sign, warning that the plant will soon breach its enclosure.
      To follow the latest sculptures in Olijnyk’s science-fiction inspired reality, head to Instagram, where he shares process shots and videos of the robots in action.

      #cardboard
      #light
      #plants
      #robots
      #science fiction
      #sculpture

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      Vintage-Style Illustrations Merge Animals, Insects, and Botanics to Form Bizarre Hybrid Creatures

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      Art
      Illustration

      #animals
      #birds
      #humor
      #plants
      #watercolor

      September 15, 2020
      Grace Ebert

      All images courtesy of Mark Brooks, shared with permission
      Full of extraordinary creatures, the illustrated series The Creative Specimens seamlessly combines species into unusual hybrids. Similar in color, each organism is bizarre in form. The feathered head of a bird is placed on a tortoise’s body, octopus tentacles sprout from the bottom of a cactus, and speckled coral comprises a deer’s antlers.
      Adobe’s 99U Conference spurred the collaborative project as a way to offer a visual language encompassing various creative careers and passions. Inspired by the biological classifications of Charles Darwin and his contemporaries, New York-based art director and graphic designer Mark Brooks digitally rendered the organisms by referencing vintage illustrations. He then passed the project to Joanmiquel Bennasar, an illustrator living and working in the Balearic Islands, who recreated the creatures in watercolor.
      Explore more of Brooks’s and Bennasar’s illustrated projects on Behance.

      #animals
      #birds
      #humor
      #plants
      #watercolor

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      Suspended Orbs, Webs, and Air Plants Imagine an Alternative Ecological Future by Artist Tomás Saraceno

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      Art

      #air
      #balloons
      #climate change
      #glass
      #installation
      #light
      #mirrors
      #plants

      September 1, 2020
      Grace Ebert

      “Thermodynamic Constellation.” All images © Tomás Saraceno, courtesy of Palazzo Strozzi by Ela Bialkowska, OKNO Studio, shared with permission
      Three reflective spheres hover above the courtyard of Florence’s Palazzo Strozzi in Tomás Saraceno’s immersive installation.  The metallic orbs mirror the historic Renaissance architecture in addition to visitors who pass by, while marking the entrance to the imagined space that explores life beyond anthropocentrism. As its name suggests, Aria is concerned with air, encompassing human travel, its ability to foster growth, and how it’s entwined with every living organism.
      The Argentinian artist (previously) is known for his large-scale works that fall at the intersection of science and art and consider the human toll on the natural world. Throughout Aria are various experiences dealing with contemporary environmental issues: Glass forms hang from the ceiling and house Tillandsia plants, which need only air to survive, while “A Thermodynamic Imaginary” considers the immensity of the sun and its unused potential.
      Each of the works also references one of Saraceno’s 33 arachnomancy cards that explore ecological interconnectivity. References to arachnids manifest in the complex systems that hold Weaire–Phelan structures in “Connectome” or in the stark “Aerographies,” a series of clear balloons and framed networks that explore how “the movements of people, heat, animals, and spider/webs affect and are affected by the air,” a statement from Saraceno says.
      Ecosystems have to be thought of as webs of interactions, within which each living being’s ecology co‐evolves, together with those of others. By focusing less on individuals and more on reciprocal relationships, we might think beyond what means are necessary to control our environments and more on the shared formation of our quotidian.
      If you’re in Florence, stop by the Palazzo Strozzi to see Saraceno’s work before it closes on November 1, 2020. Otherwise, find out more about what he has planned for the rest of the year, which includes a new solar-powered balloon, on his site and Instagram. (via This Isn’t Happiness)

      “Thermodynamic Constellation”
      “Flying Gardens,” (2020), Tillandsia plants and hand-blown glass
      “Thermodynamic Constellation”
      “Thermodynamic Constellation”
      “Aerographies,” by Studio Tomás Saraceno
      “Connectome”
      “A Thermodynamic Imaginary”

      #air
      #balloons
      #climate change
      #glass
      #installation
      #light
      #mirrors
      #plants

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      Layered Botanics Comprise Artist Vanessa Hogge’s Delicate Porcelain Assemblages

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      Art

      #ceramics
      #flowers
      #plants
      #porcelain
      #sculpture

      September 1, 2020
      Grace Ebert

      All images © Vanessa Hogge, courtesy of Ester Segarra/Vessel Gallery, shared with permission
      Vanessa Hogge translates her lifelong fascination with flowers into monochromatic assemblages of hydrangeas, roses, and myriad blossoms. The London-based artist (previously) has been working on EFFLORESCENCE, which is comprised of three ceramics, since October 2019. Each of the delicate porcelain pieces is adorned with innumerable hand-sculpted florets and leaves that blossom from a central base.
      Rather than studying horticulture textbooks and the intricacies of plant life, Hogge works entirely from her memory and imagination and frequents gardens and other places where organic elements thrive for observation. “I’ve traveled to research in the Okavango Swamps in Botswana, the flower-filled valleys of the Northern Cape in South Africa, and this January (just before lockdown), to Southern India to be surrounded by the exotic vegetation there—just beautiful,” she tells Colossal.
      Hogge’s inspirations, though, are vast. She imbues elements of the funky textiles created in the 1970s, miniature depictions of Indian gardens, and Frida Kahlo’s iconic flowers. “As an artist, the variety of their forms and structures is immense and endless. People comment and wonder when I will move on and if I will tire of flowers, but how can I? This fascination is also steeped in my family matriarchs—strong women gardeners and the great outdoors,” she says.
      The artist offers a brief look into her studio and process in this short video and on Instagram. You also might enjoy Hitomi Hosono’s intricate vessels.

      #ceramics
      #flowers
      #plants
      #porcelain
      #sculpture

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