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    Suspended Orbs, Webs, and Air Plants Imagine an Alternative Ecological Future by Artist Tomás Saraceno

    
    Art

    #air
    #balloons
    #climate change
    #glass
    #installation
    #light
    #mirrors
    #plants

    September 1, 2020
    Grace Ebert

    “Thermodynamic Constellation.” All images © Tomás Saraceno, courtesy of Palazzo Strozzi by Ela Bialkowska, OKNO Studio, shared with permission
    Three reflective spheres hover above the courtyard of Florence’s Palazzo Strozzi in Tomás Saraceno’s immersive installation.  The metallic orbs mirror the historic Renaissance architecture in addition to visitors who pass by, while marking the entrance to the imagined space that explores life beyond anthropocentrism. As its name suggests, Aria is concerned with air, encompassing human travel, its ability to foster growth, and how it’s entwined with every living organism.
    The Argentinian artist (previously) is known for his large-scale works that fall at the intersection of science and art and consider the human toll on the natural world. Throughout Aria are various experiences dealing with contemporary environmental issues: Glass forms hang from the ceiling and house Tillandsia plants, which need only air to survive, while “A Thermodynamic Imaginary” considers the immensity of the sun and its unused potential.
    Each of the works also references one of Saraceno’s 33 arachnomancy cards that explore ecological interconnectivity. References to arachnids manifest in the complex systems that hold Weaire–Phelan structures in “Connectome” or in the stark “Aerographies,” a series of clear balloons and framed networks that explore how “the movements of people, heat, animals, and spider/webs affect and are affected by the air,” a statement from Saraceno says.
    Ecosystems have to be thought of as webs of interactions, within which each living being’s ecology co‐evolves, together with those of others. By focusing less on individuals and more on reciprocal relationships, we might think beyond what means are necessary to control our environments and more on the shared formation of our quotidian.
    If you’re in Florence, stop by the Palazzo Strozzi to see Saraceno’s work before it closes on November 1, 2020. Otherwise, find out more about what he has planned for the rest of the year, which includes a new solar-powered balloon, on his site and Instagram. (via This Isn’t Happiness)

    “Thermodynamic Constellation”
    “Flying Gardens,” (2020), Tillandsia plants and hand-blown glass
    “Thermodynamic Constellation”
    “Thermodynamic Constellation”
    “Aerographies,” by Studio Tomás Saraceno
    “Connectome”
    “A Thermodynamic Imaginary”

    #air
    #balloons
    #climate change
    #glass
    #installation
    #light
    #mirrors
    #plants

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    Layered Botanics Comprise Artist Vanessa Hogge’s Delicate Porcelain Assemblages

    
    Art

    #ceramics
    #flowers
    #plants
    #porcelain
    #sculpture

    September 1, 2020
    Grace Ebert

    All images © Vanessa Hogge, courtesy of Ester Segarra/Vessel Gallery, shared with permission
    Vanessa Hogge translates her lifelong fascination with flowers into monochromatic assemblages of hydrangeas, roses, and myriad blossoms. The London-based artist (previously) has been working on EFFLORESCENCE, which is comprised of three ceramics, since October 2019. Each of the delicate porcelain pieces is adorned with innumerable hand-sculpted florets and leaves that blossom from a central base.
    Rather than studying horticulture textbooks and the intricacies of plant life, Hogge works entirely from her memory and imagination and frequents gardens and other places where organic elements thrive for observation. “I’ve traveled to research in the Okavango Swamps in Botswana, the flower-filled valleys of the Northern Cape in South Africa, and this January (just before lockdown), to Southern India to be surrounded by the exotic vegetation there—just beautiful,” she tells Colossal.
    Hogge’s inspirations, though, are vast. She imbues elements of the funky textiles created in the 1970s, miniature depictions of Indian gardens, and Frida Kahlo’s iconic flowers. “As an artist, the variety of their forms and structures is immense and endless. People comment and wonder when I will move on and if I will tire of flowers, but how can I? This fascination is also steeped in my family matriarchs—strong women gardeners and the great outdoors,” she says.
    The artist offers a brief look into her studio and process in this short video and on Instagram. You also might enjoy Hitomi Hosono’s intricate vessels.

    #ceramics
    #flowers
    #plants
    #porcelain
    #sculpture

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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    Bizarre Porcelain Sculptures by Artist Morel Doucet Tangle Limbs, Seashells, and Coral

    
    Art

    #climate change
    #coral
    #flowers
    #installation
    #plants
    #porcelain
    #sculpture
    #sea
    #shells
    #surreal

    August 4, 2020
    Grace Ebert

    “White Noise, Let the choir sing a magnified silence (25 Affirmation)” (2017), slip-cast porcelain and hand-built and altered forms, 5 x 5 feet. All images by David Gary Lloyd and Pedro Wazzan and © Morel Doucet, shared with permission
    Based in Miami, artist Morel Doucet imbues his surreal artworks with a reminder that the natural world is ripe with entanglements. Often monochromatic, the slip-cast and hand-built porcelain pieces merge flora and fauna into dense amalgamations: a series of naked figures sit with coral, safety pins, and starfish as heads, while other assemblages feature a singular arm or pair of legs jutting out from a mass of sea creatures.
    Doucet not only considers how humans are damaging the environment but also who is most likely to suffer in the process. In the series White Noise: When Raindrop Whispers and Moonlight Screams in Silence, he responds to the impacts of the climate crisis and ecological disaster on communities of color in the Miami area. “The beaches are eroding into the sea, coral reefs are turning bleach white, and residents wait tentatively for seawater rise. Everywhere you look Miami is undergoing drastic infrastructure changes trying to gear up for a losing battle against land and sea,” he shares with Colossal. “I believe these communities will experience the greatest climate exodus within our modern times.”
    Doucet’s recent endeavors include an upcoming series called Water grieves in the six shades of death that will respond to climate-gentrification and its impact on communities with lower incomes.  Follow the artist’s sculptural considerations on Instagram. (via The Jealous Curator)

    “Jaded Moonlight (Gardenia)”
    “White Noise, Let the choir sing a magnified silence (25 Affirmation)” (2017), slip-cast porcelain and hand-built and altered forms, 5 x 5 feet
    “Black Madonna & Venus”
    “Regal Black Madonna (black is black, black is motherhood)” (2019), porcelain ceramic with cast altered forms, 22 to 24 inches in diameter
    “When all the gold fell from the sun (Fall from Grace)” (2019), slip-cast porcelain ceramics
    “The black on my back dances in a room full of to many silence part 2” (2019), slip-cast porcelain ceramic and hand altered forms, 6.5 x 10 x 5.5 inches

    #climate change
    #coral
    #flowers
    #installation
    #plants
    #porcelain
    #sculpture
    #sea
    #shells
    #surreal

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    Domestic Ceramics by Mechelle Bounpraseuth Infused with Culinary Life and Family Memories

     All images © Mechelle Bounpraseuth, shared with permission Sydney-based artist Mechelle Bounpraseuth crafts miniature ceramics that explore her identity as a first-generation daughter of Laotian refugees. Her small and glossy ceramic artwork, which ranges from drink cans to widely known sauces, explores her connection with her past and how branded ingredients are rooted in […] More

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    Untamed Flora and Fauna Rendered with Mud in New Multi-Level Mural by Yusuke Asai

     “The earth is falling from the sky” (2019), view from Wulong Lanba Art Festival in China. All images © Yusuke Asai, photographed by Ichiro Mishima, shared with permission Part of a solo exhibition titled Gimme Something/To Eat at Anomaly in Tokyo, a multi-level project by Japanese painter Yusuke Asai considers the structure of ecosystems and […] More

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    Floral-and-Frond Compositions Shape Energetic Wildlife by Raku Inoue

     “Whale” (2020). All images © Raku Inoue Known for his botanical arrangements of beetles, insects, and butterflies, Raku Inoue once again is bringing flora and fauna together. His previous work often positions the animals in stationary poses, resembling a portrait of an owl or a scorpion pinned inside a glass case as part of […] More