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    A New Book Chronicling the Artist-Designed Billboard Project For Freedoms Poses a Critical Question

    JR, “Migrants, Mayra, Picnic across the border, Tecate, Mexico—U.S.A.” (2017). Salome, Arizona. Photo by Josh Haunschild

    A New Book Chronicling the Artist-Designed Billboard Project For Freedoms Poses a Critical Question

    September 18, 2024

    Art Books Social Issues

    Jackie Andres

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    Where do we go from here? At a point in history that feels so turbulent and unpredictable, this unresolved question sits at the forefront of many minds. For Freedoms, an artist-led organization channeling its efforts toward creative civic engagement and direct action, is set to release its first-ever monograph, fittingly named after the query.

    For Freedoms: Where Do We Go From Here? is a comprehensive 340-page collection of more than 550 artist-designed billboards from the last seven years. You might notice some familiar names involved in the project, such as Hank Willis Thomas, JR, and Nari Ward. Whether it be a pair of eyes staring straight forward, an impactful question directed toward the viewer, or the simplicity of the word “human being” in Arabic, each design leaves its audience to reflect on the issue at hand.

    Marilyn Minter, “If Not Now When?” (2020). Boring, Oregon. Photo by Lincoln Barbour

    Popping up in different corners of the United States from rural areas to urban centers, the works tackle a multitude of societal challenges and humanitarian crises that require urgency and advocacy.

    In contrast to a billboard’s usual profit-driven, commercial function, the large-scale structures instead become poignant messages in line with For Freedoms’ overall mission. By spotlighting short but compelling phrases, powerful imagery, and clever placement, the public installations act as a force for widespread movement.

    For Freedoms: Where Do We Go From Here? is slated for release on October 15, just before the 2024 election. Pre-order yours on Bookshop, and learn more on the organization’s website.

    Christine Sun Kim, “Words Shape Reality” (2018). Jefferson City, Missouri. Photo by Notley Hawkins

    Nari Ward, “Mass Action” (2016). Lexington, Kentucky. Photo by Wyatt GalleryS

    Ross McDonnell, “DREAM” (2023). Los Angeles, California. Photo by Taisuke Yamada

    Hank Willis Thomas, “Who Taught You To Love?” (2020). Des Moines, Iowa. Photo by Jeff Scroggins More

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    SpY Installs Hundreds of Metallic Rescue Blankets in a Former Arms Factory

    All images © SpY, shared with permission

    SpY Installs Hundreds of Metallic Rescue Blankets in a Former Arms Factory

    September 16, 2024

    Art

    Kate Mothes

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    In Oviedo, Spain, a 6,000-square-meter installation of metallic emergency blankets transform a former arms factory this month. “Blankets 2” extends from Spanish artist SpY’s ongoing series of monumental kinetic works (previously).

    The natural light from the building’s first-floor windows and giant clerestory bounce off the folds of hundreds of blankets, glinting gold on one side and silver on the other. Documented with water on the floor, the reflection mirrors the suspended array, creating a sense of depth and further openness.

    The artist centers the dialogue between location and theme in “Blankets 2” and calls attention to the building’s history as a weapon manufacturer by filling it with objects intended conversely for medical treatment and care.

    SpY is fascinated by sensory perception and the way simple objects can be transformed through repetition, light, scale, and contrast. Air flow through the space adds delicate motion to the panels, generating a gentle rustling noise that accompanies viewers through the exhibition

    Find more on SpY’s website and Instagram.

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