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      An Oversized Statue of Leonard Peltier, an American Indian Activist, Pensively Stares Toward Alcatraz

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      Art

      #activism
      #prisons
      #public art
      #statue
      #wood

      November 12, 2020
      Grace Ebert

      Statue of activist Leonard Peltier. All images courtesy of the Sn Francisco Art Institute
      Peering out over the San Francisco Bay toward Alcatraz is a monumental statue that pays homage to an American Indian Movement activist who’s been incarcerated for decades. Created by Portuguese-American artist Rigo 23 in 2016, the 12-foot-tall figure resembles a small self-portrait that the activist, Leonard Peltier, painted while imprisoned.
      Wearing a simple white shirt, yellow pants, and no shoes, Peltier sits on a cement base, which is the actual size of his cell, in a pensive position. “There was something Buddha-like about the pose, and it reminded me of Rodin’s ‘The Thinker,’ which is so muscular and epic,” Rigo 23 told Hyperallergic about the original portrait. “Usually, images of heroism and humanity are epic, and this is just a man sitting on the ground wearing prison-issued clothes. It has this different kind of spirituality.”
      A member of the Turtle Mountain Chippewa and also of Lakota and Dakota descent, Peltier was a well-known leader in the American Indian Movement throughout the 1960s and ’70s, having spearheaded multiple protests and marches to end injustices. Despite denying the charges, he has been imprisoned since 1977 after being convicted of killing two FBI agents in a 1975 shooting on the Pine Ridge Reservation in South Dakota. He was sentenced to two terms of life imprisonment for the incident, which has resulted in campaigns for his clemency.

      Angela Davis on Peltier’s feet
      Rigo 23 designed the work with detachable feet, which have traveled to Standing Rock Reservation, Alcatraz, and Crow Dog’s Paradise. The decision has allowed activists, including Angela Davis, to stand on top of the wooden pair in solidarity, an act that an Instagram account has been documenting.
      The oversized statue was moved to the roof of the San Francisco Art Institute in October—watch the full dedication ceremony with speeches from Peltier’s children on YouTube—where it received one of its more celebratory welcomes. Met with both support and animosity throughout its history, the work was removed early from a 2016 visit to the Katzen Art Center at the American University in Washington, D.C. Spurred by a complaint from the president of the FBI Agents Association, the action resulted in the statue’s displacement for about a year, the artist says.

      Its current position facing Alcatraz has similar significance, considering an activist group’s occupation of the former federal prison during the Nixon administration. In 1969, Indians of All Tribes seized the site in hopes of turning it into a school, cultural center, and museum. As the U.S. government attempted to regain control, the group established a clinic, kitchen, and education centers for the 19 months it claimed the island.
      The statue will remain at SFAI until March 28, 2021. Although the institution is closed to visitors, it’s offering a virtual tour of the work on its site.

      #activism
      #prisons
      #public art
      #statue
      #wood

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      An Anamorphic Mural Transforms a Montreal Street into Undulating Sand Dunes

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      Art

      #anamorphosis
      #murals
      #optical illusion
      #public art
      #sand
      #street art

      November 3, 2020
      Grace Ebert

      All images © NÓS, by Olivier Bousquet, Eloa Defly, Raphaël Thibodeau, Alex Lesage, and Charles Laurence Proulx
      Along the Montreal Museum of Fine Arts, sandy drifts swell and surge in a massive mural by the Canadian architecture firm NÓS. Aptly named “Moving Dunes,” the anamorphic artwork is comprised of neutral-toned lines that undulate along the walkway, creating a deceptive path mimicking deserts and beaches. Chrome spheres sporadically appear along the street in order to reflect the surrounding architecture and rippling patterns on the ground.
      The 2018 project coincided with the museum’s exhibition, From Africa to the Americas: Face-to-face Picasso, Past and Present, which prompted NÓS to evoke the perspective-bending approach of cubist painters. “Moving Dunes” was chosen after an annual call for proposals to install a large-scale artwork on the Avenue de Musée. Follow NÓS’s latest designs and illusory projects on Instagram. (via designboom)

      #anamorphosis
      #murals
      #optical illusion
      #public art
      #sand
      #street art

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      A Colorful Geometric Mural of a Cityscape Visualizes Humans’ Impact on Nature

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      Art

      #cityscapes
      #climate change
      #flowers
      #murals
      #nature
      #public art
      #street art

      November 2, 2020
      Grace Ebert

      “Love of Nature” in Chelyabinsk, Russia. All images © Vitaly Tsarenkov, shared with permission
      Artist Vitaly Tsarenkov, who works under the moniker SY, depicts the threat of ecological catastrophe through a new mural featuring geometric flora, fauna, and objects typically found in bustling city centers. Created for the Urban Morphogenesis festival in Chelyabinsk, Russia, “Love of Nature” is a vertical rendering of the human impact on nature, with color-blocked trucks, road cones, and towering buildings near the top and a fire, flowers, and tufts of grass occupying space at the bottom.
      Based in Saint Petersburg, Russia, Tsarenkov says the 50-meter-high mural conveys that each person has the agency to protect the planet’s resources. “It’s impossible to stop all harmful factories at once, but to make the first step towards the clean Earth is not difficult and within everybody’s power just by taking the trash away after recreation in nature,” he writes on Instagram.

      #cityscapes
      #climate change
      #flowers
      #murals
      #nature
      #public art
      #street art

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      Evoking Historical Struggles, Hank Willis Thomas Examines the Intersection of Art and Activism

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      Art
      History

      #activism
      #identity
      #public art
      #sculpture

      October 29, 2020
      Grace Ebert

      “If the Leader Only Knew” (2014). All images © Hank Willis Thomas, shared with permission
      Through his bronze sculptures and public installations, Hank Willis Thomas (previously) examines history’s repetitions. The Brooklyn-based artist critically considers identity, social justice, and pop culture by visually weaving together the remains of the past that surface in present day. “Art is a platform where histories meet,” he tells Colossal.
      Thomas’s sculptural pieces include a series of hands clenching a barbed wire fence, an oversized hair pick lodged into concrete, and a gleaming basketball balancing on players’ fingertips. No matter the medium, the interdisciplinary artist begins by examining advertisements and archival images and the messages those contain. “The transfer of a photograph into a three-dimensional expression allows the viewer to delve within a photograph and form an intimate understanding of the ideas it represents. That relationship inspires critical thought about the viewer themselves and the world around them,” he says.
      Many of Thomas’s artworks reflect on historical moments, like the Holocaust and South African apartheid, and explicitly connect them to contemporary struggles. Photographs of mid-century Germany inspire sculptures, like “If the Leader Only Knew,” that evoke images of migrants detained at the United States-Mexico border. He ties a glimpse of mining workers to “Hands Up, Don’t Shoot,” a cry to end state-sanctioned police violence, which informs the outstretched arms in “Raise Up.” “History repeats itself, and art is one cultural framework through which we engage with these profound moments, hopefully awakening our consciousness,” the Brooklyn-based artist says.

      “Raise Up” (2014)
      For Thomas, art and activism are inextricable. In recent months, he’s been considering their critical intersections particularly in relation to creative movements like Wide Awakes and For Freedoms, an organization he co-founded that has been spearheading public projects prior to the 2020 election. “Art is not unaffected in this moment; it is the context that unifies our experiences of joy and even those of growth and pain. Art is the human experience. I am also curious about how people and society will change, and I think of my existence within this change as a man, as a Black man,” he says.
      Thomas’s work will be part of the group exhibition Barring Freedom at the San José Museum of Art, which runs from October 31, 2020, to April 25, 2021. A book surveying his decades-long practice, titled Hank Willis Thomas: All Things Being Equal, is available on Bookshop, and you can stay updated with his latest projects on Twitter and Instagram.

      “All Power to All People” (2017). Photo by Steve Weinik
      “Die dompas moet brand! / The Dompas must burn!” (2013)
      Left: “Globetrotter” (2016), fiberglass, chameleon auto paint finish, 32 1/2 × 11 × 20 inches. Right: “Tip Off” (2014), polyester resin and chameleon paint, 43 × 13 × 11 inches
      “History of the Conquest” (2017), bronze. Installation view at Jazz Museum for Prospect.4: The Lotus in Spite of the Swamp. Photo by Mike Smith

      #activism
      #identity
      #public art
      #sculpture

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      Multi-Story Murals Showcase Domesticity through Elegant Ceramic Tableware

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      Art

      #ceramics
      #murals
      #pottery
      #public art
      #street art
      #tableware

      October 23, 2020
      Grace Ebert

      Oviedo, Spain. All images © Manolo Mesa, shared with permission
      Spanish street artist Manolo Mesa merges public and private spheres through large-scale murals that highlight simple domestic objects. The multiple-story artworks depict traditional dining scenes, from an elegant porcelain tea set to a lone jug with swirling flourishes to another vessel resting on a saucer.
      To complete a recent tableau in Oviedo, Spain, for Parees Fest, Mesa explored the history of an abandoned pottery factory in San Claudio. Event organizers gathered tableware from local residents, a collection that informed the shapes and exterior motifs of his work. “I was able to see all the evolution of this earthenware in the houses of Oviedo. I found postwar pieces, which were inherited and preserved with great affection by collectors. We saw (the) tableware of a lifetime from the middle of the century,” he writes on Instagram. Showcasing a delicate collection of vessels, the resulting mural explores an otherwise hidden facet of local history.
      Find Mesa on Instagram to view some works-in-progress and follow his ceramic-centric projects.

      #ceramics
      #murals
      #pottery
      #public art
      #street art
      #tableware

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      Strength: Pejac Honors Spain’s Health Workers with a Moving Trio of Interventions

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      Art

      #COVID-19
      #painting
      #public art
      #trompe l’oeil

      October 16, 2020
      Grace Ebert

      “Overcoming.” All images © Pejac, shared with permission
      On the campus of University Hospital Marqués de Valdecilla in Santander, Spain, a trio of interventions by street artist Pejac (previously) simultaneously responds to the ongoing COVID-19 crisis and offers potential paths for healing. The new series, titled Strength, is Pejac’s direct response to the 50,000 people who have died from the virus in his home country. “The idea of the Strength project arises as a gesture of gratitude to the health workers of Valdecilla, for their work in general and during this Covid crisis in particular. Offering them what I do best, which is painting,” the artist says.
      In “Social Distancing” (shown below), a horde of people escape from a crevice in the building’s facade. The trompe l’oei artwork is a multi-layered metaphor for the ways the virus has ruptured society and the necessity of community care and compassion. “Caress” features two silhouettes standing six-feet apart, with Monet-style reflections on the ground nearby. The figures, which represent a patient and doctor, stretch their hands toward each other.
      Pejac worked in collaboration with young oncology patients to complete the third piece, titled “Overcoming” (shown below), in which a child perched on a wheelchair recreates Van Gogh’s “Wheat Field with Cypresses.” “This is something that we, as a society could do—take this crisis and use it to propel us forward,” he says.
      Watch the heartwarming video below that captures the works-in-progress, and find more about the tribute on Pejac’s Instagram.

      “Social Distancing”
      “Social Distancing”
      “Caress”
      “Caress”
      “Social Distancing”
      “Social Distancing”
      “Overcoming”
      “Overcoming”

      “Overcoming”
      “Social Distancing”
      

      #COVID-19
      #painting
      #public art
      #trompe l’oeil

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      Mantra’s Trompe L’oeil Murals Encase Enormous Butterflies in Vintage-Style Boxes

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      Art

      #butterflies
      #murals
      #public art
      #street art
      #trompe l’oeil

      October 15, 2020
      Grace Ebert

      Torino, Italy. All images © Mantra, shared with permission
      Working with entomologists around the globe, the French street artist known as Mantra (previously) transforms brick facades and concrete walls into massive studies of local butterfly specimens. With framed outer edges that mimic a wooden box, the trompe l’oeil murals render the winged insects in detail, depicting their richly hued scales and delicate antennae. Each artwork features species native to the area, making it possible that a live specimen might flutter by its enormous counterpart.
      In a conversation with Colossal, Mantra said he’s harbored a lifelong fascination with entomology that stems from spending hours in French gardens and bucolic areas as a kid. “As a child, I was interested, curious, and focused on the small life forms in those places,” he says. His current practice hearkens back to those carefree hours and connects with an adolescent desire to become a naturalist. “My approach is as a scientist,” the artist says, noting that education about environmental care and issues is part of the goal.
      Although Mantra considers all insects and natural life beautiful and crucial to maintaining biodiversity, the focus on butterflies revolves around his artistic ambitions because the vivid creatures allow him to experiment with color, shape, and texture. Each specimen is rendered freehand before the artist adds detail and the illusory shadows that make them appear three-dimensional. By painting various Lepidoptera species again and again, the artist is “repeating a mantra,” a detail of his practice that informs the moniker he works under.
      In recent months, Mantra has traveled to Belgium, Denmark, and Sweden, in addition to various locations throughout France, to complete public artworks, and he’ll be in Arkansas this month for two projects curated by Just Kids. Follow all of the artist’s entomological murals on Instagram.

      Rombas, France
      Cancún, Mexico. Image by Gino Caballero
      Silkeborg, Denmark
      Las Vegas, Nevada
      Dijon, France
      Jacksonville, Florida
      Brooklyn, New York
      Dallas, Texas. Image by Chop’ em Down
      Overum, Sweden
      Indianapolis, Indiana
      Cancún, Mexico. Image by Gino Caballero
      Torino, Italy. Image by Martha Cooper

      #butterflies
      #murals
      #public art
      #street art
      #trompe l’oeil

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      Little Amal: An Enormous Puppet Is Traveling 8,000km to Shine Light on the Refugee Crisis

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      Art

      #public art
      #puppets
      #refugees
      #social justice

      October 12, 2020
      Grace Ebert

      Photograph by Bevan Roos. All images shared with permission
      To draw attention to the ongoing refugee crisis, an oversized puppet will traverse 8,000 kilometers on a route starting at the Turkey-Syria border. From April to July 2021, “Little Amal” will travel across Greece, Italy, Switzerland, Germany, Belgium, and France on a search “to find her mother. To get back to school. To start a new life.” The international journey will end in the United Kingdom, with a celebration at Manchester International Festival. Good Chance Theatre, a London-based organization dedicated to humanitarian and social justice efforts, is helming the public project “embodying the urgent message, ‘Don’t forget about us.’”
      The 3.5-meter tall character, which was created by Handspring Puppet Company, will stop in 70 cities across Europe to meet with locals and participate in celebrations and education programs. “At this time of unprecedented global change, The Walk is an artistic response: a cultural odyssey transcending borders, politics, and language to tell a new story of shared humanity – and to ensure the world doesn’t forget the millions of displaced children, each with their own story,” Good Chance writes in a statement.
      Check out the official map of Amal’s international journey and planned events on the project’s site, and follow along with updates on her progress on Instagram and YouTube. (via It’s Nice That)

      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Bevan Roos
      Photograph by Nick Wall

      #public art
      #puppets
      #refugees
      #social justice

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