More stories

  • in

    Precise Replicas Cast Wildlife and Plants as Delightfully Tiny Sculptures

    
    Art
    Craft

    #animals
    #birds
    #clay
    #miniature
    #sculptures

    July 14, 2021
    Grace Ebert

    All images © Fanni Sandor, shared with permission
    Fanni Sandor (previously) melds her background in biology with a decades-long enthusiasm for miniatures by creating an adorable menagerie of minuscule wildlife. Based in Hungary, she sculpts 1:12 scale models of leaping squirrels and multicolor tree frogs from clay and soft fibers and more recently has ventured into larger ecosystems populated by speckled mushrooms, ferns, and the tiniest tulips. Sandor’s biologically accurate models are sold out on Etsy right now, but keep an eye on shop updates by following her on Instagram.

    #animals
    #birds
    #clay
    #miniature
    #sculptures

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More

  • in

    Flowers Mutate into Peculiar Blossoms in 18th-Century-Style Paintings by Laurent Grasso

    
    Art

    #bronze
    #flowers
    #oil painting
    #painting
    #sculptures

    April 13, 2021
    Grace Ebert

    “Future Herbarium,” distemper on wood, 33.5 x 24 x 4.2 centimeters. Photo by Claire Dorn, courtesy of Perrotin. All images © Laurent Grasso, shared with permission
    In Laurent Grasso’s Future Herbarium, small bunches of flowers evolve into bizarre forms with doubled pistils and petals sprouting in thick layers and tufts. Painted in distemper or oil, the transformed blooms are depicted as typical studies of specimens common in the 18th century. The mutations bring together historical aesthetics and transformations from an imagined future, provoking “an impression of strangeness where beauty and anxiety are mixed,” the Paris-based artist says.
    Grasso works in multiple mediums, from painting to sculpture to film, and the themes of time and transformation permeate many of his projects. Future Herbarium stems from “ARTIFICIALIS,” a film slated for screening at the Musée d’Orsay, that considers the liminal spaces between nature and culture in relation to images. In its presentation at Hong Kong’s Perrotin (which is up through April 24) and the Jeonnam Museum of Art in Gwangyang (which is on view virtually and in-person through June 30), the series is paired with another project dealing with the impacts of solar wind on the earth. “The Future Herbarium’s flowers are thus subjected to an imaginary catastrophe, which would have produced mutations but also to these solar winds,” the artist says.
    In addition to the two exhibitions in Hong Kong and Gwangyang, Grasso’s work will be on view at Aranya Art Center in Qinhuangdao, China, through May 16, at Artspace in Sydney from April 28 to July 11, and at Musée de l’Armée in Paris from May 7, 2021, to January 30, 2022. Explore more of his multi-disciplinary practice on Instagram. (via This Isn’t Happiness)

    “Future Herbarium,” distemper on wood, 34 x 24 x 4.5 centimeters. Photo by Claire Dorn, courtesy of Perrotin
    “Future Herbarium,” oil on wood, 33.6 x 24 x 4.8 centimeters. Photo by Claire Dorn, courtesy of Perrotin
    “Future Herbarium,” distemper on wood, 34 x 24 x 4.5 centimeters. Photo by Claire Dorn, courtesy of Perrotin
    “Future Herbarium,” distemper on wood, 34 x 24 x 4.5 centimeters. Courtesy of Perrotin
    “Future Herbarium” (2020), white bronze, 135 x 20 x 20 centimeters. Photo by Ringo Cheung, courtesy of Perrotin
    “Future Herbarium” (2020), white bronze, 135 x 20 x 20 centimeters. Photo by Claire Dorn, courtesy of Courtesy Perrotin

    #bronze
    #flowers
    #oil painting
    #painting
    #sculptures

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More

  • in

    Meditative Faces Emerge from the Staggered Wooden Sticks Forming Artist Gil Bruvel’s Sculptures

    
    Art

    #faces
    #gradients
    #meditation
    #sculptures
    #wood

    September 17, 2020
    Grace Ebert

    “Breathe” (2020). All images © Gil Bruvel, shared with permission
    Gil Bruvel (previously) has spent 40 years practicing vipassanā meditation, an introspective practice that invites judgment-free observation of the mind. The Australia-born artist infuses the philosophies of this decades-long ritual into his variegated sculptures as he forms a series of faces in deep thought. With eyes and mouths closed, the figures project serenity and calmness, serving as “a reminder of what it looks like to be centered and at peace,” Bruvel says of The Mask Series.
    Different in shape and size, the sticks are burned, painted with subtle gradients, and then held in place with wood glue, causing the figures to appear pixelated and as a disparate grouping of squares and rectangles when viewed up close. From a distance, however, “that fragmentation reveals a coherent whole: a face arises from apparent chaos,” Bruvel shares with Colossal. Through their collated forms, the assemblages offer a visual metaphor for the complexity and contradiction that’s inherent to human beings.
    Bruvel also draws attention to the backs of the sculptures, which stray from the figurative depictions of the front to focus on the abstract workings of the mind.  “The assemblage of pixel-like stick-ends conveys the hidden realm of emotion, sensation, and thought—our internal universe. The gradients of color represent the flows of feeling and consciousness that pass through our minds like ripples on a lake, leaving the lake unchanged,” he says.
    Explore more of Bruvel’s meditative artworks and see some works-in-progress on Instagram and Artsy.

    “Floating” (2019), burnt wooden sticks and acrylic paint, 24 × 21 inches
    “Mask #28” (2020), wood and paint, 16 × 16 × 9 inches
    “The Fountain” (2019), wood and paint, 27 × 19 × 23 inches
    “The Fountain” (2019), wood and paint, 27 × 19 × 23 inches
    “Moonlight” (2019), wood and paint, 22 × 22 × 21 inches
    “Moonlight” (2019), wood and paint, 22 × 22 × 21 inches
    “Mask #22” (2020), wood and paint, 16 × 16 × 9 inches
    “Mask #26” (2020), wood and paint, 16 × 16 × 9 inches
    “Breathe” (2020)

    #faces
    #gradients
    #meditation
    #sculptures
    #wood

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More