More stories

  • in

    On Canvas and Shell, Alexis Trice Paints Ethereal Scenes Gleaming with Energy

    “High Spirits II.” All images courtesy of Arch Enemy Arts, shared with permission

    On Canvas and Shell, Alexis Trice Paints Ethereal Scenes Gleaming with Energy

    October 22, 2024

    ArtNature

    Grace Ebert

    Share

    Pin

    Email

    Bookmark

    For Alexis Trice, water is about moving energy and emotion. The native New Yorker (previously) paints gleaming tears that gush from an animal’s eyes or green-tinged seas with roiling waves to “release and recycle.” She adds, “I wanted to make work that could be felt without fully being seen.”

    Earthy color palettes and glinting light recur in Trice’s works, along with shaggy brown dogs that “represent the ideal conduit to bridge the gap of shared emotion between wild animals and humans.” One such creature appears in “Hay Fever,” which features the canine surrounded by thick grass with broken strands of pearls in its mouth.

    “Deep Sea, Deep Sea, Swallow Me”

    Trice frequently returns to these naturally lustrous gems to convey the passage of time, and in her latest exhibition Dust & Brine, mollusks appear as substrates in addition to subject matter. Twenty scallop shells hold ethereal scenes in miniature, whether a diptych of a bisected blue whale or three fish swirling in a lucky trinity.

    Atmospheric and ethereal, this body of work ventures further into the surreal. The artist writes about “High Spirits II,” which depicts a pair of taper candles embedded in a pink fish: “Soft flaky scales and iridescence achieved through many glazes, trial, and error. Juicy wet flesh, and flashes of candlelight peering through astigmatism eyes.”

    If you’re in Philadelphia, stop by Arch Enemy Arts to see Trice’s work through October 27. Otherwise, find more on her website and Instagram.

    “Fortune II”

    “My Heart is a Lonesome Hunter”

    “Low Tide”

    “The Old Dog”

    “A Fly”

    “Hay Fever”

    “The Sun Gets in Your Eyes”

    Do stories and artists like this matter to you? Become a Colossal Member now, and support independent arts publishing.

    Hide advertising

    Save your favorite articles

    Get 15% off in the Colossal Shop

    Receive members-only newsletter

    Give 1% for art supplies in K-12 classrooms

    Join us today!

    $7/month

    $75/year

    Explore membership options

    Next article More

  • in

    Evoking Mythology and Urban Culture, Beaded Masks Brim with Geometric Motifs and Embellishments

    
    Art

    #beads
    #masks
    #mixed media
    #mythology
    #shells

    September 20, 2021
    Grace Ebert

    All images © Fefe Talavera, shared with permission
    From small shells and Amazonian beads, Brazilian-Mexican artist Fefe Talavera strings together elaborate masks that fuse ancient mythologies and contemporary urban culture. The mixed-media works are part of an ongoing series—Talavera shares more on her site and Instagram, along with vibrant silhouettes painted in acrylic and her large-scale murals—that embellish expressive faces with stripes, symmetries, and various geometric patterns. Sometimes spanning upwards of ten feet or featuring a long tuft of straw, the masks are an amalgam of color, motif, and material that blur cultural boundaries and the tenuous distinction between humanity and nature.
    The São Paulo-based artist tells Colossal that the series “developed when my government opened the doors to cattle ranchers, when forest fires began, putting an end to Indigenous tribes, exotic animals, and trees,” and initial iterations used açaí seeds, shells, and mirrors to explore birth and death through a mystical lens. “When we looked at our reflection in the work, we would be seeing ourselves with respect and love, and it is this look that we should have with the Amazonia,” she says.
    Currently, Talavera is working on a larger-scale piece using 20,000 beads, and she has a solo show planned for May 2022 at Paris’s Bandy Bandy Gallery.

    #beads
    #masks
    #mixed media
    #mythology
    #shells

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More

  • in

    Bizarre Porcelain Sculptures by Artist Morel Doucet Tangle Limbs, Seashells, and Coral

    
    Art

    #climate change
    #coral
    #flowers
    #installation
    #plants
    #porcelain
    #sculpture
    #sea
    #shells
    #surreal

    August 4, 2020
    Grace Ebert

    “White Noise, Let the choir sing a magnified silence (25 Affirmation)” (2017), slip-cast porcelain and hand-built and altered forms, 5 x 5 feet. All images by David Gary Lloyd and Pedro Wazzan and © Morel Doucet, shared with permission
    Based in Miami, artist Morel Doucet imbues his surreal artworks with a reminder that the natural world is ripe with entanglements. Often monochromatic, the slip-cast and hand-built porcelain pieces merge flora and fauna into dense amalgamations: a series of naked figures sit with coral, safety pins, and starfish as heads, while other assemblages feature a singular arm or pair of legs jutting out from a mass of sea creatures.
    Doucet not only considers how humans are damaging the environment but also who is most likely to suffer in the process. In the series White Noise: When Raindrop Whispers and Moonlight Screams in Silence, he responds to the impacts of the climate crisis and ecological disaster on communities of color in the Miami area. “The beaches are eroding into the sea, coral reefs are turning bleach white, and residents wait tentatively for seawater rise. Everywhere you look Miami is undergoing drastic infrastructure changes trying to gear up for a losing battle against land and sea,” he shares with Colossal. “I believe these communities will experience the greatest climate exodus within our modern times.”
    Doucet’s recent endeavors include an upcoming series called Water grieves in the six shades of death that will respond to climate-gentrification and its impact on communities with lower incomes.  Follow the artist’s sculptural considerations on Instagram. (via The Jealous Curator)

    “Jaded Moonlight (Gardenia)”
    “White Noise, Let the choir sing a magnified silence (25 Affirmation)” (2017), slip-cast porcelain and hand-built and altered forms, 5 x 5 feet
    “Black Madonna & Venus”
    “Regal Black Madonna (black is black, black is motherhood)” (2019), porcelain ceramic with cast altered forms, 22 to 24 inches in diameter
    “When all the gold fell from the sun (Fall from Grace)” (2019), slip-cast porcelain ceramics
    “The black on my back dances in a room full of to many silence part 2” (2019), slip-cast porcelain ceramic and hand altered forms, 6.5 x 10 x 5.5 inches

    #climate change
    #coral
    #flowers
    #installation
    #plants
    #porcelain
    #sculpture
    #sea
    #shells
    #surreal

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, apply for our annual grant, and get exclusive access to interviews, partner discounts, and event tickets.

     
    Share this story
      More

  • in

    Stones, Leaves, and Shells Whorl in Hypnotic Land Art by Jon Foreman

     “Whirling Colour” (2019), Freshwater West, Pembrokeshire. All images © Jon Foreman Jon Foreman arranges his seashell coils and stone gradients knowing that they’ll be washed away by the tide or kicked over by passersby. The artist’s ephemeral land art is hypnotic and entrancing in its precision, arranged in perfectly concentric circles and exacting compositions […] More