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    Wild Scavengers and Mythological Wonder Converge in Hera’s Dreamy Mixed-Media Works

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    Art

    #acrylic
    #animals
    #charcoal
    #mixed media
    #spray paint

    October 28, 2021
    Grace Ebert

    “Taking a Break From Dancing to Their Tunes,” acrylic paint, spray paint, charcoal on canvas, 35.4 x 23.6 inches. All images © Hera, courtesy of Corey Helford Gallery, shared with permission
    In a poetic new series of works on canvas, German-Pakistani artist Jasmin Siddiqui, aka Hera, nods to her background in street art with sweeping, spray-painted marks, chaotic drips and splatters, and snippets of text. The gestural pieces are rooted in narrative and feature wide-eyed characters who wear headdresses of long-nosed rats, wolves, and strange, hairless creatures. In each imaginative rendering, Hera positions the possibility and wonder of adolescence alongside wild animals often deemed nuisances to human society, with “I’m fine really” displayed next to a child whose finger is snapped in a mousetrap and the title of another work, “Love Her But Leave Her Wild,” accompanying a contorted figure.
    “My affiliation is always with those who create beauty in the darkest of places. Because the gutter feels closer to my creative home than the artist studio. I come from graffiti culture,” says Hera, who’s also one-half of the street art duo Herakut (previously).  “I used to be the vulture, the raccoon, the street rat, that rummaged through leftover paint buckets left on the curbs of home renovations, treasuring other people’s trash.”
    The mixed-media pieces shown here are part of Hera’s solo show Here We Go Again, which runs November 6 through December 11 at Corey Helford Gallery. She currently has a limited-edition print of a fox-clad figure available through myFINBEC, and you can find more of her small- and large-scale works on Instagram.

    “You Live and Learn,” acrylic paint, spray paint, charcoal on canvas, 35.4 x 23.6 inches
    “Smart Rats Have a Thousand Lives,” acrylic paint, spray paint, charcoal on canvas, 39.4 x 19.7 inches
    Left: “Seen It All and Still Have Hope,” acrylic paint, spray paint, charcoal on canvas, 39.4 x 19.7 inches. Right: “An Ode to You,” acrylic paint, spray paint, charcoal on canvas, 47.2 x 15.75 inches
    “I Had This Guy,’ acrylic paint, spray paint, charcoal on canvas, 27.6 x 27.6 inches
    “Love Her but Leave Her Wild,” acrylic paint, spray paint, charcoal on canvas, 35.4 x 23.6 inches
    “Poetry Written in Fairy Language,” acrylic paint, spray paint, charcoal on canvas, 27.6 x 19.7 inches

    #acrylic
    #animals
    #charcoal
    #mixed media
    #spray paint

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      in Art

      Poignant New Works by Pejac Confront the Urgency of Global Crises in Disquieting Detail

      by

      
      Art

      #acrylic
      #activism
      #capitalism
      #climate crisis
      #oil painting
      #painting
      #spray paint

      October 20, 2021
      Grace Ebert

      “Counterweight” (2021), oil, acrylic, and spray paint on paper mounted on a wooden stretcher, 190 x 135 x 4.3 centimeters. All images © Pejac, shared with permission
      Spanish street artist Pejac (previously) addresses the concept of “returning to normal” in a discerning new series that focuses on the urgency of the issues affecting the world today. Centered on the increasingly disastrous effects of the climate crisis and the social issues that dominate the news cycle, the artist speaks to the myriad global crises in his largest exhibition to date, which opens on October 30 in a former train factory in Berlin. Titled APNEA, the solo show features 45 of his newest works in myriad mediums and themes, including chaotic scenes in acrylic, oil, and spray paints, delicate honeycomb on cardboard, and large-scale sculptures and installations that occupy the industrial space.
      Pejac created many of the pieces on view since the onset of the COVID-19 pandemic, an ongoing concern that also formed the basis for his 2020 trio of interventions paying tribute to health care workers. The new series includes a disquieting depiction of the White House overcome by a violent riot, with canisters releasing billowing smoke and an unaware figure golfing in the foreground, in addition to a cyclone-like drain on a paint palette. Other pieces depict a surreal earthen map of the U.S. with state lines cracked in the dirt and a rendering of Rodin’s “The Thinker” precariously balanced on scaffolding. “During a time of lockdown, painting within the four walls of my studio felt like a liberation and a lifeline. APNEA represents this contradiction,” the artist says.
      To coincide with the show’s opening, Pejac is releasing “The Boss” (shown below) as limited-edition prints and postcards available through a lottery system, and proceeds will be donated to Sea-Watch, a German NGO that has helped thousands of migrants crossing the Mediterranean Sea. The artist also teamed up with the organization for an installation depicting a child wearing a life jacket atop Neo-Gothic Holy Cross Church in Berlin, a heartwrenching visual that draws attention to the refugee crisis. You can find out more about the release and see additional works on Instagram.

      “Drain I” (2021), oil on artist’s palette, 50 x 40 x .4 centimeters
      “Flying Ashes II” (2021), pyrography and colored pencil on wood, 189.5 x 121.8 x 3.8 centimeters
      “Urban Albatros” (2019), oil, acrylic, and spray paint on paper mounted on a wooden stretcher, 190 x 135 x 4.3 centimeters
      “Geography Lesson II” (2020), oil and spray paint on paper mounted on a wooden stretcher, 190 x 135 x 4.3 centimeters
      “Landless Stranded” (2021)
      “Animal Kingdom” (2021), oil, acrylic, and spray paint on paper mounted on a wooden stretcher, 190 x 135 x 4.3 centimeters
      Detail of “Sweet World” (2021), acrylic on honeycomb cardboard, 145 x 200 centimeters
      “The Boss” (2021)
      Detail of “The Boss” (2021)
      “Social Distancing” (2021), oil and acrylic on viroc, 125 x 200 x 1.2 centimeters
      Detail of “Social Distancing” (2021), oil and acrylic on viroc, 125 x 200 x 1.2 centimeters
      Detail of “Social Distancing” (2021), oil and acrylic on viroc, 125 x 200 x 1.2 centimeters
      

      #acrylic
      #activism
      #capitalism
      #climate crisis
      #oil painting
      #painting
      #spray paint

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      in Art

      Trompe L’oeil Textiles Billow Across Murals by Rosie Woods in Iridescent Ripples

      by

      
      Art

      #fabric
      #murals
      #public art
      #spray paint
      #street art
      #trompe l’oeil

      April 29, 2021
      Grace Ebert

      “Veils of Knowledge” at Grenoble Street Art Festival in France. Photo by Andrea Berlese. All images © Rosie Woods, shared with permission
      As if lifted by a breeze, oversized ribbons and bunches of fabric float across the trompe l’oeil murals by London-based artist Rosie Woods. The gleaming, prismatic textiles sway and subtly twist into folds and ripples in the spray-painted works. Through the flowing movements, Woods explores the fluid, ever-changing nature of the human experience by synthesizing abstraction and realism. She explains:
      I often wonder what my soul would look like if it manifested itself as an object I could see and touch on this earth.  My artwork today looks to express the depth, growth, and complexity of the mind as well as its ability to encompass both light and dark spaces emotionally. I’d like to think you can “feel” my artwork with your eyes.
      Woods translates her massive, lustrous textiles to smaller canvases, which she sells in her shop. Although she’s sold-out at the moment, you can watch for upcoming releases on Instagram, where she shares a variety of process shots and news on where she’s headed next.

      “Veils of Knowledge” at Grenoble Street Art Festival in France. Photo by Andrea Berlese
      “Veils of Knowledge” at Grenoble Street Art Festival in France. Photo by Andrea Berlese
      “Veils of Knowledge” at Grenoble Street Art Festival in France. Photo by Andrea Berlese
      Woods working at Grenoble Street Art Festival in France. Photo by Andrea Berlese
      Photo by Daniel Vaughan
      Photo by Daniel Vaughan

      #fabric
      #murals
      #public art
      #spray paint
      #street art
      #trompe l’oeil

      Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

       
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