Stéphanie Kilgast’s Book ‘Utopia’ Chronicles Ten Years of Vibrant, Post-Apocalyptic Sculptures
“LoFi Girl” (2024). All images courtesy of the artist, shared with permission
Stéphanie Kilgast’s Book ‘Utopia’ Chronicles Ten Years of Vibrant, Post-Apocalyptic Sculptures
September 22, 2025
ArtBooksNature
Kate Mothes
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In Stéphanie Kilgast’s vibrant yet poignant pieces, a speculative future without humans gives rise to unusual relationships. “In my artwork, humanity is absent, leaving behind its legacy of objects, buildings, and trash,” the artist says. She continues:
Flora and fauna are taking over. Animals, mushrooms, lichens, plants, and corals are inhabiting every nook and cranny, thus creating new habitats. This symbiosis between the object and the growing environment reflects the balance and respect that humanity has lost, and that I symbolically recreate in my work by expressing hope, joy, and the beauty of nature in an explosion of color.
Kilgast’s lighthearted, vivd, post-apocalytpic sculptures often include objects we tend to find discarded along the side of the road, like aluminum cans or glass bottles. Uncanny habitats also emerge around outmoded items like VHS tapes, portable CD players, or alarm clocks, which people rarely have a need for anymore thanks to smartphones or streaming services.
“Cycle” (2025)
The artist has also recently announced a new book, Utopia, which chronicles the last ten years of her work. The volume brings together a decade of sculptures, paintings, and sketchbook pages, complemented by essays and a complete catalogue of her pieces.
Utopia will print if at least 150 pre-orders are made by October 3. Dibs your copy today via Dashbook. Orders are anticipated to ship in December. Explore more on the artist’s website and Instagram.
Front view of “Plastic Play” (2022)
“Alice Following the White Rabbit” (2023)
“Chemical Candy Dragonfly” (2024)
“Snapshot” (2024)
“Moving Pictures” (2024)
“Copper” (2024)
Rear view of “Plastic Play” (2022)
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