More stories

  • in

    Lustrous Strips of Glass Bisect Debris, Bricks, and Semi-Precious Stones in Ramon Todo’s Sculptures

    
    Art

    #found objects
    #gemstones
    #glass
    #installation
    #sculpture
    #stone

    October 16, 2020
    Grace Ebert

    “Debris” (2016), debris and layered glass. All images courtesy of Art Front Gallery, shared with permission
    Between gnarly chunks of concrete, basalt pillars, and smooth rounds of lapis lazuli, Ramon Todo (previously) positions sleek segments of layered glass. The Tokyo-born artist splices fragments of found objects that otherwise would be regarded as refuse, like a crumbling brick from Iizuka City or coal waste, to repurpose the existing material with a lustrous embellishment.
    Whether volcanic rock or chunks of demolished architecture, the resulting juxtapositions carry the original history, although they’re presented anew. “The characteristics of the place. The uniqueness of the place. Like the memories of the place and time,” the artist says in an interview about a recent solo show at Art Front Gallery in Tokyo. “I use the rocks, debris, Bota (stone similar to coal) for my works believing they have such memories inside. I used the glasses as material in the middle to peek into the time and the history of inside the rocks.”
    Find more of Todo’s textured sculptures on Artsy, and see where his work is headed next on Art Front’s site.

    (2015), basalt and glass
    (2015), basalt and glass
    “Debris 267703” (2016), debris and glass, 23 4/5 × 7 7/10 × 5 3/5 inches
    Top: “Debris – 267411” (2014), debris and glass, 8 1/10 × 23 3/5 × 7 1/10 inches. Left: “o.T-GS” (2018) stone and layered glass, 11 × 16 1/2 × 8 3/10 inches. Right: “o.T. -dtk267801″ (2016), stone from Datekan and glass, 7 1/5 × 7 1/5 × 7 inches
    (2015), basalt and glass
    “Afghanistan” (2017), Lapis lazuli and glass, 7/10 × 2 1/2 × 1 3/5 inches
    “Chikuho Coal waste #15” (2020), coal waste from Chikuho and glass, 12 3/5 × 12 1/10 × 5 3/5 inches
    “Chikuho Red Brick” (2020), brick pieces collected from Iizuka City and glass, 7 1/5 × 4 2/5 × 2 2/5 inches

    #found objects
    #gemstones
    #glass
    #installation
    #sculpture
    #stone

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
    Share this story
      More

  • in

    Stones, Leaves, and Shells Whorl in Hypnotic Land Art by Jon Foreman

     “Whirling Colour” (2019), Freshwater West, Pembrokeshire. All images © Jon Foreman Jon Foreman arranges his seashell coils and stone gradients knowing that they’ll be washed away by the tide or kicked over by passersby. The artist’s ephemeral land art is hypnotic and entrancing in its precision, arranged in perfectly concentric circles and exacting compositions […] More