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in ArtTraditional Portraits Are Reimagined in an Exploration of Concealment and Identity by Shawn Huckins
Art#acrylic painting
#art history
#clothing
#painting
#portraits
#textilesMay 5, 2022
Kate Mothes More
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in ArtBrimming with Lush Texture, Mixed-Media Tapestries by April Bey Envision an Afrofuturist World
Art#acrylic
#afrofuturism
#graphite
#portraits
#tapestry
#textiles
#watercolorMay 5, 2022
Gabrielle Lawrence More
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in ArtPatchwork Coats with Frayed Fur Add Shaggy Texture to Barbara Franc’s Dog Sculptures
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in ArtRainbow Tapestries by Judit Just Layer Cut and Woven Yarns into Textured Patches
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in ArtVintage Tapestries Cloak the Wings of Larysa Bernhardt’s Plush Moths
Art
Craft
#insects
#moths
#sculpture
#textilesJanuary 23, 2022Anna MarksAll images © Larysa Bernhardt, shared with permissionIn a cozy studio overlooking a garden in Blackwell, Missouri, artist Larysa Bernhardt creates colorful moth sculptures with a needle and thread. Her fabric creatures are embroidered with old tapestries, often portraying historical people, animals, and delicate botanical forms on their wings: one specimen with a rusty orange abdomen depicts a little bird taking flight, while another is blue with a Medieval woman looking at a flower.Able to stand on their own or hang from the wall, the handmade moths feature eyes made from Czech glass beads and bodies of cotton velvet and Belgian linen. Bernhardt also wires their wings, enabling people to shape them into their desired position.The artist initially began by collecting vintage textiles, including silk tapestries and wool, and was interesting in analyzing and unraveling their histories, taking an interest in how creatures, such as moths, often inhabit such materials. “I have some very old wool and silk tapestries, and I’m still trying to unravel the stories behind them,” she tells Colossal. “Those will never be cut, they’re treasures, and I’m constantly checking for moth larvae…and just like that, moths entered the chat! What I love and what I fear melded into my work, in what I believe is a magical, albeit slightly menacing way.”In addition to the material components, the moths are inspired by travel, television shows, books, and “even phrases someone drops in the grocery line to checkout,” Bernhardt says. “I will never tire of seeing how magically creative humans are,” Bernhardt explains.Some of her works are on view now at New Orleans’ Mortal Machine Gallery, and you can view more of her work on Instagram and shop available pieces on Etsy. (via Supersonic Art)
#insects
#moths
#sculpture
#textilesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More125 Shares129 Views
in ArtVintage Fabrics Encase Ceramic Shards in Zoë Hillyard’s Mended Pottery
Art
Craft
#ceramics
#found objects
#pottery
#silk
#textilesDecember 2, 2021Grace Ebert“Spring Vase” (2017), silk, linen, ceramic, and thread, 28 x 17 centimeters. All images © Zoë Hillyard, shared with permissionBirmingham, U.K.-based artist Zoë Hillyard revitalizes shattered vases and bowls by melding traditional craft techniques. She wraps a mishmash of vintage silks and fabrics around individual ceramic shards, binding the broken pieces with tightly stitched thread. Appearing glazed with antique florals and other ornate motifs, the patchwork forms contrast the original shape of the pottery with the newly mended exterior, a reconfigured finish that’s commonly disrupted by missing pieces and jagged edges.Gathering the source materials from ceramicists’ reject piles or by receiving broken family heirlooms for commissions, Hillyard works with the initial shape and purpose in mind. She says:Like archaeological treasures, they display imperfections in the form of holes and irregularity, and all the more interesting for them. Each piece is unique in terms of the combinations of materials used, the pattern of breakage, the impact of colour and print and aesthetic decisions made during reconstruction.Hillyard’s body of work is replete with metaphorical and physical tension and contrast between the old and new. Although the pieces appear delicate and light like the fabrics that envelop their sides, they retain the heftiness and weight of clay and are warmer to the touch than a porcelain vessel, for example. “Most surprisingly, they often have a subtle flex, disconcerting when contrasted with traditional ‘solid’ forms of ceramic repair,” the artist shares. “I enjoy these ambiguities, with the work challenging expectations and conventional definitions.”In addition to her practice, Hillyard teaches textile design at Birmingham City University. She currently has pieces at Contemporary Applied Arts in London and will show new works in June 2022 at The Pool House Gallery in Gloucestershire. Until then, explore more of her process and mended projects on Instagram. (via Women’s Art)“Shard Vase” (2016), silk, ceramic, and thread, 35 x 25 centimetersDetail of “Spring Vase” (2017), silk, linen, ceramic, and thread, 28 x 17 centimeters“Gestalt Vase” (2019), silk, ceramic, and thread“White Patch Vase” (2017), silk, ceramic, and thread, 35 x 21centimeters“Birdseye Vase” (2016), silk, ceramic, and thread, 45 x 27 centimeters“Katharina Klug Kimono Bowl” (2017), 14.5 x 27 centimeters“Stormy Vase” (2017), silk, ceramic, and thread, 25 x 20 centimeters
#ceramics
#found objects
#pottery
#silk
#textilesDo stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now! Share this story More