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in ArtMetamorphosis and History Merge in Meticulously Carved Sculptures by Andreas Senoner
Art#Andreas Senoner
#feathers
#nature
#sculpture
#time
#wood
#woodworkingNovember 9, 2022
Kate Mothes More
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in Art‘Real Time’ Uses Amusing Manual Techniques To Track the Passage of Each Minute
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in ArtAerial Net Sculptures Loom Over Public Squares in Janet Echelman’s ‘Earthtime’ Installations
Art#earthquakes
#fiber art
#installation
#sculpture
#site-specific
#timeOctober 7, 2021
Grace Ebert“Earthtime 1.78” (2021), Vienna. All images © Janet Echelman, shared with permission
Suspended in public squares and parks, the knotted sculptures that comprise Janet Echelman’s Earthtime series respond to the destructive, overpowering, and uncontrollable forces that impact life on the planet. The Boston-based artist (previously) braids nylon and polyurethane fibers into striped weavings that loom over passersby and glow with embedded lights after nightfall. With a single gust of air, the amorphous masses billow and contort into new forms. “Each time a single knot moves in the wind, the location of every other knot in the sculpture’s surface is changed in an ever-unfolding dance,” a statement about the series says.
The outdoor installations are modeled after geological events that have extensive effects beyond their original locations and the power to increase the planet’s daily rotational speed. All of the titles allude to the number of seconds lost during a specific occurrence, with “Earthtime 1.78” referring to Japan’s 2011 earthquake and tsunami and “Earthtime 1.26” speaking to a 2010 tremor in Chile.
Containing innumerable knots and weighing hundreds of pounds, the monumental nets are the product of countless hours and a team of architects, designers, and engineers who interpret scientific data to imagine the original form. Each mesh piece begins in the studio with techniques done by hand and on the loom, and the threads are custom-designed to be fifteen times stronger than steel once intertwined. This allows them to withstand and remain flexible as they’re exposed to the elements, a material component that serves as a metaphorical guide for human existence.
Echelman will exhibit an iteration of “Earthtime 1.26” in Jeddah from December 2021 to April 2022, with another slated to be on view in Amsterdam this winter. You can see more of the prolific artist’s works on her site and Instagram.“Earthtime 1.26” (2021), Munich
Detail of “Earthtime 1.26” (2021), Munich
“Earthtime 1.78” (2021), Vienna
“Earthtime 1.78” (2021), Helsinki
“Earthtime 1.78” (2021), Vienna
“Earthtime 1.78” (2021), Borås, Sweden#earthquakes
#fiber art
#installation
#sculpture
#site-specific
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in ArtHundreds of Photos of the New York Sky Pinned to a Massive, Spherical Sculpture by Sarah Sze
” Shorter than the Day” (2020), powder-coated aluminum and steel, 48 x 30 x 30 feet. All images © Sarah Sze by Nicholas Knight Artist Sarah Sze explores the myriad conceptions of time and space through a tremendous, new spherical sculpture. Titled “Shorter than the Day” —a reference to Emily Dickinson’s poem “Because I […] More
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in ArtSuspended Hourglasses Visualize the Complexity of Time in ‘Yesterday, Today, Tomorrow’
All images © Lane Shordee, Caitlind r.c. Brown, and Wayne Garrett, shared with permission One-hundred five hourglasses dangle from the entranceway ceiling at cSPACE King Edward in Calgary. Every day at both noon and midnight, the sand-filled vessels flip in tandem and reset. They’re part of a 2018 project called “Yesterday, Today, Tomorrow,” a site-specific […] More
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in Art168,000 Numbers Suspended From the Ceiling in Color-Coded Installation by Emmanuelle Moureaux
All images © Emmanuelle Moureaux In an effort to merge the past, present, and future in a single work, Tokyo-based French architect and designer Emmanuelle Moureaux (previously) hung 168,000 paper numbers in rainbow-like rows to create her latest piece, “Slices of Time.” The suspended project contains 100 hues, in addition to white, that are […] More