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    Herds of Life-Sized Elephants Roam Through London’s Parks for a Global Conservation Project

    
    Art

    #elephants
    #public art
    #sculpture
    #video

    June 17, 2021
    Grace Ebert

    All images © CoExistence, shared with permission
    Sixty migrating elephants pass between Piccadilly and Buckingham Palace in London’s Green Park in one of nine herds roaming throughout the city. The lumbering creatures are part of an ongoing collaboration between two nonprofits, CoExistence and Elephant Family, that explores how humans can better live alongside animals and the larger ecosystem through imaginative public art projects.
    As its name suggests, CoExistence’s aim is to identify mutually beneficial modes of living considering that within the last century, the balance between world population and wilderness has shifted considerably: in 1937, 66 percent of global environments were intact with 2.3 billion people on Earth. Today, those numbers have undergone a dramatic change, with a world population of 7.8 billion and only 35 percent of wilderness remaining.
    The organization’s most recent effort brings the gargantuan animals to urban spaces throughout London that are typically closed off to wildlife. The herds can be spotted in St. James’s Park, Berkeley Square, and even the Prince of Wales and Duchess of Cornwall’s homes at Highgrove. In addition to generating awareness of environmental crises, the installations raise funds to support grassroots organizations throughout India that promote Indigenous culture and establish technology and infrastructure that allows humans and animals to live symbiotically.

    CoExistence plans to install approximately 500 animals around the world in the next few years, and with the help of The Real Elephant Collective, each nation will receive a herd designed specifically for the location. The collective partners with Indigenous communities from the Tamil Nadu jungle in southern India, who live alongside the real-life animals, to create the sculptural iterations that stand up to 15 feet tall and weigh nearly 800 pounds. Each creature is constructed from long strips of lantana camara, an invasive weed that spreads in dense thickets and disturbs the environment—the video below documents the process—and by removing the plant, the artists help to reinstate the natural ecosystem.
    Thirty-seven endangered and extinct birds will join the herd in Green Park on July 6. Using steel, clay, and bronze, seven artists created the flock, which includes a three-meter-tall curlew by Simon Gudgeon that’s as large as some of the elephants. The avian additions are the product of a collaboration with WildEast, a group focused on restoring biodiversity in the U.K. and finding new methods of sustainable farming, and will be sold to raise money for conservation efforts.
    To support CoExistence’s efforts, you can adopt, donate, or commission one of the elephants, and there are smaller goods and prints available in its shop. Follow the herds’ movements on the nonprofit’s Instagram, and see more on Elephant Family’s account.

    Elephant sculptures in Tamil Nadu

    

    #elephants
    #public art
    #sculpture
    #video

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    Surreal Watercolor Illustrations Shake Back and Forth in Marija Tiurina’s Chaotic Stereograms

    
    Animation
    Art
    Illustration

    #painting
    #surreal
    #video
    #watercolor

    May 27, 2021
    Grace Ebert

    All image © Marija Tiurina, shared with permission
    Longtime Colossal readers will recognize the surreal, fictionalized scenes illustrated by Marija Tiurina (previously). Whether a bizarre mishmash of thoughts from quarantine or a crowded parallel universe in North London, Tiurina’s works are a seemingly endless exploration of mystery, delight, and general chaos, themes the London-based illustrator continues in her new series Stereogramos—the title is a portmanteau blending the “Spanish world for a bouquet (of endless objects and limbs, in my case) and ‘-os’ ending that is typical to the worlds of plural female form in Lithuanian language,” she says.
    Comprised of three jiggling gifs and a longer, scrolling animation, the works deviate from Tiurina’s static paintings and build a playful, peculiar setting around three central characters in her signature style. The female figures exude an air of cool disinterest and are surrounded by objects defining their unqiue personalities, including greasy slices of pizza, cracked vinyl, and even a disturbingly severed limb.
    To create the dizzying works, Tiurina began by drawing and painting the individual elements with watercolor, and after cutting each out, she layered them into rich, abstracted scenes with a single central character. Her stereograms, or two-dimensional renderings that give the illusion of greater depth, diverge from historical stereoscopic images that positioned two photos side-by-side on a flat plane viewed with binocular vision. Instead, the illustrator merges the two into one glitching visual that appears in three dimensions.
    Tiurina recorded her entire process for Stereogramos, which you can see in the video below, and you can find more of her packed, sprawling illustrations and similarly looping Droste Effect watercolor on Behance and Instagram. She also sells originals, prints, and books on her site, and if you’re in Reykjavík, stop by SIM Residency to see her work as part of a group show that’s open through May 29, 2021.

    

    #painting
    #surreal
    #video
    #watercolor

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    Cross A Bridge: A Typewriter Illustration Backdrops a Meditative Trip to Pittsburgh’s Carnegie Museum of Art

    
    Art
    Illustration

    #ink
    #travel
    #typewriters
    #video

    May 26, 2021
    Grace Ebert

    [embedded content]
    Lenka Clayton takes viewers on a short road trip to the Carnegie Museum of Art in a tiny and unusual vehicle. A 1957 Smith Corona Skyriter chugs along sparsely illustrated streets constructed with angled letters and punctuation previously typed on a single sheet of paper in her 2018 work “Cross A Bridge.” Commissioned by the Pittsburgh institution, the video project follows Clayton’s type guide as it steadily inches along the city’s roadways and passes by landmarks like the Fort Pitt Tunnel, Fort Pitt Bridge, and Monongahela River before coming to a stop at the museum’s entrance.
    Find dozens of Clayton’s inky illustrations, along with a similar 2016 project about going home, on her site and Instagram. (via The Kids Should See This)

    #ink
    #travel
    #typewriters
    #video

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    The Gaze: Barry Jenkins Directs a Stunning Non-Narrative Film that Preserves the Legacy of Black Ancestors

    
    Art
    History

    #film
    #video

    May 18, 2021
    Grace Ebert

    
    At the heart of Barry Jenkins’s extraordinarily moving new film is “the Black gaze; or the gaze distilled.” The Oscar-winning director shot the standalone project while filming the TV adaptation of Colson Whitehead’s The Underground Railroad, which premiered on May 14. Notably titled The Gaze, the parallel project isn’t an episode of the series but rather a compelling collection of non-narrative portraits captured spontaneously alongside the show.
    Early on in production, Jenkins says in a statement, “I looked across the set and realized I was looking at my ancestors, a group of people whose images have been largely lost to the historical record. Without thinking, we paused production on The Underground Railroad and instead harnessed our tools to capture portraits of… them.”

    Presented in the same order as the series which moves from Georgia to Indiana, the vignettes spotlight both principal and background actors who wear striking period costumes by Caroline Eselin—the designer also collaborated with Jenkins on his lauded films Moonlight and If Beale Street Could Talk. Each shot is an intimate and evocative portrayal of imagined kin. “We halted our filming many times for moments like these. Moments where… standing in the spaces our ancestors stood, we had the feeling of seeing them, truly seeing them and thus, we sought to capture and share that seeing with you,” the director says.
    Jenkins writes that he was inspired by Kerry James Marshall’s “Scipio Moorhead, Portrait of Himself, 1776,” which is an earnest rendering of the African American artist who actively painted throughout the 1770s while he was enslaved. Marshall’s homage secures Moorhead’s legacy in an urgent and necessary act of visual documentation that Jenkins replicates:
    We have sought to give embodiment to the souls of our ancestors frozen in the tactful but inadequate descriptor “enslaved,” a phrase that speaks only to what was done to them, not to who they were nor what they did… This is an act of seeing. Of seeing them. And maybe, in a soft-headed way, of opening a portal where THEY may see US, the benefactors of their efforts, of the lives they LIVED.
    Jenkins notes that The Gaze contains only abstracted scenes so it won’t spoil The Underground Railroad. Watch the entire film above, and read the director’s essay describing the project on Vimeo. (via Kottke)

    #film
    #video

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    Delightful Characters Spring to Life in Hand-Cranked Wooden Automata by Kazuaki Harada

    
    Art
    Design

    #automata
    #humor
    #kinetic sculpture
    #toys
    #video
    #wood

    May 12, 2021
    Grace Ebert

    Japanese woodworker Kazuaki Harada (previously) has spent the last few years designing these playful automata that activate with a simple hand-crank. Watch miners work in tandem, a figure cackle with unparalleled enthusiasm, and the devil aggressively play the fiddle, and make sure to turn your volume up, too—Harada often pairs an audio component with the mechanical movements for an additional dose of whimsy. For more of his quirky designs, which include many of the character-based works shown here in addition to more elaborate, abstract pieces, check out his Instagram and YouTube.

    [embedded content]
    

    #automata
    #humor
    #kinetic sculpture
    #toys
    #video
    #wood

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    A Short Documentary Explores the Life of the ‘Artifact Artist’ Who’s Been Excavating New York City’s Trash for Decades

    
    Art
    Documentary
    History

    #found objects
    #new york city
    #trash
    #upcycling
    #video

    April 19, 2021
    Grace Ebert

    Jordan in his home
    Descending into old privies, scouring landfills, and sneaking onto construction sites in the middle of the night are habitual activities for urban archaeologist Scott Jordan. For nearly five decades, he’s been excavating the trash and forgotten artifacts buried deep underneath New York City’s residential areas and fast-growing developments. His findings are diverse and revealing of the area’s past, offering a glimpse into the consumption habits and lifestyles of previous generations that date back to the 18th Century.
    A new documentary produced by Kaleidoscope Pictures chronicles Jordan’s lifelong practice that involves digging and uncovering items that he then transforms into new artworks. Dubbed “The Artifact Artist,” the short film by the same name follows the archaeologist and historian as he pulls glass bottles, Civil War-era garments, and small toys from the earth. While Jordan cleans and restores much of the pottery and well-preserved items, he utilizes the rest to create jewelry and assembled, sculptural works that nestle into shadowboxes, which he then sells at flea markets.
    Watch the full documentary below, and find more information on Jordan’s site, Things Found NYC, which he runs with Belle Costes. Shop the pair’s findings on Etsy. (via Kottke)

    
    Jordan digging in New York City
    Jordan in his home
    A collection of Jordan’s artworks made from items he found
    Jordan in his home
    Items in Jordan’s collection

    #found objects
    #new york city
    #trash
    #upcycling
    #video

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    An Uncanny Animated Short by Fernando Livschitz Twists Mundane Scenes into Bizarre Alternatives

    
    Animation
    Art

    #humor
    #short film
    #surreal
    #video

    April 6, 2021
    Grace Ebert

    [embedded content]
    Argentinian director Fernando Livschitz (previously), who helms Black Sheep Films, is back with a surreal short film that envisions everyday activities and scenes with a slightly unsettling spin. Infused with Livschitz’s distinct penchant for humor and absurdity, “Anywhere Can Happen” is set to a rendition of “What a Wonderful World” by Reuben and the Dark and AG and descends into an uncanny universe of galactic rollercoasters, dimension-traveling trains, and oversized hands keen on manipulating the landscape. Watch the animated short above, and find more of Livschitz’s cleverly bizarre projects on Vimeo and Instagram.

    #humor
    #short film
    #surreal
    #video

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    Kinetic Flowers Grow from a Deteriorated Landscape in an Otherworldly Installation by Casey Curran

    
    Art

    #flowers
    #installation
    #kinetic sculpture
    #video

    March 26, 2021
    Grace Ebert

    [embedded content]
    In Parable of Gravity, artist Casey Curran (previously) assembles a vast garden of delicate kinetic blossoms amidst an expanse of deterioration. The sweeping landscape, which is on view at Seattle’s MadArt through April 17, positions Curran’s pulsing plant forms atop 20 towers of wooden scaffolding that line the gallery space. Coated in a thick layer of mud, the tallest structures scale eight feet at the outer edge of the installation, where a human-like figure appears to hover in the air. The anonymous body is covered in the flowers, which are made from laser-cut polyester drawing papers and powered by cranks and small motors.
    Through the maze of garden plots at the other end of the space hangs a hollow, aluminum asteroid—which is modeled after 951 Gaspra, the first rocky mass humans were able to observe in detail thanks to a 1991 viewing by the Galileo spacecraft. Titled “Anchor of Janus,” the imposing sculpture references both the Roman god and the intricate motifs on Gothic cathedrals and provides a foreboding, catastrophic lens to the otherwise burgeoning garden.
    In a statement, Curran explains the confluence of the manufactured and organic themes:
    This mythological, architectural, and astronomical convergence considers not only the scientific and spiritual aspects of our connection to the natural world, but also our cultural legacy and the ways in which past technological advancements continue to impact our lives and experiences today. Further, the reference to Janus recognizes the dual nature of human progress, with all of the positive and negative implications it carries.
    Watch the video above to watch the installation take shape, and follow Curran on Instagram and Vimeo to stay up-to-date with his latest projects.

    Full installation view: “Kinetic Towers” and “Anchor of Janus,” Dur-alar, MDF, aluminum, dirt, paper, and glue. Photo by James Harnois. All images © Casey Curran, shared with permission

    “We Spoke Like This to Remember.” Photo by Adrian Garcia Rodriguez 
    Detail of “Anchor of Janus.” Photo by James Harnois
    Full installation view: “Kinetic Towers” and “Anchor of Janus,” Dur-alar, MDF, aluminum, dirt, paper, and glue. Photo by James Harnois
    Detail of “We Spoke Like This to Remember”
    “Kinetic Towers” and “We Spoke Like This to Remember.” Photo by James Harnois
    Photo by James Harnois
    Visitors walking through the kinetic towers. Photo by Adrian Garcia Rodriguez
    Curran installs “We Spoke Like This to Remember”

    #flowers
    #installation
    #kinetic sculpture
    #video

    Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!

     
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