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    • 138 Shares179 Views

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      Plants and Knotted Branches Sprout from Camille Kachani’s Impractical Household Objects

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      Art

      #books
      #furniture
      #plants
      #sculpture
      #tools
      #wood

      August 3, 2021
      Grace Ebert

      All images © Camille Kachani, shared with permission
      Human progress and the insurmountable force of nature converge in Camille Kachani’s overgrown sculptures. The Lebanese-Brazilian artist (previously) is known for his furniture, tools, and other practical objects that are overrun with new plant growths and gnarly roots, rendering the seemingly functional items like stools, hammers, and books humorously impractical.
      Whether a text bursting with vegetation or dresser drawers housing young sprigs, Kachani’s works highlight the futile attempts humans undertake to control the environment. This relationship has been central to his practice in recent years, and his goal is to showcase the conflicts that arise from their intersections especially in relation to life in Brazil—the South American country is more frequently experiencing the effects of the climate crisis like the worst drought its seen in decades and rampant deforestation that’s only intensifying the ongoing devastation—which he explains:
      When we speak human and nature, we mean culture and nature, an (un)stable and unpredictable relation. We depend on nature but also see it as a major obstacle to our complete mastery of the planet. But in fact, it is impossible to talk about nature and culture as two distinct subjects, as they are so intertwined and contaminated from each other that I come to believe that everything is nature and culture at the same time.
      Kachani is based in São Paulo and is preparing for a forthcoming book chronicling 20 years of his practice, which will be published in 2022. You can follow his work on Instagram.

      #books
      #furniture
      #plants
      #sculpture
      #tools
      #wood

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    • 175 Shares109 Views

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      Preserved Grasses and Twigs Radiate Outward in Delicately Embroidered Sculptures by Artist Kazuhito Takadoi

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      Art

      #embroidery
      #grass
      #sculpture
      #weaving
      #wood

      June 9, 2021
      Grace Ebert

      All images © Kazuhito Takadoi, shared with permission
      Artist Kazuhito Takadoi (previously) tames the unruly grasses, leaves, and twigs grown in his garden by weaving the individual strands into exquisite radial sculptures. Stitched into paper or bound to wooden discs made of cedar of Lebanon, oak, elm, or walnut, the abstract forms hover between two and three dimensions and utilize traditional Japanese bookbinding techniques to secure the threads. Each artwork, whether an intricately overlapping mass or pair of circular sculptures, is an act of preservation and a study of inevitable transformation: although the materials won’t decompose entirely, subtle shifts in color and texture occur as they age. “As the light changes or the point of view is moved, so the shadows will create a new perspective,” the artist says.
      Born in Nagoya, Japan, Takadoi is currently based in the U.K. His meticulously woven works will be on view from June 22 to 29 at Artefact in Chelsea Harbor, and you can find a larger collection of his pieces on Artsy and jaggedart.

      #embroidery
      #grass
      #sculpture
      #weaving
      #wood

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    • 150 Shares169 Views

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      Nine Massive Waves of Deadwood Surge Across a Forest Floor Near Hamburg

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      Art
      Photography

      #COVID-19
      #installation
      #land art
      #waves
      #wood

      June 8, 2021
      Grace Ebert

      All images © Jörg Gläscher, shared with permission
      As the fear of a second wave of COVID-19 swept through Germany in the fall of 2020, photographer and artist Jörg Gläscher decided to channel his own worry into a project that felt similarly vast and domineering. “I was working (with the idea of) the pure power of nature, the all-destroying force, which brings one of the richest countries in the world to a completely still stand,” he tells Colossal. “A wave is a periodic oscillation or a unique disturbance the state of a system.”
      Between November 2020 and March 2021, Gläscher spent his days in a secluded location near Hamburg, where he gathered deadwood and constructed nine massive crests—the largest of which spans four meters high and nine meters wide—that overwhelm the forest floor in undulating layers of branches and twigs. Each iteration, which he photographed and then promptly destroyed in order to reuse the materials, overwhelms the existing landscape with pools of the formerly thriving matter.
      Gläscher’s installations are part of a larger diaristic project he began at the beginning of the pandemic. Since then, he published a few magazines to present the works that range from photography to sculpture in one place, which you purchase along with prints in his shop. Find more of his multi-media projects on his site and Instagram. (via This Isn’t Happiness)

      #COVID-19
      #installation
      #land art
      #waves
      #wood

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    • 188 Shares139 Views

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      Five Towering Figures Sculpted in Wood by Artist Daniel Popper Loom Over The Morton Arboretum

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      Art

      #sculpture
      #wood

      May 27, 2021
      Grace Ebert

      “Sentient,” 18 feet. All images © Daniel Popper, courtesy of The Morton Arboretum, shared with permission
      Spread across the 1,700 acres at The Morton Arboretum just outside of Chicago are five enormous figures by Cape Town-based artist Daniel Popper (previously). Constructed mainly of wood with elements of glass-reinforced concrete, fiberglass, and steel, the looming sculptures stand out against the verdant landscape and pay homage to nature’s endurance and diversity, particularly the 220,000 individual specimens growing on the grounds. Human+Nature is Popper’s largest exhibition to date.
      The female figures, four of which are shown here, vary in pose, material, and overall aesthetic. “Hallow,” which stands at the arboretum’s entrance, is a poetic sculpture evocative of the fern-canopied installation the artist unveiled late last year in Fort Lauderdale. “Sentient,” on the other hand, surrounds a central bust with a surreal assemblage of facial features depicted on angled hunks of wood. Each is constructed at a monumental scale, standing up to 26 feet tall and weighing multiple metric tons.
      Human+Nature opens May 28 at the arboretum and will remain on display for at least one year. Find more of Popper’s massive artworks in addition to glimpses into his process on Instagram.

      “Hallow,” 26 feet
      “UMI,” 20.5 feet
      “Sentient,” 18 feet
      “Sentient,” 18 feet
      “Heartwood,” 15.5 feet
      “Heartwood,” 15.5 feet
      “UMI,” 20.5 feet

      #sculpture
      #wood

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    • 125 Shares189 Views

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      Capricious Characters Express Emotional Ambivalence in Yoshitoshi Kanemaki’s Glitched Sculptures

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      Art

      #emotions
      #portraits
      #sculpture
      #wood

      May 19, 2021
      Grace Ebert

      “Fleeting Moment Caprice.” All images @ Yoshitoshi Kanemaki, courtesy of FUMA Contemporary Tokyo, shared with permission
      Japanese artist Yoshitoshi Kanemaki (previously) carves fickle, ambivalent, and even contradictory sentiments in his figurative sculptures that embody a range of emotions. The wooden characters are surreal in form with multiple limbs, duplicate features, and recurring faces that wind entirely around their bodies. Whether conveyed through kaleidoscopic or blurred techniques, each portrait “expresses the dignity of life as a human being, the hate and harassment that people experience, and the importance of environmental awareness,” the artist says, explaining:
      It’s the hesitation, contradiction, two-sidedness, or multi-sidedness, double standard. These are the problems that all people have, and I express them as sculptures under the concept of “ambivalence.” I want to portrait a modern person, who visualizes the “ambivalent” state that everyone has.
      Kanemaki is based in Nagareyama City and is currently altering one of his older works titled “Memento Mori” to deepen its sentiments and add more complexity. Explore an archive of his glitched figures at Fuma Contemporary Tokyo.

      “Singing in Rounds Geometry”
      “All Day Believing”
      “Singing in Rounds Geometry”
      “Swing Caprice”
      “Swing Caprice”
      “Repetition Geometry”

      #emotions
      #portraits
      #sculpture
      #wood

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    • 188 Shares159 Views

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      Nimble Pugs and Other Cheery Canines Are Chiseled into Stocky Wooden Sculptures by Misato Sano

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      Art

      #dogs
      #sculpture
      #self-portrait
      #wood

      May 17, 2021
      Grace Ebert

      All images © Misato Sano, shared with permission
      Studies show that people are inclined to adopt canine companions that resemble themselves or family members, a psychological impulse that Misato Sano (previously) flips on its head. Rather than carve a pack of doggy doubles, the artist creates textured wooden sculptures of curly-haired poodles and acrobatic pugs imbued with different aspects of her own personality. Encompassing multiple breeds, expressions, and physical traits, each work is a self-portrait. She explains to Colossal:
      For me, using the form of dogs is the most appropriate, highest-resolution method to materialize what I think of my inner self. Materializing myself in various states is about having an honest, direct dialogue with myself. In facing myself, I would like to be passionate, free, and loving, like a dog. My works are also about myself looking at myself. In that sense, I might have been making an existence that is sometimes beside myself, a little distance in other times, watching over myself.
      Sano is based in the Tohoku region of the Miyagi prefecture and spends her summers creating the lively creatures with fur chiseled in visible gouges. As the weather turns cold, she shifts her practice to embroidery and conveys the adorable faces in plush tufts of thread.
      If you’re in Portland, you can see Sano’s carved characters as part of a group exhibition running August 14 to 29 at Gallery Nucleus. Otherwise, check out her Instagram for glimpses into her process and to see some of the real-life pups that inspire her works.

      #dogs
      #sculpture
      #self-portrait
      #wood

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    • 150 Shares159 Views

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      Delightful Characters Spring to Life in Hand-Cranked Wooden Automata by Kazuaki Harada

      by

      
      Art
      Design

      #automata
      #humor
      #kinetic sculpture
      #toys
      #video
      #wood

      May 12, 2021
      Grace Ebert

      Japanese woodworker Kazuaki Harada (previously) has spent the last few years designing these playful automata that activate with a simple hand-crank. Watch miners work in tandem, a figure cackle with unparalleled enthusiasm, and the devil aggressively play the fiddle, and make sure to turn your volume up, too—Harada often pairs an audio component with the mechanical movements for an additional dose of whimsy. For more of his quirky designs, which include many of the character-based works shown here in addition to more elaborate, abstract pieces, check out his Instagram and YouTube.

      [embedded content]
      

      #automata
      #humor
      #kinetic sculpture
      #toys
      #video
      #wood

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    • 163 Shares199 Views

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      Bold Bands of Paint Bisect Playful Sculptures of Carved Wood by Willy Verginer

      by

      
      Art

      #acrylic
      #games
      #kids
      #sculpture
      #wood

      March 24, 2021
      Grace Ebert

      Detail of “I pensieri non fanno rumore” (2019), different types of wood, acrylic color, 150 x 100 x 107 centimeters. All images © Willy Verginer, shared with permission
      Clusters of wooden spheres bubble up the fingertips and bodies of the children in Willy Verginer’s poetic sculptures. The Italian artist (previously) contrasts realistic carvings of adolescent figures with elements of whimsy and imagination. Alongside the forms that evoke childhood games are thick stripes of monochromatic paint, which wrap around the sculptures and bisect them in unusual places.
      Whether a pastel, neutral tone, or black, the color is symbolic and used to convey subtle messages. Verginer’s works often stem from what he sees as the absurdity of ecological issues or larger societal problems, like the U.S. banking collapse. “My largest effort and research focus on not tying myself to the naturalistic representation of figures, but on giving something more through a dreamlike study, or better an absurd one, and not an imaginary one,” he says. “This world and the whole connected system were so absurd that they made me reproduce an equally absurd situation.”

      Detail of “Chimica del pensiero” (2019), lindenwood, acrylic color, 168 x 46 x 45 centimeters
      Many of the sculptures shown here are part of Verginer’s most recent series, Rayuela, which is the Spanish term for hopscotch and the title of Julio Cortázar’s counter-novel that can be read from front to back or vice versa. Written in a stream-of-consciousness style, the book produces varying endings and meanings depending on the reader’s sequence. Cortázar’s adventurous format combined with the imaginative nature of the game informed Vreginer’s approach to the series, which the artist explains:
      (In rayuela), kids outline an ideal map on the ground, which starts from the earth and reaches the sky, through intermediate stages marked with numbered squares, on which they jump according to where a pebble is thrown. I can see a metaphor of life in this game; our existence is full of these jumps and obstacles. Each of us aims to reach a sort of sky.
      In June, Toronto’s Gallery LeRoyer will have an exhibition of Verginer’s precisely carved works, and the artist has another slated for September at the Zemack Contemporary Art in Tel Aviv. Until then, find more of his sculptures on Instagram.

      “Pensieri nascosti” (2020), lindenwood, acrylic color, 172 x 39 x 33 centimeters
      “Chimica del pensiero” (2019), lindenwood, acrylic color, 168 x 46 x 45 centimeters
      “I pensieri non fanno rumore” (2019), different types of wood, acrylic color, 150 x 100 x 107 centimeters
      “Scisserlé,” lindenwood, acrylic color, 200 x 59 x 46 centimeters
      “Palvaz” (2019), lindenwood, acrylic color, 95 x 70 x 47 centimeters
      “Rayuela” (2020), tiglio, acrylic color, 123 x 110 x 90 centimeters

      #acrylic
      #games
      #kids
      #sculpture
      #wood

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