In the 17th century, hundreds of witch trials took place across the five Nordic countries of Iceland, Norway, Denmark, Sweden, and Finland, resulting in scores of deaths and casting a pall over the region.
Witch hunts were drastically skewed along gender lines, and often once a woman in a family was accused of witchcraft, her female relatives were targets of persecution for generations. While the trials in Salem have been widely documented and recreated in popular culture for generations, the incidents of indigenous violence in the Nordic countries have been largely left out of the narrative.
Albrecht Dürer, 1497, Nürnberg.
A new show at Denmark’s Kunsthal Charlottenborg explores this haunting time in history with archival material dating from the 15th to 18th century presented alongside contemporary works, including seven new commissions. The exhibition features work by artists including Carmen Winant, Louise Bourgeois, Albrecht Durer, and La Vaughn Belle, tracking not just witchcraft, but the way that fear and hatred spreads throughout communities, a phenomenon that remains painfully relevant today.
“At a time of global unrest, as the politics of commemoration are in question,” the museum says in a statement, “‘Witch Hunt’ suggests the need to revisit seemingly distant histories and proposes new imaginaries for remembering and representation.”
Sandra Mujinga, , (2019). Courtesy kuntsneren og Croy Nielsen, Wien.Photo: Jan Khür.
<img class="size-large wp-image-1919285" src="https://news.artnet.com/app/news-upload/2020/10/0.Carmen-Winant_Commission_2020_press-3-768×1024.jpg" alt="Carmen Winant,
The neighbor, the friend, the lover, (2020). Courtesy the artist and Stene Projects, Stockholm.” width=”768″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2020/10/0.Carmen-Winant_Commission_2020_press-3-768×1024.jpg 768w, https://news.artnet.com/app/news-upload/2020/10/0.Carmen-Winant_Commission_2020_press-3-225×300.jpg 225w, https://news.artnet.com/app/news-upload/2020/10/0.Carmen-Winant_Commission_2020_press-3-38×50.jpg 38w, https://news.artnet.com/app/news-upload/2020/10/0.Carmen-Winant_Commission_2020_press-3-1440×1920.jpg 1440w, https://news.artnet.com/app/news-upload/2020/10/0.Carmen-Winant_Commission_2020_press-3.jpg 1500w” sizes=”(max-width: 768px) 100vw, 768px”>
Carmen Winant, (2020). Courtesy the artist and Stene Projects, Stockholm.
<img class="size-large wp-image-1919286" src="https://news.artnet.com/app/news-upload/2020/10/9_VLM_WATERWITCHING_Image_2.jpg-lille.jpg-rigtige-1024×576.jpg" alt="Virginia Lee Montgomery,
Water Witching, (2018). Courtesy the artist.” width=”1024″ height=”576″ srcset=”https://news.artnet.com/app/news-upload/2020/10/9_VLM_WATERWITCHING_Image_2.jpg-lille.jpg-rigtige-1024×576.jpg 1024w, https://news.artnet.com/app/news-upload/2020/10/9_VLM_WATERWITCHING_Image_2.jpg-lille.jpg-rigtige-300×169.jpg 300w, https://news.artnet.com/app/news-upload/2020/10/9_VLM_WATERWITCHING_Image_2.jpg-lille.jpg-rigtige-50×28.jpg 50w” sizes=”(max-width: 1024px) 100vw, 1024px”>
Virginia Lee Montgomery, (2018). Courtesy the artist.
Aviva Silverman, , (2019). Installation view at VEDA, Florence. Courtesy of the artist and VEDA, Florence. Photo: Flavio Pescatori.
<img class="size-full wp-image-1919288" src="https://news.artnet.com/app/news-upload/2020/10/CF011776.jpg" alt="Louise Bourgeois,
C.O.Y.O.T.E. (1947-1949). Photo: Installation view of C.O.Y.O.T.E. in exhibition ‘Louise Bourgeois: Alone and Together’ at Faurschou Copenhagen. Photo by Anders Sune Berg, © The Easton Foundation. © The Easton Foundation/VISDA.” width=”700″ height=”525″ srcset=”https://news.artnet.com/app/news-upload/2020/10/CF011776.jpg 700w, https://news.artnet.com/app/news-upload/2020/10/CF011776-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2020/10/CF011776-50×38.jpg 50w” sizes=”(max-width: 700px) 100vw, 700px”>
Louise Bourgeois, (1947-1949). Photo: Installation view of C.O.Y.O.T.E. in exhibition ‘Louise Bourgeois: Alone and Together’ at Faurschou Copenhagen. Photo by Anders Sune Berg, © The Easton Foundation. © The Easton Foundation/VISDA.
<img class="size-large wp-image-1919290" src="https://news.artnet.com/app/news-upload/2020/10/STRANGE_GODS_BEFORE_THEE.tif-rugtige-scaled-972×1024.jpg" alt="La Vaughn Belle,
strange gods before thee (2020), video still. Courtesy the artist.” width=”972″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2020/10/STRANGE_GODS_BEFORE_THEE.tif-rugtige-scaled-972×1024.jpg 972w, https://news.artnet.com/app/news-upload/2020/10/STRANGE_GODS_BEFORE_THEE.tif-rugtige-scaled-285×300.jpg 285w, https://news.artnet.com/app/news-upload/2020/10/STRANGE_GODS_BEFORE_THEE.tif-rugtige-scaled-47×50.jpg 47w” sizes=”(max-width: 972px) 100vw, 972px”>
La Vaughn Belle, (2020), video still. Courtesy the artist.
Source: Exhibition - news.artnet.com