in

Blooms Exude Presence and Personality in Bold Cyanotypes by Rosalind Hobley



All images © Rosalind Hobley, shared with permission

In London-based artist Rosalind Hobley’s expressive cyanotypes, flowers assume a portrait-like quality through varied textures and supple shapes. In her Still Life series, a cast of dahlias, anemones, roses, and peonies sit like regal subjects. Originally trained in figurative sculpture, she uses light and shade to accentuate form and gesture. “I aim for my prints to have the weight and presence of a piece of sculpture,” she tells Colossal.

Cyanotype is an early form of photography, first invented in 1842, named for the monochromatic rich blue hue of its prints. Hobley uses cotton rag paper with a light sensitive solution of iron salts and then leaves it to dry in the dark. She then exposes it to UV light under large format negatives, and finishes up by washing the prints in water, where they develop their characteristic blue color. “I love the mess and creativity of the cyanotype process,” she says. “I am interested in techniques which translate the photographic image into something more interesting and exciting. I like mistakes, blur, brushstrokes, loss of definition, spontaneity.”

Hobley has work in the Royal Academy Summer Exhibition, which runs June 21-August 21, 2022. She also has prints of available for sale on her website, and you can find more on Instagram.

Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. You’ll connect with a community of like-minded readers who are passionate about contemporary art, read articles and newsletters ad-free, sustain our interview series, get discounts and early access to our limited-edition print releases, and much more. Join now!


Source: Art - thisiscolossal.com


Tagcloud:

Austral Bricks releases range inspired by Australian coast

Layers of Intricately Cut Paper Evoke Strength and Vulnerability in Christine Kim’s Elegant Collages