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The New ICA San Francisco Opens Its Doors With an Artist-Curated Show About Black Women and Freedom

The Bay Area’s newest institution, the ICA San Francisco, celebrated the final phase of its opening last night, unveiling its biggest gallery space with a compelling group show on the importance of celebrating Black beauty, rest, and self expression, curated by California artists Tahirah Rasheed and Autumn Breon.

Titled “Resting Our Eyes,” the exhibition features works from both big names and rising stars, with impressive loans by the likes of Carrie Mae Weems, Derrick Adams, Sadie Barnette, Genevieve Gaignard, and Simone Leigh.

Breon, who lives in Los Angeles, and Rasheed, who is from Oakland, met through the For Freedoms artist collective. (Group cofounder Hank Willis Thomas is among the artists featured in the show, along with his mother, photographer Deborah Willis.)

“So many people within the network just kept on assuming that we knew each other,” Breon told Artnet News at the exhibition’s opening reception. When they were finally introduced, the connection was instant.

Curators Tahirah Rasheed and Autumn Breon at “Resting Our Eyes” at the ICA San Francisco. Photo by Vikram Valluri for BFA.

The two have spent the past year curating “Resting Our Eyes,” which offers a taste of founding ICA director Alison Gass’s socially minded vision for the institution, which looks to focus on under-represented voices in the art world.

The show’s theme was inspired by the Combahee River Collective, a group of Black feminists who began meeting in 1974.

“Basically the idea is that if and when black women are free, everyone else in the world will inevitably be free, because the systems that oppress black women would have to be dismantled and everyone else would benefit from it,” Breon said.

“When T and I started thinking about the mechanisms for freedom, we kept going back to leisure and adornment,” she added. “We were looking for the artwork that tells the story how we adorn ourselves and how we prioritize rest, because we see both of those as really necessary acts.”

See some of the works from the show below.

<img aria-describedby="caption-attachment-2245500" loading="lazy" class="size-large wp-image-2245500" src="https://news.artnet.com/app/news-upload/2023/01/Adana-Tillman_Wild-Things-1024×600.jpg" alt="Adana Tillman, (2020). Photo courtesy of the artist. ” width=”1024″ height=”600″ srcset=”https://news.artnet.com/app/news-upload/2023/01/Adana-Tillman_Wild-Things-1024×600.jpg 1024w, https://news.artnet.com/app/news-upload/2023/01/Adana-Tillman_Wild-Things-300×176.jpg 300w, https://news.artnet.com/app/news-upload/2023/01/Adana-Tillman_Wild-Things-1536×900.jpg 1536w, https://news.artnet.com/app/news-upload/2023/01/Adana-Tillman_Wild-Things-2048×1200.jpg 2048w, https://news.artnet.com/app/news-upload/2023/01/Adana-Tillman_Wild-Things-50×29.jpg 50w, https://news.artnet.com/app/news-upload/2023/01/Adana-Tillman_Wild-Things-1920×1125.jpg 1920w” sizes=”(max-width: 1024px) 100vw, 1024px”>

Adana Tillman, (2020). Photo courtesy of the artist.

<img aria-describedby="caption-attachment-2245507" loading="lazy" class="size-large wp-image-2245507" src="https://news.artnet.com/app/news-upload/2023/01/GaignardG_Look-What-We_ve-Become_HR_Vielmetter-1-1024×768.jpg" alt="Gaignard, (2020). Collection of Bob Rennie, Vancouver. Photo by Jeff Mclane, courtesy of the artist and Vielmetter, Los Angeles.” width=”1024″ height=”768″ srcset=”https://news.artnet.com/app/news-upload/2023/01/GaignardG_Look-What-We_ve-Become_HR_Vielmetter-1-1024×768.jpg 1024w, https://news.artnet.com/app/news-upload/2023/01/GaignardG_Look-What-We_ve-Become_HR_Vielmetter-1-300×225.jpg 300w, https://news.artnet.com/app/news-upload/2023/01/GaignardG_Look-What-We_ve-Become_HR_Vielmetter-1-1536×1153.jpg 1536w, https://news.artnet.com/app/news-upload/2023/01/GaignardG_Look-What-We_ve-Become_HR_Vielmetter-1-2048×1537.jpg 2048w, https://news.artnet.com/app/news-upload/2023/01/GaignardG_Look-What-We_ve-Become_HR_Vielmetter-1-50×38.jpg 50w, https://news.artnet.com/app/news-upload/2023/01/GaignardG_Look-What-We_ve-Become_HR_Vielmetter-1-1920×1441.jpg 1920w” sizes=”(max-width: 1024px) 100vw, 1024px”>

Gaignard, (2020). Collection of Bob Rennie, Vancouver. Photo by Jeff Mclane, courtesy of the artist and Vielmetter, Los Angeles.

<img aria-describedby="caption-attachment-2245501" loading="lazy" class="size-large wp-image-2245501" src="https://news.artnet.com/app/news-upload/2023/01/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-1024×748.jpg" alt="Sadie Barnette, (2019). Photo courtesy of the artist and Jessica Silverman, San Francisco.” width=”1024″ height=”748″ srcset=”https://news.artnet.com/app/news-upload/2023/01/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-1024×748.jpg 1024w, https://news.artnet.com/app/news-upload/2023/01/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-300×219.jpg 300w, https://news.artnet.com/app/news-upload/2023/01/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-1536×1122.jpg 1536w, https://news.artnet.com/app/news-upload/2023/01/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White-50×37.jpg 50w, https://news.artnet.com/app/news-upload/2023/01/Barnette_Easy-in-the-Den-2019_SB00101PG_John-Wilson-White.jpg 1800w” sizes=”(max-width: 1024px) 100vw, 1024px”>

Sadie Barnette, (2019).
Photo courtesy of the artist and Jessica Silverman, San Francisco.

<img aria-describedby="caption-attachment-2245508" loading="lazy" class="size-large wp-image-2245508" src="https://news.artnet.com/app/news-upload/2023/01/HWT_KamaMama-964×1024.jpg" alt="Hank Willis Thomas, (1971/2008) from “Unbranded: Reflections in Black by Corporate America.” Collection of the Jordan Schnitzer Family Foundation. Photo by Aaron Wessling Photography.” width=”964″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2023/01/HWT_KamaMama-964×1024.jpg 964w, https://news.artnet.com/app/news-upload/2023/01/HWT_KamaMama-282×300.jpg 282w, https://news.artnet.com/app/news-upload/2023/01/HWT_KamaMama-1446×1536.jpg 1446w, https://news.artnet.com/app/news-upload/2023/01/HWT_KamaMama-1928×2048.jpg 1928w, https://news.artnet.com/app/news-upload/2023/01/HWT_KamaMama-47×50.jpg 47w, https://news.artnet.com/app/news-upload/2023/01/HWT_KamaMama-1807×1920.jpg 1807w” sizes=”(max-width: 964px) 100vw, 964px”>

Hank Willis Thomas, (1971/2008) from “Unbranded: Reflections in Black by
Corporate America.” Collection of the Jordan Schnitzer Family Foundation. Photo by Aaron Wessling Photography.

<img aria-describedby="caption-attachment-2245502" loading="lazy" class="size-large wp-image-2245502" src="https://news.artnet.com/app/news-upload/2023/01/CMW17.001-The-Blues-HR-edited-1024×1002.jpg" alt="Carrie Mae Weems, (2017). Collection of Jeffrey N. Dauber and Marc A. Levin. Courtesy of the Dauber/Levin Collection.” width=”1024″ height=”1002″ srcset=”https://news.artnet.com/app/news-upload/2023/01/CMW17.001-The-Blues-HR-edited-1024×1002.jpg 1024w, https://news.artnet.com/app/news-upload/2023/01/CMW17.001-The-Blues-HR-edited-300×293.jpg 300w, https://news.artnet.com/app/news-upload/2023/01/CMW17.001-The-Blues-HR-edited-1536×1502.jpg 1536w, https://news.artnet.com/app/news-upload/2023/01/CMW17.001-The-Blues-HR-edited-2048×2003.jpg 2048w, https://news.artnet.com/app/news-upload/2023/01/CMW17.001-The-Blues-HR-edited-50×50.jpg 50w, https://news.artnet.com/app/news-upload/2023/01/CMW17.001-The-Blues-HR-edited-1920×1878.jpg 1920w” sizes=”(max-width: 1024px) 100vw, 1024px”>

Carrie Mae Weems, (2017). Collection of Jeffrey N. Dauber and Marc A. Levin. Courtesy of the Dauber/Levin Collection.

<img aria-describedby="caption-attachment-2245509" loading="lazy" class="size-large wp-image-2245509" src="https://news.artnet.com/app/news-upload/2023/01/LHA-21-042-hr-731×1024.jpg" alt="Lauren Halsey, (2021). Photo by Allen Chen, courtesy of David Kordansky Gallery, Los Angeles.” width=”731″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2023/01/LHA-21-042-hr-731×1024.jpg 731w, https://news.artnet.com/app/news-upload/2023/01/LHA-21-042-hr-214×300.jpg 214w, https://news.artnet.com/app/news-upload/2023/01/LHA-21-042-hr-1097×1536.jpg 1097w, https://news.artnet.com/app/news-upload/2023/01/LHA-21-042-hr-1463×2048.jpg 1463w, https://news.artnet.com/app/news-upload/2023/01/LHA-21-042-hr-36×50.jpg 36w, https://news.artnet.com/app/news-upload/2023/01/LHA-21-042-hr-1371×1920.jpg 1371w, https://news.artnet.com/app/news-upload/2023/01/LHA-21-042-hr-scaled.jpg 1828w” sizes=”(max-width: 731px) 100vw, 731px”>

Lauren Halsey, (2021). Photo by Allen Chen, courtesy of David Kordansky Gallery, Los Angeles.

<img aria-describedby="caption-attachment-2245505" loading="lazy" class="size-large wp-image-2245505" src="https://news.artnet.com/app/news-upload/2023/01/Copy-of-Girl-Boss-9-8-678×1024.jpg" alt="Traci Bartlow, (1996). Photo courtesy of the artist. ” width=”678″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2023/01/Copy-of-Girl-Boss-9-8-678×1024.jpg 678w, https://news.artnet.com/app/news-upload/2023/01/Copy-of-Girl-Boss-9-8-199×300.jpg 199w, https://news.artnet.com/app/news-upload/2023/01/Copy-of-Girl-Boss-9-8-1018×1536.jpg 1018w, https://news.artnet.com/app/news-upload/2023/01/Copy-of-Girl-Boss-9-8-1357×2048.jpg 1357w, https://news.artnet.com/app/news-upload/2023/01/Copy-of-Girl-Boss-9-8-33×50.jpg 33w, https://news.artnet.com/app/news-upload/2023/01/Copy-of-Girl-Boss-9-8-1272×1920.jpg 1272w, https://news.artnet.com/app/news-upload/2023/01/Copy-of-Girl-Boss-9-8-scaled.jpg 1696w” sizes=”(max-width: 678px) 100vw, 678px”>

Traci Bartlow, (1996). Photo courtesy of the artist.

<img aria-describedby="caption-attachment-2245510" loading="lazy" class="size-large wp-image-2245510" src="https://news.artnet.com/app/news-upload/2023/01/Metaferia-Helina_Headdress-1-610×1024.jpg" alt="Helina Metaferia, (2019). Photo courtesy of the artist. ” width=”610″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2023/01/Metaferia-Helina_Headdress-1-610×1024.jpg 610w, https://news.artnet.com/app/news-upload/2023/01/Metaferia-Helina_Headdress-1-179×300.jpg 179w, https://news.artnet.com/app/news-upload/2023/01/Metaferia-Helina_Headdress-1-915×1536.jpg 915w, https://news.artnet.com/app/news-upload/2023/01/Metaferia-Helina_Headdress-1-30×50.jpg 30w, https://news.artnet.com/app/news-upload/2023/01/Metaferia-Helina_Headdress-1-1144×1920.jpg 1144w, https://news.artnet.com/app/news-upload/2023/01/Metaferia-Helina_Headdress-1.jpg 1192w” sizes=”(max-width: 610px) 100vw, 610px”>

Helina Metaferia, (2019). Photo courtesy of the artist.

<img aria-describedby="caption-attachment-2245511" loading="lazy" class="size-large wp-image-2245511" src="https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-1024×1024.jpg" alt="Carrie Mae Weems, (2017). Collection of Jeffrey N. Dauber and Marc A. Levin. Photo courtesy of the Dauber/Levin Collection.” width=”1024″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-1024×1024.jpg 1024w, https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-300×300.jpg 300w, https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-150×150.jpg 150w, https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-1536×1536.jpg 1536w, https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-2048×2048.jpg 2048w, https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-50×50.jpg 50w, https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-256×256.jpg 256w, https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-434×434.jpg 434w, https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-1920×1920.jpg 1920w, https://news.artnet.com/app/news-upload/2023/01/CMW90.002-Untitled-Woman-and-Daughter-with-Make-Up-96×96.jpg 96w” sizes=”(max-width: 1024px) 100vw, 1024px”>

Carrie Mae Weems, (2017). Collection of Jeffrey N. Dauber and Marc A. Levin. Photo courtesy of the Dauber/Levin Collection.

<img aria-describedby="caption-attachment-2245797" loading="lazy" class="size-large wp-image-2245797" src="https://news.artnet.com/app/news-upload/2023/01/EP18-EP00250_wallpaper-731×1024.jpg" alt="Ebony G. Patterson, (2018). Photo courtesy of the artist and Monique Meloche Gallery, Chicago.” width=”731″ height=”1024″ srcset=”https://news.artnet.com/app/news-upload/2023/01/EP18-EP00250_wallpaper-731×1024.jpg 731w, https://news.artnet.com/app/news-upload/2023/01/EP18-EP00250_wallpaper-214×300.jpg 214w, https://news.artnet.com/app/news-upload/2023/01/EP18-EP00250_wallpaper-1097×1536.jpg 1097w, https://news.artnet.com/app/news-upload/2023/01/EP18-EP00250_wallpaper-1463×2048.jpg 1463w, https://news.artnet.com/app/news-upload/2023/01/EP18-EP00250_wallpaper-36×50.jpg 36w, https://news.artnet.com/app/news-upload/2023/01/EP18-EP00250_wallpaper-1371×1920.jpg 1371w, https://news.artnet.com/app/news-upload/2023/01/EP18-EP00250_wallpaper-scaled.jpg 1829w” sizes=”(max-width: 731px) 100vw, 731px”>

Ebony G. Patterson,
(2018). Photo courtesy of the artist and Monique Meloche Gallery, Chicago.


Source: Exhibition - news.artnet.com


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