Gerhard Richter’s New Sculpture Puts a Fresh Spin on His Iconic ‘Strip Paintings’

A new public sculpture by Gerhard Richter has been unveiled at Serpentine South in Kensington Gardens. At 92, the celebrated German artist has never stopped experimenting with a range of media and has now created a towering monument based on his series, which he began in 2010.

Those works played with the possibilities of reproduction by taking a digitally altered photograph of the much earlier (1990) and splicing it into thousands of thin vertical strips that were then reassembled horizontally and placed behind perspex. In this way, the original image is in some sense preserved and yet transformed beyond all recognition.

The idea of continually reflecting, rearranging, and repeating a series of simple units to create an endless array of possible new patterns, most recently explored in , also defined “4900 Colours,” Richter’s 2008 exhibition at Serpentine. In this case, the artist used elements of chance to compose 25 brightly colored tiles into lively grid formations, of which 49 were exhibited.

The idea has been inspired by Richter’s design for the south transept window of Cologne Cathedral, which was destroyed during World War II and replaced in 2007 with 11,500 squares of glass in 72 colors.

This is not the first time that Serpentine has made use of its verdant surroundings in Kensington Gardens to display public artworks. Just a year after its launch in 1971 it hosted , an outdoor exhibition of inflatable and kinetic sculptures. Since then it has continued to present significant works in collaboration with The Royal Parks, like Anish Kapoor’s in 2010 and , a mammoth installation by Christo on Serpentine Lake in 2018.

is a three-dimensional manifestation of themes and methods that underpin Richter’s historic practice in painting, repetition, improvisation and chance,” said Serpentine’s CEO Bettina Korek and artistic director Hans Ulrich Obrist, in a joint press statement.

Source: Exhibition - news.artnet.com