Evelyn Reynolds

Construction has commenced on a forthcoming museum dedicated to celebrating Vietnamese culture and preserving stories of Vietnamese migration.
Located in the Melbourne suburb of Sunshine, the three-storey building, designed by Konzepte Melbourne, will accommodate a resource centre for educational purposes, a hospitality offering and a function centre with the capacity to host events with up to 450 guests. Additionally, the museum will house a collection of more than 280 cultural artefacts.
According to a design concept statement, the precast concrete facade features curved, wave-like forms that symbolise the journeys embarked on by many during the Vietnamese diaspora. The statement added that the curved tops and repetitive rhythm of the facade are inspired by the shape of bamboo, while the earthy red colour chosen for the exterior references the Australian landscape.

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In 2022, the Department of Home Affairs reported that 281,810 people born in Vietnam were living in Australia. This makes the Vietnamese-born population the sixth largest migrant community in the country.
Member for St Albans Natalie Suleyman stated that 2025 marks the 50th anniversary of Vietnamese settlement in Australia. “What better way to acknowledge the important contribution of our Vietnamese community than by investing in Australia’s first Vietnamese museum,” said Suleyman.
The proposed project has encountered significant delays and a change of location since its unveiling in 2020. Original plans listed 222 Barkly Street in Melbourne’s Footscray as the nominated site for the development. In mid-2022, the Maribyrnong City Council granted a planning permit for the Footscray site with the condition that the museum and an adjacent landowner to the south come to an agreement regarding the location of loading facilities. The Vietnamese Museum of Australia (VMA) committee subsequently lodged an amendment application to remove the condition, which was refused by the council in 2023. Plans for the museum to be sited at 222 Barkly Street were later abandoned by the museum.
In December 2023, the Brimbank City Council entered into a non-binding Memorandum of Understanding (MoU) with the VMA to investigate a possible new site for the cultural building in Sunshine, Melbourne. After a phase of community consultation, the Brimbank City Council announced in early 2024 that a council-owned parking lot had been sold to the VMA for the development of the museum.
The Victorian government has contributed $8.7 million to the project. The expected completion date for the project has not yet been confirmed. More

The City of Sydney is advocating for the inclusion of three new heritage places on the local heritage register. According to a study undertaken by the council, each of the Oxford Street venues are historically significant places for LGBTIQA+ communities.
The three sites in the City of Sydney’s proposal include the Oxford Hotel at 134 Oxford Street, Palms at 124 Oxford Street and the Universal nightclub at 85–91 Oxford Street. The council believes that these additions will grow the collection of LGBTIQA+ sites already recognised for their significance, including the Darlinghurst Police Station, Stonewall Hotel and the Mardi Gras parade route.

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Lord Mayor of Sydney Clover Moore noted that these places constitute a significant part of the social and physical fabric of Oxford Street.
“We know how important it is to our LGBTIQA+ communities to protect, preserve and recognise the rich cultural history along Oxford Street,” the Lord Mayor said. Speaking of the three proposed sites, she commented, “Each of these venues has been strongly associated with the community since the late 1970s and early 1980s.”
In a media communique, the City of Sydney noted that the Oxford Hotel has been associated with liquor trade since the 1850s. After several iterations as a pub and hotel, it officially opened as a gay venue on 16 July 1982, when it was promoted as “the latest gay pub on the Strip, restaurant, the Oxford Café upstairs.”
As one of the city’s oldest continually operating LGBTIQA+ venues, the hotel has been site of significant community events. These have included the annual fundraiser from the Australia’s longest running HIV charity, the Bobby Goldsmith Foundation, titled the “Boys Own Bake-off.”

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Next door, on a site with buildings dating back to 1855, the gay venue of Palms opened as an underground cabaret venue around 1977. According to the City of Sydney, “it became known as a safe and supportive environment for those rejecting the gender and sexual norms of the period.” Trading as Scooters Bar and Diner from the late 1980s, the site readopted the Palms moniker when it reopened in 2000, aiming to be inclusive of women as well as gay men.
Further down the street, a two-storey inter-war building from the 1920s, now known as Universal, first opened as a licensed restaurant and gay disco in 1978. Originally trading as Tropicana, it reopened as Club 85 two years later, advertising itself as a “man’s disco.” After being damaged by fire just a few months later, the site reopened once more as a “disco for guys” called Midnight Shift in 1980, which remained operational until 2017. A result of declining trade associated with new lockout laws led to the bar’s closure and ultimately to new ownership under Universal Hotels in 2018.

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The proposal to nominate the three venues for individual heritage status was unanimously endorsed by council members at the end of 2024. The council further requested investigations into heritage listings for three other venues: 273 Crown Street, Surry Hills, which was designed in the 1920s and opened as Ruby Reds – allegedly Sydney’s first lesbian bar – in 1979; 40–42 Flinders Street, Darlinghurst, a popular late-night venue from the mid-1950s known as the Taxi Club; and 207 Oxford Street, Darlinghurst, which opened as a bookshop for LGBTIQA+ communities in the 1980s and still operates today.
Once submitted, the council’s nominations for the three venues will be reviewed by the NSW government, after which they will be open for public feedback. More

The City of Sydney is advocating for the inclusion of three new heritage places on the state’s heritage register. According to a study undertaken by the council, each of the Oxford Street venues are historically significant places for LGBTIQA+ communities.
The three sites in the City of Sydney’s proposal include the Oxford Hotel at 134 Oxford Street, Palms at 124 Oxford Street and the Universal nightclub at 85–91 Oxford Street. The council believes that these additions will grow the collection of LGBTIQA+ sites already recognised for their significance, including the Darlinghurst Police Station, Stonewall Hotel and the Mardi Gras parade route.

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Lord Mayor of Sydney Clover Moore noted that these places constitute a significant part of the social and physical fabric of Oxford Street.
“We know how important it is to our LGBTIQA+ communities to protect, preserve and recognise the rich cultural history along Oxford Street,” the Lord Mayor said. Speaking of the three proposed sites, she commented, “Each of these venues has been strongly associated with the community since the late 1970s and early 1980s.”
In a media communique, the City of Sydney noted that the Oxford Hotel has been associated with liquor trade since the 1850s. After several iterations as a pub and hotel, it officially opened as a gay venue on 16 July 1982, when it was promoted as “the latest gay pub on the Strip, restaurant, the Oxford Café upstairs.”
As one of the city’s oldest continually operating LGBTIQA+ venues, the hotel has been site of significant community events. These have included the annual fundraiser from the Australia’s longest running HIV charity, the Bobby Goldsmith Foundation, titled the “Boys Own Bake-off.”

View gallery

Next door, on a site with buildings dating back to 1855, the gay venue of Palms opened as an underground cabaret venue around 1977. According to the City of Sydney, “it became known as a safe and supportive environment for those rejecting the gender and sexual norms of the period.” Trading as Scooters Bar and Diner from the late 1980s, the site readopted the Palms moniker when it reopened in 2000, aiming to be inclusive of women as well as gay men.
Further down the street, a two-storey inter-war building from the 1920s, now known as Universal, first opened as a licensed restaurant and gay disco in 1978. Originally trading as Tropicana, it reopened as Club 85 two years later, advertising itself as a “man’s disco.” After being damaged by fire just a few months later, the site reopened once more as a “disco for guys” called Midnight Shift in 1980, which remained operational until 2017. A result of declining trade associated with new lockout laws led to the bar’s closure and ultimately to new ownership under Universal Hotels in 2018.

View gallery

The proposal to nominate the three venues for individual heritage status was unanimously endorsed by council members at the end of 2024. The council further requested investigations into heritage listings for three other venues: 273 Crown Street, Surry Hills, which was designed in the 1920s and opened as Ruby Reds – allegedly Sydney’s first lesbian bar – in 1979; 40–42 Flinders Street, Darlinghurst, a popular late-night venue from the mid-1950s known as the Taxi Club; and 207 Oxford Street, Darlinghurst, which opened as a bookshop for LGBTIQA+ communities in the 1980s and still operates today.
Once submitted, the council’s nominations for the three venues will be reviewed by the NSW government, after which they will be open for public feedback. More

From sustainably-sourced timber to furniture crafted from salvaged materials, here’s a collection of eco-conscious yet elegant products for the home.
Woodsmith flooring from Tasmanian Timber
Tasmanian Timber has launched a new engineered hardwood range, Woodsmith, available in six contemporary colours. The flooring is made from sustainably sourced regrowth Tasmanian oak and is milled with a focus on minimising waste, making it a responsible choice. Visit website.

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Iceberg Table from Zeoform

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Zeoform’s Iceberg Table is a tempered glass coffee table featuring sculptural legs crafted from cellulose fibres and water – without the use of glues, resins or petrochemicals. The design evokes the imagery of an iceberg floating in water, with glacial-toned legs intersecting the glass surface. Visit website.
Cork flooring from Kustom Timber

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Harvested from the renewable bark of the cork oak tree, Kustom Timber’s cork flooring is a 100 percent natural, carbon-negative product. Traditional techniques are used to harvest cyclically without causing damage to the tree, producing a sustainable and beautiful flooring finish. Visit website.
Altair IGLU Louvre from Breezway

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Natural ventilation is key to a healthy, thermally efficient home. Breezway’s double-glazed IGLU louvres open twice as wide as standard glazing – a design innovation that has earned multiple accolades, including a gold award at the 2023 Australian Good Design Awards. Visit website.
River Stone from Eco Surfaces Australia

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Comprising recycled glass, River Stone benchtops blend industrial aesthetics with sustainability at their core. Their durability makes them an ideal surface for kitchens, bathrooms and outdoor entertaining areas, with an elegant, matt grey finish evoking a modern look. Visit website.
Cycle Chair from Tait

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The Cycle Chair, made from 70 percent salvaged aluminium, is lightweight, stackable and endlessly recyclable. Created by Adam Goodrum and Tait Design Studio, its minimal frame is easy to transport and stabilised with custom glides for a sleek, contemporary look. Visit website. More

The University of Sydney has lodged a state significant development application to the NSW Department of Planning, Housing and Infrastructure that proposes the establishment of a new teaching and learning hub at its Camperdown campus in Sydney.
Conceptualised by BVN, the envisioned Ross Street Teaching and Learning Hub is a five-storey structure designed to accommodate general teaching spaces for all faculties of the university. Featuring both formal and informal learning areas, the building is proposed to support up to 1,500 students and 30 staff.
The proposed building would be situated near the northwestern entrance of the campus, which is currently occupied by a demountable village. BVN states in its design report that this location “presents an opportunity to consider the character and identity of this entrance as a ‘gateway.’” Consequently, they have aimed to create a contemporary facade that complements the existing building facades while incorporating activated street frontages to welcome people.

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According to the submitted application, the building features “a modular facade design, which allows multiple opportunities for off-site construction.” Each of the facades are expressed differently yet united by a cohesive material palette. The eastern facade, positioned along Parramatta Road, primarily features large prefabricated panels clad in light-coloured bricks of various patterns. On the north facade, windows are kept to a minimum to decrease heat gain, whereas the western facade is predominantly glazed to highlight views of the internal learning spaces. The south elevation features a brick and glazed concertina facade.
The design report indicates that a colour scheme of red and sandy shades was selected for each of the external faces to promote a harmonious dialogue among these varied expressions.

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Under the plans, the ground floor of the building is set back at the edges, providing shelter and additional space to gather around the building. Active functions are designated to the ground level of the building to ensure convenient access to frequently required services. These ground floor amenities include a student help desk and welcome point, a food and beverage outlet and an informal learning area.
BVN’s design was chosen from a design excellence competition that took place in 2023.
The development application is on exhibition until 7 April 2025. More

A state significant development application (SSDA) seeking approval for a $6.6 million mixed-use rental housing precinct in Sydney’s inner west is currently on exhibition, with opportunity for public comment closing soon. The project’s developers, Rent to Live Co. (RTL Co.), claim that if approved, the project will be the city’s largest build-to-rent (BTR) development to date.
Known as The Timberyards, the scheme involves the transformation of former industrial land in Marrickville into a regenerated urban neighbourhood. Aiming to address the current housing shortage crisis in Sydney, the proposal comprises BTR, co-living and affordable housing with retail and 10,200 square metres of public open space.

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The project’s design has been developed by a collaborative team including Aileen Sage on public domain and public art strategy; Architecture AND, Tribe Studio and Turner leading architectural design; Matthew Pullinger Architect as urban designer; Yerrabingin on Connecting with Country; and Arcadia developing the project’s landscape architecture.

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According to Matthew Pullinger, author of the SSDA’s executive design statement, “The project vision anticipates a new urban community that is highly publicly accessible, extending the local network of streets and spaces into and through the site.”
The project’s 22,771-square-metre site spans multiple lots bound by Victoria Road, Sydenham Road, Farr Street and Mitchell Street. Across the amalgamated lots, seven new buildings ranging eight to 13 storeys in height are intended to accommodate 1700 residents in affordable accommodation. The proposed mix, which totals 1188 new dwellings, includes 484 BTR apartments; 115 affordable rental apartments; 589 co-living dwellings and 599 apartments that meet the silver standard of Livable Housing Australia’s design guidelines.

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A media release from Turner notes that the residential component of the scheme is complemented by various community and maker spaces, as well as supporting retail and commercial uses. Their communique notes the project as being “designed as a living system […] The Timberyards balances past, present and future, integrating publicly inviting, characterful, and layered spaces. Thoughtfully curated communal areas retain elements of the site’s industrial past while encouraging ecological regeneration and social connection.”
While united by a common ethos, each of the proposed buildings has been designed with a unique architectural language that responds to their specific brief and siting. The three buildings by Turner, two by Architecture AND and two by Tribe Studio also employ distinct primary materials, with the aim to create varied characters. At street level, an overarching focus on brickwork of various colours and patterns is intended to relate the buildings back to the site’s fine grain residential and industrial context.
Woven between the proposed buildings, the site’s public domain is articulated by a series of communal lawns and pocket parks that draw upon the site’s original swampland and water ecology. A central walkway beneath the retained structural frame of the existing warehouse is articulated on entry by a large, mirrored gateway within the project’s retail frontage on Victoria Road.

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According to Pullinger, “Key to the project vision is the ongoing management of the site in single ownership to carefully curate a series of supporting facilities and amenities for both residents and the wider public.” The Timberyards is the first project to be owned, managed and developed by RTL Co. – a spin-off to development company Scape, whose folio includes 38 residential “for-rent” buildings across Australia’s east and south coasts. RTL Co. intend to manage the site in perpetuity.
The state significant development application is open for public comment online until the closure of the exhibition period on 24 March. More

A state significant application for a 31-storey tower above the forthcoming Pyrmont station in Sydney has been granted concept approval by the NSW government.
The high-rise is set to be established on a triangular site at 37–69 Union Street. Designed by Woods Bagot, the building will accommodate residential, commercial and retail uses. The residential component will comprise 160 apartments across 16,198 square metres, while commercial office space will span 5,241 square metres, and 2,024 square metres will be allocated to retail and dining options.
Links to the metro station will be integrated throughout the building, providing occupants with direct access to public transport.
The indicative designs for the project were unveiled in March 2024, leading to a public exhibition and consultation phase that garnered 32 submissions. These included 16 objections, 11 supporting responses and five neutral comments. The main concerns related to building height, overshadowing, traffic congestion and potential loss of views. In response, further consultation and design refinements were made.

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The built form has been envisioned as a tower atop a podium typology, with the five-storey podium to house the commercial and retail components and the tower to accommodate residential use. The podium features a predominantly brick facade with metal accents, while the tower’s facade features a glazed curtain wall with fine-grain metal fins and cladding. Repetitive bays and arches on the building’s exterior aim to echo the facades of surrounding buildings.

With concept approval granted, the next phase involves detailed development applications to refine architectural details, sustainability measures and construction timelines. The Pyrmont Metro Station is scheduled to open alongside the rest of the Sydney Metro West line in 2032. More

Powerhouse has announced the recipients of their Photography Architectural Commission – one of two major annual photography commissions from the museum. New Zealand-born, Naarm/Melbourne-based photographer Tasha Tylee has been awarded the $20,000 commission to collaborate with Powerhouse on major new works over the next year.
According to a release from Powerhouse, the architectural commission “aims to develop new perspectives on Australian architecture and the built environment, with a focus on construction, urban development, housing, infrastructure and sustainability.” Past winners of the annual commission include Rory Gardiner, Amanda Williams and Matteo Dal Vera.

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Focusing on material innovation within Australia’s built environment, Tylee will document the development of newly developed sustainable materials. Beginning with their natural form, she will follow the manufacturing, fabrication and installation processes, ending with the materials used in a completed build.
Tylee commented, “In light of the ongoing climate crisis, I’ve been reflecting on how we can collaborate to build a more sustainable future. As an image maker, I believe I have a unique opportunity to contribute by visually capturing and sharing these innovative ideas.”
“This incredible opportunity allows me to expand the scope of my practice and document the future of sustainable architecture and the built environment within Australia,” Tylee added. Her past photography commissions include the Naples Street House by Edition Office, winner of the Australian Institute of Architects 2024 Robin Boyd Award for Residential Architecture, Sawmill Treehouse by Robbie Walker, and Ground House 107R by David Fewson.

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Powerhouse has awarded their First Nations Right of Reply Photography Commission to Guwa-Koa, Gungarri, and Kuku Yalanji photographer Jo-Anne Driessens, who will undertake a body of work that responds to the Powerhouse Collection with the intent to Indigenise, counter and investigate narratives of the applied arts and sciences through a First Nations lens. More