Evelyn Reynolds

Australian projects have taken out a suite of awards at the 2023 World Architecture Festival and Inside World Festival of Interiors Awards.

In the interiors category, SJB were the recipient of three accolades. SJB’s 19 Waterloo Street received the prestigious World Interior of the Year award, as well as the Residential Single Dwelling Award. The jury lauded the project as a “pocket sized tour de force,” for its generosity of space within a limited 30-square-metre footprint. The practice was also named winner of the Temporary/Meanwhile Use category for its interior design of a temporary space for an exhibition titled Eucalyptusdom.

“I’m always in awe of the calibre of projects presented at WAF and Inside, so to have received not just one, but three awards feels pretty surreal. I’m so proud of the work we do at SJB, and I’m incredibly honoured to lead a team that’s producing such exciting, forward-thinking projects that are not only beautiful but actively working to solve real-world issues,” said SJB director Adam Haddow.

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Boola Katitjin by Lyons with Silver Thomas Hanley, Officer Woods, The Fulcrum Agency and Aspect Studios. Image:

John Gollings

Day two of WAF/Inside saw six Australian projects either winning or being highly commended.
In the Completed Buildings category, Boola Katitjin by Lyons with Silver Thomas Hanley, Officer Woods, The Fulcrum Agency and Aspect Studios won the Higher Education and Research classification, while the Victorian Heart Hospital by Conrad Gargett (now merged with Architectus) and Wardle took out the accolade for Health. Iron Creek Bay Farm Stay by Misho and Associates was highly commended in the Hotel and Leisure division.

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Alexandria Health Centre by Warren and Mahoney. Image:

Warren and Mahoney

Under the Future Projects category, Alexandria Health Centre by Warren and Mahoney received the award for Health, while the Resource Recovery Learning Centre by Terroir was awarded in the Education section. Lighthouse in Darling Park by Henning Larsen and Architectus was highly commended in the Commercial Mixed-Use category.
Woods Bagot and Shop Architects earned the Futureglass Prize for 55 Pitt Street and Hillcrest Rose Bay, Sydney by Woods Bagot was highly commended for the Visualisation prize.
The 2023 World Architecture Festival and Inside World Festival of Interiors was held at Marina Bay Sands in Singapore until 1 December. To view the day one winners, visit here. More

The Australian Institute of Architects has welcomed the NSW government’s decision to cease further development on Western Sydney’s flood plains. In a move that seeks to prevent further homes from being developed and endangering lives, Minister for Planning and Public Spaces Paul Scully announced on 29 November that the government had rezoned land in Western […] More

The tallest mass timber office building in Melbourne has been completed at 15 storeys, designed by Jackson Clements Burrows Architects. The 18,200-square-metre office building, named T3 Collingwood, has been designed with sustainability in mind. Constructed using Victorian oak responsibly sourced from Australian forests, the structure represents a 34 per cent reduction in embodied carbon. Glazed […] More

Tasmania Makes

A lineup of talented Tasmanian makers and designers from diverse design disciplines will come together to participate in the Tasmania Makes exhibition, held in Launceston between 9 December 2023 and 3 March 2024. Various modes of making will be on display with each creative piece speaking to the experience of living in Tasmania – the challenges, and advantages of working on an island and how this is reflected through design.
1 Shot 23

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Kaufmann’s Mistress (Arrival). Image:

Tom Blachford

The Image Makers Association has unveiled their 1 Shot exhibition, which features 45 captivating photographs from Australia’s pre-eminent photographers presenting their interpretation of the theme titled “Home / Away”. ‘Home’ can be seen interpreted as a physical place, a feeling, a person or a memory triggered by a chance encounter, whereas ‘Away’ is not always in reference to geographical distance from home, but in the extension of ourselves from familiar patterns and routines into the lesser known parts of our inner and outer worlds. The exhibition will run until 19 January 2024 in Perth, Sydney and Melbourne.
Over Thirty

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Yam, 2008, by Michael Nelson Jagamara, acrylic on canvas. Image:

Courtesy of Michael Nelson Jagamara

To mark their 30th year, Fireworks Gallery in Brisbane has assembled a significant number of small works, all measuring 30 x 30cm, for an exhibition entitled Over Thirty. On show will be more than fifty small artworks from a cross- section of Queensland and the Northern Territory. Artist highlights include Rosella Namok, Joanne Currie Nalingu, Jennifer Herd, Michael Nelson Jagamara, David Paulson, Yvonne Mills-Stanley, Bill Whiskey, Ian Waldron and Milan Milojevic, as well as works from Art Centres in the desert- Warlukurlangu at Yuendumu and Maruku Arts at Uluru. The exhibition will be held on Saturday December 2.
At Home

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At Home features a series of free discussions, installations, exhibitions and events exploring the concept of ‘home’ and the built environment. Image: Supplied

At Home, to be held in Melbourne between 1 to 3 December, features a series of free discussions, installations, exhibitions and events exploring the concept of ‘home’ and the built environment. Program highlights include Place Patterns, Anindita Banerjee explores the meaning of home with various Wyndham residents through recorded interviews; Religions on the Fringe, a photographic and installation work exploring the expression of religious identity in Melbourne’s outer west; Country and the Home, artist Steven Rhall and designer Jack Mitchell discuss themes of Country, suburban expansion, belonging, and the intersections between cultural, personal and environmental justice; and Use/Misuse of the Home, artists Rory Hyde, Akwal Magek and Damien Laing discuss their experiences on the “misuse” of domestic space.
Rearranged: Art of the Flower exhibition

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Rearranged: Art of the Flower exhibition to be held at the Museum of Brisbane. Image: Supplied

The Rearranged: Art of the Flower exhibition to be held at Museum of Brisbane will run until 11 August 2024. A contemporary and stunning collection of works inspired by floral motifs will be on display, brought to life by more than 20 established and emerging artists. Each artist will present floral visuals in their unique, creative disclipine such as still-life compositions, hyper-realistic paintings, textiles, sculptures, stained glass artworks, ceramics, and mixed media installations. More

Three Australian projects are among the winners and commendations from the first day of the World Architecture Festival and Inside World Festival of Interiors Awards. From the more than 30 Australian projects shortlisted in the Completed Buildings and Future Buildings categories, only one received a highly commended in the Culture category: Melbourne Holocaust Museum by […] More

Victoria’s only children’s hospice in Malvern has reopened following a redevelopment of the facility, completed by Andrew Simpson Architects and Barbarra Bamford. The new Sister Margaret Noone Hospice at Very Special Kids House on Glenferrie Road has been designed to be a place of comfort and diversion for paediatric palliative care residents. Brought to life […] More

Three Australian project have been recognized the 2023 Dezeen Awards. The popular design blog announced 39 project winners from a pool of 4,800 entries across 94 countries.
Seven architecture projects and six interior projects from Australia were shortlisted in the awards.
Nightingale Village, by Hayball and Breathe and Architecture Architecture and Austin Maynard Architects and Clare Cousins Architects and Kennedy Nolan, was named Housing Project of the Year as well as Sustainable Building of the Year.
“This project exemplifies a new approach to housing, with a focus on society, community and wellbeing,” said the judges of the Housing Project category. “With an emphasis on cooperative design to address the challenges of housing in our cities, the project presents different typologies for different types of people and families living together. The collaboration of the six architects on the project has added richness to the variety of materials and spaces, which are both generous and humane.”

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Nightingale Leftfield by Kennedy Nolan. Image:

Tom Ross

Judges of the Sustainable Building category added, “Nightingale Village provides a replicable, market-viable model for how new housing can benefit both people and planet. It offers affordable homes in the face of a housing crisis while reducing inhabitant’s reliance on fossil fuels, cutting out all need for natural gas and even attaining special permission to provide only 20 parking spaces for more than 200 homes – a radical decision in its suburban Australian context.”

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Art Gallery of New South Wales Sydney Modern Gallery Shop by Akin Atelier. Image:

Rory Gardiner

In the Interiors categories, Sydney Modern Gallery Shop by Akin Atelier received Retail Interior (Small) of the Year. “It is such a challenge to design a space which can stand on its own and break away from the larger space in which it lives. Akin Atelier took cues from materials such as sandstone, a natural material which maintains enclosure and natural light, and stainless steel, informed by the building’s structure,” the judges said.
“The earthy hues give a sense of warmth and luxury. The curved bookshelf is a simple and delicate response to what could have been a cold space.”
Bundanon Art Museum by Kerstin Thompson Architects was also highly commended for Cultural Project of the Year.
See all the winners of the 2023 Dezeen Awards. More

A new garden established at the University of Tasmania’s recently completed Inveresk campus has resulted in a reflective, native landscape that is rich in First Nations identity and culture. The Riawunna Garden at River’s Edge, designed by Wardle, T3D Studios, and Aspect Studios, is located near the university’s north-eastern entrance. The garden features native plants, a performance space, and four artworks designed by Tasmanian Aboriginal artists Genie Battese and Lynne Spotswood. Battese and Spotswood were commissioned to convey and embed First Nations stories throughout the garden, a vision that was brought to life through the design of outdoor screens, seating, a shade shelter and fire pit cover.
Collaborating with the university’s design team, the artists developed works that showcase earthly elements, as well as represent the spirits of Aboriginal people, those from the past and those still living. The spirits are depicted as moving through the landscape and connecting with Country.
Family and community, as well as native reeds and grasses are illustrated on the metal garden screens, and have been achieved through a laser cutting process.
The element of fire is visible on the fire pit lid with the word ”patrula” (fire) inscribed directly underneath. Etched into the pavement are the words “kanamaluka” (Tamar River), “laykila” (North Esk River) and ”plipatumila” (South Esk River), giving recognition to the context of the site and its connection to freshwater.
“We were walking along laykila/the North Esk River looking at all the reeds, the grasses and the river flow, all the noises and the smells, and just listening. That’s when we got the idea that we’d have the theme of rivers and reeds in our artwork,” Spotswood said.
“Freshwater is also essential, and so is fire, so we incorporated those two elements in the commission along with our community connections and palawa kani – our language.”

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The shade canopy comprises nine sections, with each section symbolising Tasmania’s nine Aboriginal Nations. Image:

Courtesy of University of Tasmania

The seat and shelter were inspired by the traditional practice of basket-weaving. The shade canopy comprises nine sections, with each section symboliszing Tasmania’s nine Aboriginal Nations. The shelter will eventually house woven artwork displays crafted by Aboriginal people.
“I imagine visitors of the Riawunna Garden will feel very peaceful and relaxed as it’s where people will be sitting down and yarning, and they might go and explore and hopefully reflect on the old people who would have once been walking through the freshwater and hunting and gathering there,” Spotswood said.
Amanda Kay from T3D Studios said their practice met up with Genie and Lynne over a period of three months to assist with transforming their ideas into physical artworks.
“Through a series of workshops, we worked with Genie and Lynne who spoke of their cultural heritage and identity, sharing personal stories and experiences which both informed and enriched the three artworks for the garden. I have been empowered by this exchange and connect deeply with the work,” Kay said. More