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    In a Morris Minor key – Michael Collins presents the lost world of family slides

    In his book, The Family Silver, the photographer and writer Michael Collins has published a selection from the thousands of colour slides he has collected over three decades. He talks to Fatema Ahmed about looking through other people’s family albums and what these images might tell us about the medium of photography. I’ve always been […] More

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    Spain’s annual photography festival, in focus

    The scene seems innocuous enough – an old brick wall crumbles with age. Weeds spring from its dusty base, and a couple of cedar trees peek over from the other side. But the photo, from Miquel Gonzalez’s Memoria Perdida project, holds a secret. Between 1936 and 1956, nearly 4,000 people were executed at this site […] More

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    Moon landings and Martin Parr’s Britain – the year ahead in photography

    An exhibition of some 200 of Luigi Ghirri’s photographs, curated by James Lingwood of Artangel, comes to the Jeu de Paume this February (12 February–2 June). The Italian photographer, who was an early adopter of colour, trained as a surveyor and an interest in maps and models runs throughout his many series of work. Ghirri […] More

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    Remembering Ara Güler, the eye of Istanbul

    When Ara Güler, for many the greatest photographer of modern Turkey, died last month at the age of 90, the city he devoted his life to photographing came to a standstill. Thousands of admirers, young and old, gathered to pay respects before the funeral service of a man historians and fellow photographers have called the […] More

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    A welcome reappraisal of Peter Hujar

    Peter Hujar is one of those artists who remained relatively unknown to the larger art world in his own lifetime yet achieved much recognition from other artists of his generation – among his better-known peers are Diane Arbus, Robert Mapplethorpe and David Wojnarowicz (with whom Hujar shared an intense relationship). His reputation has, however, grown […] More

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    The Barbican’s photography double bill speaks powerfully to our times

    In an age increasingly plagued by the overuse of the word ‘iconic’, it is salutary to be reminded of what makes an image truly deserve the tag. Dorothea Lange’s Migrant Mother, Nipomo, California (1936) is one of those photographs in which the combination of compositional brilliance, human empathy, and political significance makes for something simultaneously […] More