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    John Wardle Architects to transform Sydney office tower

    A 31-storey office tower built in 1988 in Haymarket, Sydney, will be transformed into an “enlivened contemporary workplace” for the tech sector under plans prepared by John Wardle Architects.
    The $70 million renovation of the 477 Pitt Street tower will see the entire tower re-clad to address safety concerns about existing cladding which has been failing and falling from the building.
    The existing building is described as a monlithic form with little building identity that “lands heavily on the corner of Pitt and Barlow Streets.”

    The design will create a new building identity and more legible arrival sequence and an active frontage on Pitt Street.
    New double-height façade glazing is proposed on Pitt Street and Barlow Streets, “providing direct visibility into the inner workings of the transformed ground floor lobby, verandah and sitting room spaces.”
    A coffee pod will operate under the verandah providing tenants and the public an opportunity for social gathering and informal working.

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    477 Pitt Street by John Wardle Architects.

    Three heritage buildings on the whole-block site will also be repaired and re-purposed, with John Wardle Architects working with NBRS Heritage Consultants to ensure the response is sensitive.
    The locally listed Australian Gaslight Co building, originally a showroom for new gas appliances, is to be re-purposed as an event space, while the former Presbyterian Manse and Fire Engine House will be restored with new warm shell interiors to suit food and beverage tenancies.
    A new landscape edge to the site is also proposed to provide greening and acoustic buffering from Pitt Street.
    The proposal is being considered by the City of Sydney and is recommended for approval.

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    Decision delayed on commercial tower at Adelaide Festival Plaza

    South Australia’s State Commission Assessment Panel has deferred its decision on proposed changes to Walker Corporation’s tower development adjacent to Adelaide Festival Plaza after concerns were raised over the heritage impact on the adjacent Parliament House building.
    The latest proposal, designed by JPW Architects, is the fourth variation on a scheme that was approved in November 2016 with a design by Bates Smart. It calls for minor changes to the design and internal configuration of the 27-level office tower, the inclusion of a new pedestrian walkway and the extension of the retail pavilion to the east.

    Government planners are largely in support of the changes, but Heritage SA has raised objections to the extension of the retail component, with principal conservation architect Peter Wells objecting to the encroachment into the curtilage of Parliament House.
    “I consider that a fundamental formal quality is lost in the proposed misalignment of Parliament House and the eastern retail edge, diminishing both the setting of the heritage building and the urban design response,” he writes in his assessment.

    Despite these heritage concerns, the report to the assessment panel recommended approval of the development. But the panel voted to defer its decision on 11 November, to allow for a reassessment of the eastern retail pavilion.
    For its part, JPW Architects states that the proposed variation “refines and enriches the site planning and building design principles established by the current [approved scheme], creating a more cohesive relationship between the new and old buildings in the precinct, and a more integrated and permeable public realm.”

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    Festival Plaza development by JPW Architects.

    The design of the office tower retains its visually simple expression of stacked boxes, with only subtle changes to texture and form and texture, including “changing the alignment of some of the tower facades so that they reflect different parts of the sky”; “changing the angle of expressed fins across the facades so that they still provide shading, but also reflect light at different angles so that the block forms making up the tower are distinct”; and “reinforcing a horizontal expression across the northern frontage to Festival Square, with a distinctive podium facade type within the Commercial Tower Podium.”

    The foyer of the office building will also be expanded to create two lobbies, with a high-rise lobby at ground level and a low-rise lobby at level one.

    Heritage SA and the state’s government architect found that the amendments to the external form of the tower and podium improved their visual relationship with the surrounding heritage context and contributed to a more balanced overall visual expression.
    The government architect said the two lobby spaces gave the building a strong sense of address, while the stepped composition presented an effectively contrasting expression.
    The state government is also funding the redevelopement of the adjacent Adelaide Festival Plaza designed by ARM Architecture and Taylor Cullity Lethlean. The government announced a further $31.2 million for the project in this week’s budget, bringing the overall price tag to $214 million. More

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    Works underway at site of FJMT’s Liverpool Civic Plaza

    Demolition works have begun at the site of the proposed Liverpool Civic Plaza, designed by FJMT, as the council submits its development application for the project.
    Jointly developed by Liverpool City Council and Built, the project is “one of the most significant projects in our city’s history,” said Liverpool mayor Wendy Waller.
    “Liverpool Civic Place will anchor and activate the southern end of the Liverpool city centre, providing new public spaces, community facilities and job opportunities for our growing city.

    The project will be located at a prominent corner of Scott and Macquarie streets. It will be delivered in two stages: first, the council offices, council chambers, a childcare facility, a new library and community hub, civic plaza and car parking; second, the office spaces and a nine-storey hotel and student accommodation building.
    “Liverpool Civic Place is part of more than $1 billion worth of major mixed-use developments in the pipeline for the Liverpool city centre, aided by Council’s 2018 rezoning to mixed-use development,” Waller said.

    “Council is also paving the way to a greener, more vibrant and active city centre through our 10-year Public Domain Master Plan, which will see more street trees, public art, furniture, and wider footpaths implemented to improve amenity and accessibility while helping foster an 18-hour economy.”
    “Liverpool has emerged as Sydney’s Third CBD and Council is proud to play a part in transforming Liverpool into a city of opportunity.”
    Liverpool City Council has committed $195 million to deliver the council buildings, while Built will cover the commercial costs of the remaining stages of the project.
    Demolition and excavation works are expected to finish in mid-2021. A development application for the first phase of the project has been lodged and will go on public exhibition later in November. More

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    Rising to the challenge: Architeam Awards winners announced

    Architeam Cooperative has announced the winners of its 2020 Architeam Awards, which recognize the work of small architecture practices.
    “As is true for many businesses, 2020 has been a tough year for architects,” says ArchiTeam CEO, Phoebe La Gerche-Wijsman, “but our members are uniquely placed to respond and adapt to these times. With Victorian members being affected by state-wide lockdowns, even getting photography together for this year’s entries was a massive task. Despite this, the 2020 ArchiTeam awards received an outstanding 130 entries, and our members rose to the challenge to create a whole new concept in exhibition design.”

    The 130 entries across five primary categories were judged by a jury comprising chair Kate Fitzgerald (Whispering), Norman Day (Norman Day + Associates), Kate Fitzpatrick (Auhaus), Tamsin O’Neil (Green Magazine), John Ellway (John Ellway Architect), Andy Fergus and Rachel Neeson (Neeson Murcutt and Neille).

    The winners are:
    ArchiTeam Medal
    Davison Street – Archier
    Residential New
    Winners

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    The Good Life House by MRTN Architects
    Image: via Architeam
    The Good Life House – MRTN Architects
    Two Sheds – Dreamer
    Commendations
    Davison Street – Archier
    Edgars Creek House – Breathe Architecture
    Kensington House – Fowler and Ward
    Alterations and Additions
    Winner

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    Brunswick Lean-to by Blair Smith Architecture.
    Image: Tom Ross
    Brunswick Lean-to – Blair Smith Architecture
    Commendations
    Hampden Road House – Archier
    Warehouse Greenhouse – Breathe Architecture
    Commercial
    Winner

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    Parks Victoria by Archier and Harrison and White.
    Image: Peter Bennetts
    Parks Victoria – Archier and Harrison and White
    Commendations
    Uro Workshop – Architecture Architecture
    Where House? – EM Architects
    Community
    Winner

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    Yarra Pools by Wowowa Architecture.
    Image: Wowowa
    Yarra Pools – Wowowa Architecture
    Commendation
    Arkadia – Breathe Architecture and DKO Architecture
    Unbuilt
    Winner

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    St Andrews Square by Moloney Architects.
    Image: Moloney Architects
    St Andrews Square – Moloney Architects
    Commendation
    Dead End House – Kuzman Architecture
    Yarra Pools – Wowowa Architecture
    Contribution
    Winner
    Talina Edwards – Talina Edwards
    Commendation
    Architects Declare movement – Australian Architects Declare
    Brickworks Materiality Award
    Merri Creek – Wowowa Architecture
    Passive House Award
    Passive House Trophy – Qutaibah Al-Atafi in collaboration with local textile artist Inneka Moorhouse
    Sustainability Medal
    Architects Declare movement – Talina Edwards
    Small Project Medal
    Small Grand Apartment – Tsai Design
    People’s Choice Award
    Colour Shingle – Krisna Cheung Architects More

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    Works imminent for Hobart’s riverside sporting precinct

    The design team behind Hobart’s Museum of Old and New Art will create a $200 million masterplan to transform an underutilized, ex-industrial site on the Derwent River into a sports and recreation centre.
    Lead architecture practice Fender Katsalidis and its collaborators Oculus and Ireneinc hope to elevate Tasmania’s reputation for delivering sport and recreation activities by creating a dedicated and considered precinct.
    “The goal is to cultivate a vibrant and engaging district that prioritizes pedestrian movement and activity through designed landscaped areas, integrated infrastructure, and connectivity within the site,” said Nicky Drobis, director of Fender Katsalidis.

    “Being in a prime location, the site needs renewal and investment that effectively responds to a lot of different and complex requirements which we are realising in the new precinct masterplan.”

    “The masterplan will deliver something new to the area, improving its functionality and connections for other sites such as Mona and the city, while alleviating congestion along the highway.”

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    Masterplan for Wilkinsons Point precinct by Fender Katsalidis and Oculus.

    The project will be located on a 15-hectare site at Wilkinsons Point in Glenorchy, currently home the Derwent Entertainment Centre, which will be refurbished to create a multipurpose venue that will serve as the home base for Hobart’s basketball team, the Jack Jumpers. The venue will also host shows, performances and other sporting events.
    The precinct will include elite performance facilities, informal recreational opportunities, connections to a surrounding network of open spaces and trails, mixed-use capabilities such as waterfront dining, a hotel, sports-focused retail, as well as indoor recreation facilities such as basketball, soccer, gymnastics, rock climbing, indoor skydiving, indoor skiing and a kids play centre.

    The masterplan will also link the proposed buildings with landscaping that will protect the facilities from the natural elements while also enhancing its river setting. It will retain as much of the existing vegetation as much as possible.
    “Our masterplan seeks to consistently activate this site, far beyond its current use, and transform the peninsula into a state-of-the-art sports and entertainment precinct that has both social and economic benefit,” Drobis said.
    Developer LK Property Group, who first brought the project to council in 2019, will begin demolishing the interior of the Derwent Entertainment Centre within a month. Renovation works are due to begin in 2021. More

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    Lahznimmo to design expanded facility for Powerhouse collection

    Lahznimmo Architects will lead the design of a $30 million expansion of the Museums Discovery Centre site at Castle Hill in north-west Sydney, providing more space for the Powerhouse collection and creating more opportunities for public access.
    The project will see the construction of a new public-facing building, Building J, which will facilitate increased public education programs, workshops, talks, exhibitions and events.
    Owned and operated by the Museum of Applied Arts and Sciences (MAAS), the Museums Discovery Centre currently comprises six buildings, five of which are primarily for storage and one, Building E, which is accessible to visitors. In the year 2017-2018, 17,481 people visited the site. The Australian Museum and Sydney Living Museums also maintain collection storage and conservation facilities on the site.

    The architects say in planning documents that Building J will provide an important new public interface with Showground Road, with the curtilage designed to integrate with the immediate surroundings, complementing the adjacent TAFE site and to providing a permeable landscaped setting along Showground Road.

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    Building J at Museums Discovery Centre, designed by Lahznimmo Architects.

    “Whilst industrial in nature, it will recognize its public/civic role, and will announce the presence of the Powerhouse within the area,” the design statement read. “The overall form will be simple, minimizing expressive elements and articulation.”
    The building’s façade will be formed of two key materials, corrugated aluminium, and corrugated precast concrete, with the façade “tilting, folding, peeling” to create openings. “The entries are marked by civic-scaled folds in the facade, tilting inward to lead visitors and staff into the building,” state the architects. “As the facade continues to the north, the facade peeling is limited to allow more controlled views into working areas such as the conservation laboratory.”

    The ground plane will be designed to feel like a continuous public accessible plane, and have strong indoor/outdoor connections.
    The landscape architect Aspect Studio envisions a diverse planting palette of understorey and ground cover species, which will improve the bare ground of the existing site, “creating and connecting to existing fragmented habitat areas.”
    The expansion of the Museums Discovery Centre is part of the wider renewal of the Museum of Applied Arts and Sciences, which includes the new Powerhouse Parramatta.
    A state-significant development application for the project is on public exhibition until 1 December. More

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    Winning ideas to transform Sydney’s public spaces

    Why can’t a street also be a park? Could we turn Sydney’s city carparks into communal green spaces? And what if we transformed the countless pockets of neglected residual land that dot Sydney into biodiverse micromeadows?
    These are just some of the pointed questions posed by the winning entries in the inaugural Public Space Ideas Competition organized by the Committee for Sydney and NSW government with the support of AECOM and the Australian Institute of Landscape Architects.

    Eight projects have received awards in the competition, chosen from a pool of 500 entries. NSW planning minister Rob Stokes says the innovative ideas on display show the transformative potential of public space projects. “Whether [it] is a patch of grass near home, or an empty laneway on the way to the train station – all public space can be reimagined,” he says.
    Taking home the Minister’s prize is a proposal from a group of landscape architects, architects and designers from Arup to transform a 10-kilometre pipeline running from Pipehead to Potts Hill into an interconnected green spine for Sydney’s Western suburbs.

    The largely fenced-off pipeline corridor currently contains three pipelines, only one of which is operating, carrying potable water. The Arup design team says that opening the reserve surrounding the pipeline and decommissioning the inoperable pipes will revitalize the linear landscape and turn it into “community-loved infrastructure.”
    Winning the award for best open space idea is a team from Cred Consulting, whose idea is to transform underused open space into micromeadows to connect to nature, protect threatened fauna and flora, and “beautify our neighbourhoods.” The spaces they’re thinking of are empty green spaces that, due to their limited street frontage and location in the middle of residential blocks, serve little benefit to residents as they are. “Our idea is transformational because it is changing the way we think about public space as areas of unencumbered green space – into areas that are beautiful, naturally established, and require minimal intervention or maintenance from humans,” they write.

    The winner of the best public facility idea is The Modern Carpark, a proposal from the City of Bankstown that envisions city carparks as community “hotspots” with facilities like bike and ride-sharing areas, parcel pickup lockers, community arts and culture spaces, and open space where people can socialize and relax.

    Recognized for the best street idea is Georgina de Beaujeu, who proposes a new way to use private developments as a catalyst to transform public streetscapes.

    “How?” de Beaujeu asks. “By looking at public and private land in our streets holistically – changing setbacks and offsets, closing roads, changing traffic movements and speeds, adopting shared permeable driveways, underground parking, median/blister, verge and private tree plantings, covered/underground powerlines and mixed tree planting to enable large trees to shade the road – the list goes on.”
    Other winning ideas include a plan to introduce a 30kph speed limit for non-arterial roads, a scheme to change the way we use open space and water in South Sydney and a proposal to unlock the potential of Sydney’s historic urban utility infrastructure.

    Committee for Sydney CEO Gabriel Metcalf says the COVID-19 pandemic has demonstrated the importance of public spaces in Sydney.
    “Many of the entries focus on ways to improve Sydney’s natural environment and green spaces, as well as encouraging safer roads and more access for walking and cycling,” she says. “As our city rebuilds from the pandemic, we have a great opportunity to reshape the city and make it even more enjoyable for the people who live and work here.”
    To see all the winning ideas, head here. More

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    Designs revealed for four Waterloo Metro towers

    Detailed designs for the four major buildings of the Waterloo over-station development on Gadigal land in Sydney have been submitted for planning consideration.
    Four architects are leading the design of the project, which is divided into three precincts. Hassell and Aileen Sage Architects are together designing a 22-storey residential tower in the central precinct, Woods Bagot is designing a 17-storey commercial building in the northern precinct and Bates Smart is designing two towers (a 25-storey student accommodation tower and a nine-storey social housing tower) for the southern precinct. Overall, the project will also include a 1,350-square-metre public plaza.

    The mixed-use precinct is being delivered by developers Mirvac and John Holland in collaboration with the NSW government and will cost around $900 million in total. A concept approval for the development was approved in 2019, but the proponents have submitted a concept plan that will supersede the previous one, along with four detailed development applications – one for each of the precincts and another for a basement carpark.

    “The Waterloo Metro Quarter will be an important hub with residents and office workers just a few minutes’ train ride to the CBD,” said Department of Planning executive director of key sites Anthea Sargeant.

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    The Waterloo Metro office tower by Woods Bagot.

    Hassell and Aileen Sage Architects’ residential tower will include 150 apartments, including 24 affordable housing units, a two-level childcare centre, ground-floor shops and a pedestrian link from Botany Road to Cope Street Plaza.
    “Prominently located in the centre of the precinct, facing the new Cope Street Plaza to the east and the bus interchange to the west this building will play a significant role in how people engage and remember this place,” the architects state in planning documents. “The built form will respect and draw inspiration from Waterloo’s rich and diverse history and culture from Indigenous connections, migrant and working class communities.”

    Woods Bagot’s office tower will contain 35,000 square metres of floor space, with an approximate capacity of 4,000 workers. The tower is conceived as a collection of volumes of different sizes to break down the overall bulk. “The tower form sitting above the podium and the station box consists of four main volumes marking each corner of the site held together by the central volume and the core on the western edge,” write the architects. “As the tower lands on top of Waterloo Station it provides a continuous built form on the vertical plane, with coordinated facade grids between the metro station and the tower.”

    The student accommodation tower by Bates Smart will house 474 students, a gym and a community space, while the directly adjacent social housing building will contain 70 apartments and a communal roof terrace. The buildings will be designed to have their own separate identities and character to reinforce the architectural diversity of the precinct. “The form and materiality of the Social Building responds directly to its Metro Station podium. Its facade is defined by face brick piers separated by recessed balconies, fine metal screens and planters that respond to orientation and reinforce its residential character,” planning documents state. “The brickwork podium to the Student Building responds to the scale of the adjoining heritage listed church and provides a human scale to the street. Its vertical articulation responds to the fine grain character of existing adjacent buildings whilst reinforcing the identity of its separate uses that include retail, community, student and the social entry.”
    The development applications are on public exhibition until 2 December, and the project is scheduled for completion in 2024, in time for the opening of the Sydney Metro City and Southwest line. More