Architecture

The South Australian State Planning Commission has released a draft of the Future Living Code Amendment to the state’s planning regulations, now available for public comment online. The amendment seeks to improve housing diversity and affordability by providing options for diverse household groups, stages of life and lifestyle choices while retaining the existing character, heritage and streetscape of the established suburbs within South Australia.

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An initiative from the Housing Roadmap, the draft planning amendment has been developed in partnership with University of South Australia and six city councils within Greater Adelaide. Chair of the State Planning Commission Craig Holden explained that “this is a rare opportunity to introduce a new form of housing to our planning system.” He commented that the draft planning regulations “complement and add to existing rules, such as building height limits and tree protections.”
Shifting away from a pattern of demolition and subdivision, the proposed legislation encourages existing homes to be retained, altered and extended to create ‘co-located’ housing. In this model, each home within a designated site is given similar stature, voiding the traditional hierarchy of, for example, a stand-alone house and backyard granny flat. Open space is shared among residents, helping to preserve mature trees and established gardens while fostering a greater sense of community.

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While originally conceived for elderly people wishing to downsize while remaining within their own community, the State Housing Commission expects the new housing model to appeal to a range of people looking for smaller and more affordable housing options. The intent is for the co-located development to be managed through a community title scheme, enabling each to be bought and sold separately.
It is hoped that the code amendment will create a model that could be rolled out across other areas of the state in the future. Holden said, “The State Planning Commission is now keen to hear feedback from the community and industry to help shape the final planning rules for co-located housing,” noting that councils “will await community feedback before making a decision to endorse the draft code amendment.”
South Australians are invited to submit feedback until 7 November 2024. More

An initiative of the local Yothu Yindi Foundation (YYF), the new Garma Institute will be designed by Troppo in collaboration with Greenaway Architects and landscape architecture studio Mantirri Design.
The institute is conceived as a Yolngu-owned and run tertiary and vocational education facility based at Gunyangara, and builds upon the existing Yolngu-centred curriculum offered to school students through the Dhupuma Barker School. The foundation’s chief executive Denise Bowden commented, “The Garma Institute will be a bank of Yolngu knowledge and wisdom, and the design of the building will embody the six Yolngu seasons found in the Arnhem Land ecosystem.”
Following the federal government’s $6.4 million dollar commitment to the project in the lead up to last year’s Voice referendum, the design appointment spotlights both local and indigenous expertise. YYF chief executive Denise Bowden noted that Greenaway Architects and Mantirri Design are both Indigenous practices, while Troppo has over 45 years’ experience working in Australia’s Top End.
Troppo, Greenaway Architects and Mantirri Design observed that “for tens of thousands of years Yolngu have learnt in place, growing and transferring knowledges to shape and enrich sustainable cultural practice.” The design team hope to uphold this tradition by fostering a contemporary setting for the transfer of local knowledge, noting “we – Troppo, Greenaway and Mantirri – are honoured to be able to collaborate with Yolngu in delivering a setting that is ‘just right’ for this new yet ancient way of learning. We expect that the outcome may reshape how we as a modern nation think about learning on our old continent.”
The architects are underway with the brief and construction is anticipated to commence by 2026. More

Brisbane’s contentious resort and casino precinct has opened, nearly a decade after the proposed development was first announced by the Queensland government.
The $3.6 billion Queen’s Wharf precinct includes four towers situated atop a seven-storey podium and a five-level basement. The towers take shape as distinct entities, before uniting approximately 30 storeys above ground level via a sky deck that overlooks the Brisbane river, the CBD and Mt Coot-tha.
The precinct is mixed-use, featuring several hotels, the Brisbane Star casino, retail tenancies, an event centre with ballroom, a public art gallery, and dining and beverage establishments.
The design prioritises access to the riverfront and the adjacent riverfront precincts. A new footbridge, named Neville Bonner after the first Indigenous Australian to sit in Australian Parliament, is suspended above the river, connecting Southbank to Queen’s Wharf.

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The project’s design partners include Jerde Partnership (lead design in masterplan, urban design and place-making), Cottee Parker (lead architects for integrated resort development), ML Design (heritage architects), Grimshaw (Neville Bonner Bridge architects), Urbis (landscape architects, heritage specialists, town planners and urban designers) and Cusp (landscape architects).
The project has received considerable backlash since it was first proposed, due to the site’s history as a former government precinct. Frequently regarded as the birthplace of Brisbane’s colonial history, the site was home to several historical government buildings – some of which have now been retained as part of the development, while others have been demolished.
The Neville Bonner Building, designed by Davenport Campbell and Partners in collaboration with Donovan Hill and Powell Dods and Thorpe, is among the now-demolished structures, despite the building having won the FDG Stanley Award for Public Architecture at the 1999 Queensland Architecture Awards.

Despite the project being contentious, Economic Development Queensland gave the green light to the plan of development application in January 2018, following assessments by different government entities.
Although many components of the precinct such as The Star Grand hotel, the Neville Bonner Bridge, the casino gaming floors, and numerous restaurants are currently accessible, more establishments are set to open in the upcoming months. The Dorsett and Rosewood hotels are expected to open by the end of 2026.

In a communique announcing the precinct’s opening, chief executive officer of the Star Brisbane Daniel Finch said the new precinct aims to contribute to the tourism sector and the cultural fabric of Brisbane. “Once fully operational, The Star Brisbane and broader Queen’s Wharf precinct are expected to attract approximately 1.4 million additional visitors to Queensland each year,” Finch said. More

The Australian Institute of Architects’ annual Super Studio design competition has been won by a team of University of Tasmania master’s students, comprising Luke Pendergast, Mia Larsen and Lachlan Sutton.
A national conceptual design competition, Super Studio is open to the Institute’s Student Organised Network for Architecture (SONA) members from all year levels and gives students license to explore highly creative responses to a design brief. This year’s competition tasked participants with designing radical and creative solutions to address the impacts of extreme weather.
Over 180 students from 20 universities participated, with 83 submissions presented to local juries across the nation. In the words of Tasmanian state juror Jonathan Buist, “The quality of thought and work presented at a state level was outstanding and all this occurred at the same time as the current semester study schedule.”
After careful deliberation, the national jury awarded the Tasmanian team’s Jingana Epicormic Resilient Community Housing Strategy project, which was lauded by the jury for exemplifying an innovative approach to disaster relief housing. Inspired by the resilient Jingana plant, the design mimics nature’s adaptability in the face of constant changes to climate.
The jury was impressed by the careful consideration of timescale in the response to the brief, such as the immediate rollout post-disaster, allowances for customisation and modification during occupation, and the capacity for repair and relocation in the longer term. The jury citation noted that “this strategy successfully balances the need for immediate respite and emergency shelter with the longer term needs of a community in recovery.” More

The America’s Cup returns for its 37th regatta, with leading bathroom product manufacturer, Roca, as the official sponsor.
Founded 173 years ago, the sailing competition is one of the longest-running international competitions still operating in any sport, with a thriving global audience.
Also founded over 100 years ago, Roca’s headquarters is based out of Barcelona, which is coincidentally where the event is taking place.
As part of the collaboration, Roca has equipped the Alinghi Red Bull Racing team’s base facilities in Barcelona’s Port Vell with smart products linking to the Roca Connect platform, allowing for remote control of plumbing services and promoting water conservation.
In addition to the support of facilities, the company hosted Roca Design Day. The event featured a panel discussion moderated by Brazilian-American photographer Paul Clemence, where architects Mario Cucinella, Rodrigo Ohtake, and Borja Ferrater shared their experiences and explored emerging trends in the bathroom design sector.
Next month, Roca is set to host Design Dynamics alongside Alinghi Red Bull Racing, a seminar that will explore technological advances in the design and racing sectors, product innovation in the companies’ respective fields, and production efficiencies.
The competition commenced on the 22nd of August and will run through until the 27th of October. More

From an exhibition displaying the colourful creations of Sydney Ball to a discussion regarding critical housing issues in Gununa, we’ve rounded up a series of events to keep you informed and inspired.
Sydney Design Week
Titled “In Between Worlds,” Sydney Design Week 2024 invites presenters and attendees to consider how cities can enhance inclusivity and how design can innovate to support sustainable models for living, connection and culture. Key highlights of the festival include a keynote discussion by Sumayya Vally, architect and artistic director of the inaugural Islamic Arts Biennale, who will speak on designing for belonging. Additionally, architect David Gianotten, the managing partner of the international architecture practice Office for Metropolitan Architecture (OMA), will share insights into the evolving role of architecture.
Gunana Futures
What is the role of research in identifying and addressing critical issues in housing? How do the complex interactions of culture and housing affect the provision of adequate housing? In this yarn, Sarah Lynn Rees is joined by Carroll Go-Sam and Kelly Greenop to discuss their Gunana Futures report on housing, energy and town design in Gununa, Mornington Island. The report, grounded in comprehensive surveys, includes design response recommendations, which focus on better housing design for the Gununa community. The format of this event is a one-hour online session presented across Australia and New Zealand by Parlour.

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Graduates of the Year Awards 2024
A celebratory event where the Design Institute of Australia will reveal the winners of its 2024 Graduate of the Year Awards (GOTYA), an awards program that recognises exceptional emerging designers from across Australia. The 2024 GOTYA-winners will be announced at national Stylecraft showrooms in Adelaide, Brisbane, Melbourne, Perth and Sydney. Previous winners from 2023 include Joanne Odisho, Sandra Srun, Liam Georgeson and Kate Masters.

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Sydney Ball curated by David Flack
Award-winning architect and designer David Flack has long been captivated by the work of Australian artist Sydney Ball (1933 – 2017). In this exhibition, Flack presents some of his favourite abstract works by Ball – all of which are a playful expression of colour and form. This exhibition takes place at the Sullivan and Strumpf gallery in Naarm/Melbourne, providing attendees the opportunity to see inside a space designed by Flack, while admiring Ball’s creations.

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Stories of Earth: Echoes in Architecture
This one-day discussion-based event brings together international stories of responsible architecture developed in response to global challenges. International speakers Níall McLaughlin (UK), Marusa Zorec (Slovenia), Rick Joy (US) and Marina Tabassum (Bangladesh) present a hopeful vision for a purpose-led profession – rooted in a return to people, place and planet, over profit alone.

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The winner of a design competition, which tasked architects with reimagining a portion of the historic Pentridge Village precinct in Melbourne’s Coburg, has been announced.
The winning concept, a preliminary masterplan by DKO Architecture, envisions the 19,000 square metre site – home to the 1851 Pentridge Prison – as a $1.2 billion mixed-use precinct. The design features an activated public realm, community spaces, retail tenancies and multi-residential buildings.
The portion nominated for redevelopment is bordered by Pentridge Boulevard, Urquhart Street, Warden’s Walk and Stockdale Avenue. The state significant site contains several heritage assets that would be preserved as part of the project, such as Ned Kelly’s grave site, the original F Division building made from bluestone and a historic mural by First Nations artist Ronald Bull.

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Property developer and competition organiser Salvo engaged a panel of internal and independent consultants to assess competition entries. The jury deemed the winning practice’s proposal a “carefully considered design response.”
Salvo managing partner James Maitland commended DKO for demonstrating “a deep understanding of the site and surrounding precinct which has critical heritage, planning and design considerations and a distinct neighbourhood character.” “We’re delighted with their preliminary ideas that are responsive to the significance of the heritage assets in terms of their preservation and adaptive reuse, and ensuring highly liveable residential outcomes combined with activated, open public spaces,” he said.

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Design director at DKO Jesse Linardi said the project site is rich in heritage, strong in presence and unique in character. “Key principles underpinning our exploratory design response considered the heritage, program and liveability of the precinct, with activated, open spaces that are demographically and contextually driven and provides a diverse tapestry of urban experiences for residents, the community and visitors alike,” he said.
The precinct is currently occupied by multiple properties that are subject to different planning regulations. The Pentridge Village Masterplan 2008 allows for mixed-use development, including retail, community spaces and multi-residential buildings, with permits in place for approximately 650 apartments.
Adjoining the site on the northern part of the overall precinct is an established retail and residential hub including hotel, cinema, shopping mall, restaurants, cafes, apartments and townhouses.
“We see this site as a significant opportunity to provide additional housing in a well-serviced location within 7.5km of the CBD,” Maitland said.
If approved, the project is anticipated to span a period of more than five years, from initial consultation to completion. It will require extensive consultation with Merri-bek City Council, state government planning authorities, Heritage Victoria and the surrounding community. More

March Studio: Making Architecture, Material and Process
March Studio is a bit of a paradox in my mind. Firstly, you have this very serious studio which has, for the better part of two decades, outputted some of the best retail, residential and hospitality interiors this country has to offer – we’re talking Aesop stores here and overseas, Gazi and Press Club restaurants, the much-replicated Baker D Chirico fitout in Carlton, Hotel Hotel in Canberra, Jackalope Hotel and Sneakerboy stores.
But then ­– and here’s where the paradox comes in – you have Rodney Eggleston running the studio, one of the most unserious, playful and humorous architects I’ve ever had to put up with (and I did have to put up with him for two days and one night when we sat on the Eat Drink Design Awards jury together in 2022, and then hosted the awards together – it was a bloody slog). It’s a nice little footnote then to read Rodney’s thoughts on humour and humility in architecture on page 112 of March Studio: Making Architecture, Material and Process, a new book from Thames and Hudson – perhaps not a subject matter you or I consider often, but naturally Rodney does. Alongside partner Anne-Laure Cavigneaux (who I haven’t had the pleasure of meeting yet, hello Anne-Laure if you’re reading this), Rodney has built a studio which is not just prolific and ambitious, but dedicated to investigation, testing and prototyping – not an easy feat in the fast-paced, budget-conscious world we live in. It’s a great book, a real reminder of the breadth and excellence of March Studio’s work.
Sammy side table from Alor and James Walsh

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Alor Studio and Melbourne designer James Walsh have teamed up to create a chunky little side table called Sammy. Highlighting the beauty of solid American oak, walnut and ash, and with large, curved legs and sweeping details, Sammy showcases FSC-certified timber without the price tag that usually comes with it. I’d personally love this little number by my sofa, with a stack of good design books atop.
Puddle Table by Daniel Boddam

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I first met Daniel Boddam in 2016 when the architect had just finished his first furniture collection called Monument. I interviewed him for a story for Houses magazine and we gasbagged about the collection and his honeymoon in Rome and the Pantheon, which provided the inspiration for pieces in that collection.
Since then he’s released eight more collections, most recently Circular, a collaboration with artist Jessie French. My favourite of the collection is the Puddle Table, which encases algae artworks in glass and sets them within a curvilinear shroud of recycled aluminium, creating the illusion of water puddles. The pieces are designed to nest together, with an elliptical side table that cantilevers over the coffee table. From Pantheon to puddles, Boddam’s journey through furniture design continues to delight.
Colourscape lights by Hothaus

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Melbourne glassblowers Amanda Dziedzic and Laurel Kohut have teamed up to create Hothaus Glass and it’s crystal clear this debut lighting collection is hot (ahem, sorry). The Colourscape series of wall lights is an homage to the stunning, ever-changing hues of the Australian sky.
“With HausLights, we wanted to push the boundaries of traditional glassmaking while infusing our designs with a modern touch,” said Dziedzic. “Our lights are not just about functionality—they’re about creating an experience that transforms and enhances your surroundings.”
This new collection is a real glass act (okay, I’m done).
Lunetta collection by Sally Caroline

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Melbourne-based interior designer Sally Caroline has ventured into furniture design with the launch of SC Collection. The Lunetta collection of stools is described as “humble in silhouette but confident in colour” and draws inspiration from the charming hotel terraces of the Amalfi Coast which Sally names as her most cherished travel destination. Elegant arched motifs brace the stool’s steel frame, finished with a delicate link detail that adds subtle embellishment. It’s the perfect place to perch while sipping an Aperol Spritz (try saying that ten times fast). More