Architecture

Lahznimmo Architects and landscape architecture practice Spackman, Mossop and Michaels have designed a new exhibit for Taronga Zoo that will show Australia’s unique animals in their natural habitats, “whether up in the trees, or down in a burrow.”
Aiming for a message of conservation, the “Upper Australia” exhibit will feature a built form designed to be as unobtrusive as possible, with minimal intervention made to the existing mature landscape and topography. Taronga Zoo stands on the Country of the Cammeraigal people of the Gai-mariagal, on the shores of Sydney Harbour.

The new structures, sitting within a dense tree canopy, will not be visible from the harbour or from lower down the hill in the zoo.
Marking the formal entry to the Upper Australia precinct will be the new Western Pavilion, consisting of a large sculptural built element formed of a mix of natural recycled hardwood and anodised aluminium in a muted colour complementary to the surrounding landscape.

From there, the architects state in planning documents, “the main exhibit path will snake through various native landscapes, ranging from lush rainforest through to arid woodland and then up into the tree canopy via an elevated boardwalk to view koalas at their natural sitting height in the tree canopy.”

“The Australia journey then winds its way down through the Blue Mountains rock escarpment and then underground into the Nocturnal House; where a complete refurbishment of the existing building will provide state-of-the-art keeper facilities and unique night-time viewing of Australia’s nocturnal creatures.”
The macropod exhibit, where visitors will be able to see kangaroos, wallabies and emus at close range, will be located around the northern precinct perimeter, in the area of the existing exhibit and extending west into the existing ponds area, towards the Western Pavilion. It will feature minimal built form – aside from pathways and occasional bench seating – while the landscape design will provide an immersive experience that aims to reflect diverse Australian landscapes, “from dry rainforests and hanging paperbark swamps to open woodlands.”

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The treehouse of the Upper Australia exhibit at Taronga Zoo by Lahznimmo Architects and Spackman, Mossop and Michaels.

The koala exhibit, in the north-eastern part of the precinct, will takes advantage of the existing level changes between the high plateau at the centre of the existing macropod exhibit and the zoo’s boundary fence to create an elevated viewing experience.
And at the centre of the precinct will be the Treehouse, a hardwood timber deck open on three sides with a high timber roof above. Connecting the macropods exhibit with the koala exhibit, and then linking visitors down via the escarpment walk to the Nocturnal House, the Treehouse will offer shaded space to sit, as well as space for a shop and bathroom facilities.
Planning documents for the project are on public exhibition until 3 September. More

Fender Katsalidis and Skidmore Owning and Merrill (SOM) have won a design competition for a $2.5 billion, two-tower development in central Sydney.
To be located on the southern edge of Henry Deane Plaza, on the land of the Gadigal people of the Eora nation, Central Place Sydney will sit adjacent to the proposed headquarters of Atlassian by Shop Architects and BVN. It will be part of the NSW government’s mooted technology precinct adjacent to Central Station.
The first competition in the City of Sydney to be conducted entirely online, it included six participants from around the world.

The development will accommodate 150,000 square metres of office and retail spaces, as well as civic spaces wrapped around its edges.
The design team said the project will be “a dynamic urban marker” with curved sandstone forms that respond to different urban orientations and the scale and materiality of surrounding heritage precinct. The two towers – 37 and 39 storeys respectively – will be expressed with three distinct forms but read together “as a family.”

“The building anchors the southern edge of the Plaza and combines creative workplaces, collaborative and community spaces, and active ground level retail along an internal pedestrian laneway,” SOM design partner Scott Duncan said.
“The design delivers a powerful narrative by establishing a new civic place that extends into the workplace, blurring the lines between public and private, while producing a highly vibrant and diversified experience.”

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The design of Central Place Sydney by Fender Katsalidis and Skidmore Ownings and Merrill responds to the scale and materiality of the surrounding heritage precinct.
Image: Courtesy Fender Katsalidis
The buildings will run on 100 percent renewable energy and utilize natural daylight and ventilation with a computer controlled facade system that will mitigate direct sunlight and minimize heat gain.
Fender Katsalidis design director Mark Curzon said, “The sculptural towers are shaped by the movement and civic connections at ground level and extend vertically into a ‘fine-grained’ skyline, orientated to address key vistas in a gateway configuration.”
Workplaces inside the buildings will be designed to be flexible both horizontally and vertically to accommodate a range of technology and innovation business. Each floor will be connected to non-workplace spaces such as wintergardens, atria and external terraces.
The is an unsolicited proposal from Dexus and Fraser Property Group, which was approved to proceed by the NSW government in April 2020.
SOM and Fender Katsalidis are also the architects of a 40-storey office and hotel tower planned for 600 Lonsdale Street, Melbourne. More

A 28-storey office tower with a tapered form and steel and concrete exoskeleton would be built opposite the Fortitude Valley railway station in Brisbane, under plans submitted to the city council.
The building’s architect, local firm Bureau Proberts, states in planning documents that the form and architectural expression would provide a “striking alternative” to the surrounding commercial buildings of the CBD and the northern valley fringe.
“As a new type of office building for the precinct it contributes to the strong character of the neighbourhood,” the architects state.

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251 Wickham Street by Bureau Proberts.

“It’s form reinforces the strong street pattern of the Valley and the ground floor is conceived as a semi-public space, combining architecture, landscape design and public art, to create a place that is welcoming, engaging and contributes to a vibrant, subtropical streetscape.”
To be located at 251 and 253 Wickham Street, the building would feature a three-storey podium void with a cafe tenancy, pedestrian plaza and commercial floor lobby.

On the first floor above this would be an open plan gym, swimming pool and end-of-trip facilities, while above that would be the 19 floors of office space.
The project’s proponent, local developer Cornerstone, hopes that varied floor plates will provide a range of spaces to attract diverse businesses – creative business, tech start-ups – and “strengthen the Valley’s long held, independent and culturally diverse character.”
Lat27 is the landscape architect for the project and Ivan McDonald Architects prepared the heritage report.

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The Western Australian government has pledged $30 million to redevelop the brutalist Perth Concert Hall, originally designed by Howlett and Bailey Architects.
The funding is part of $76 million the government has allocated to the state’s arts and culture sector to help it recover from the economic devastation of the COVID-19 pandemic.
“These initiatives from the WA Recovery Plan provide reassurance to artists, arts groups and organizations that the state government is doing all it can to revive not just the Perth Concert Hall but the entire sector,” said state treasurer Ben Wyatt.

The redevelopment will see upgrades to the building and forecourts to improve accessibility and function at the venue.
Perth Concert Hall is the first facility of its type to be constructed in Australia after the second world war. It opened on Australia Day in 1973, predating the Sydney Opera House which opened in October the same year. In a 2011 Limelight magazine survey, Perth Concert Hall was ranked the best venue for its acoustics by performers, critics and audience members.

The building received the 2016 National Award for Enduring Architecture. In choosing a winner for this award, the jury focused on “which building has lasted the test of time and/or still functions as it was originally conceived without being compromised along the way.”
“Overlooking the Swan River, Perth Concert Hall by Howlett and Bailey Architects was designed in a brutalist style. The placement of the building, on top of a majestic brick plinth with stairs spanning its total width, celebrates the act of gathering,” the jury said.

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Perth Concert Hall by Howlett and Bailey Architects.
Image: Courtesy of the City of Perth
“What appears to be quite a simple, white, off-form concrete, post-and-beam construction is, upon closer inspection, understood as being completely innovative for 1973. The building is actually hung from itself, creating enormous free spans and all from one beautifully poured material.”
In its citation, the jury also warned of the at-risk nature of brutalist buildings in Australia. “Brutalist buildings like the Perth Concert Hall, if situated in lucrative residential locations and subject to government short‑sightedness, can be easy targets for demolition … It is imperative that buildings of this nature are accepted by the general population as being key to our nation’s architectural story.”
The WA government’s recovery plan also includes funding for upgrades to His Majesty’s Theatre and the Jewish Community Centre in Yokine. More

The Victorian government has release designs for the new $20.25 million library and learning hub at South West TAFE’s Warrnambool campus, revealing an “ultra-modern facility” four times larger than the old library.
Designed by Melbourne practice Kosloff Architecture, the project includes the refurbishment of an existing heritage-listed building and the addition of a multi-storey, highly transparent learning space.
A project of the state government, South West TAFE and Warrnambool City Council, the facility will sit at the heart of Warrnambool, a town of around 35,000 residents along the Great Ocean Road, and it will be open to all members of the community.

The learning and library hub will include an indoor-outdoor café, public computers, exhibition and display areas, places to study, meeting rooms, and a games and digital media zone.
The top floor will be given over to a quiet reading area with views across Lake Pertobe towards the ocean.

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South West TAFE Warrnambool learning and library hub, the view from Kepler Street.

Revealing the concept designs on 7 August, higher education minister Gayle Tierney said the hub would be “an iconic building for the whole Warrnambool community.”
South West TAFE chief executive Mark Fidge added that the learning and library hub would have something for all age groups. “It will have a dedicated space for seniors including a large print collection, a tech zone, and an outdoor children’s play space,” he said.
And local councilor Kylie Gaston said the design would fit comfortably withing the current mix of heritage and contemporary buildings. “Importantly, the new library will have more books – a key priority of the community,” she said.
The hub is expected to be ready to open by mid-2022. More

The City of Parramatta has released new vision of its $130 million civic hub, designed by French practice Manuelle Gautrand Architecture with Australian firms Designinc and Lacoste and Stevenson, as construction on the project gets underway.
The new vision includes the first visualizations of the building’s interior since concept designs were released in 2016.
“Councillors first committed to the vision of a new civic building within a world-class commercial and cultural precinct in 1996,” said lord mayor Bob Dwyer.

In 2016, the French Australian team won a design excellence competition for the building, known as 5 Parramatta Square, which will be the centrepiece of the $2.7 billion renewal the precinct.
“Parramatta Square is one of the biggest urban regeneration projects Australia has ever seen and 5 Parramatta Square will be the beating heart of this revitalized CBD precinct,” Dwyer said.

The six-storey building is to include a public library and a discovery centre for cultural heritage spaces featuring interactive displays, exhibitions, a research lab and an Aboriginal Keeping Place for local Indigenous objects.

Also in the building will be community collaborative and creative spaces, council chambers, and an “urban living room” on the ground floor with concierge, visitor services, customer services, café, spaces for live performances and cultural activities.

A key part of the winning design for the building is its multi-coloured digital facade which will be used to project specially curated creative content to light up Parramatta Square.
Designinc director Richard Does said, “5 Parramatta square is designed as an extension of its civic heart, Parramatta square. A designed based in biophilia, it reflects nature through its unique roof treatment to disperse natural light evenly and shade the interiors, which are fully visible from the square. The architecture celebrates public contribution. Its distinctive geometry makes it a landmark.”

Council appointed Built to construct the building in February 2020. Built is also constructing the neighbouring 6 and 8 Parramatta Square, both privately developed commercial towers designed by Johnson Pilton Walker. The civic building is set for completion in April 2022.
Parramatta Square precinct comprises the existing Sydney Water Tower (2 Parramatta Square), a vertical campus for Western Sydney University (1 Parramatta Square) by Architectus, completed in 2017, commercial office buildings at 3 and 4 Parramatta Square, also by JPW, and the public domain by James Mather Delaney Design, Taylor Cullity Lethlean, Tonkin Zulaikha Greer and Gehl Architects. More

The South Australian government is looking for a proponent to develop its “flagship” Entrepreneur and Innovation Centre at Lot Fourteen, the site of the old Royal Adelaide Hospital.
Partly funded under the Adelaide City Deal, with the federal government contributing $20 million to the project, the Entrepreneur and Innovation Centre will be a multi-storey building with a focus on “multidisciplinary innovation, collaboration and entrepreneurship.”
The state government said that tenants interested in the building included those from the federal government, the university sector and global defence and technology companies.

A “collaborative and curated” Innovation Hub will occupy the ground and first floors to facilitate interaction between industry and research.
Adelaide architecture firm Baukultur prepared the indicative concept design for the centre while Doug and Wolf did the visualization.

Premier Steven Marshall launched an Expression of Interest process for the centre on 30 July, looking for a proponent to design, finance, construct and own the building.
“We are establishing Lot Fourteen as the epicentre of South Australia’s vision to be the leading centre for future industries and entrepreneurship in the Southern Hemisphere,” he said.
“It is rapidly developing into a magnet for international companies from across space, defence, cyber, big data, machine learning and much more.”
The successful proponent would have to move quickly, with the government targeting the second quarter of 2021 for the start of construction.
Expressions of Interests will be open until 2 pm local time on Thursday 10 September.

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The Victorian government has opened entries for the 2020 Victorian Premier’s Design Awards, calling for “ground-breaking” projects that can touch people’s lives.
The program is open to projects across eight categories – architecture, product and industrial design, communications design, fashion, digital and service design, design strategy, and projects by tertiary design students.
Winners will be announced in Melbourne Design Week in March 2021.
Creative industries minister Martin Foley said the awards, established in 1996, helped to shine a light on Victoria’s $6 billion design sector and celebrate local designers.

“From architecture to fashion, typography to industry, designers change the way we see things and the way we live,” he said. “ They create products, systems and places that touch every aspect of our lives.
“Victoria is home to a highly-skilled design community and we look forward to celebrating our local talent through the awards.”

Winners of each category will winners go into the running for the Victorian Premier’s Design of the Year.
In 2019, overall winner was Peter Elliott Architecture and Urban Design with TCL for the Victorian Parliament’s new Members’ Annexe.
Judging for the awards is conducted in a two-stage process, with entries first assessed by a jury of Australian and international experts to determine finalists in each field.
Entries close on 18 September, with entry free to eligible Victorian designers and businesses.

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