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    Institute's seven key wishes for budget 2020

    The Australian Institute of Architects has called on the federal government to accelerate the decarbonization of the economy and fund social infrastructure, ahead of the 2020 budget to be announced on 6 October.
    In a pre-budget submission, the Institute outlined seven key areas for “more affordable, equitable, amenable and sustainable places.”
    One of key areas is the procurement of architectural services. The Institute undertaking research and developing guidelines for expressions of interest, request for tender, request for proposal and design competitions process. It recommends that all Australian governments facilitate the involvement of Australian architects in competitive design processes for publicly funded projects and that governments ensure fair and open procurement practices.

    “Never before has the spotlight shone so harshly on the design of our housing, and the importance of getting it right as we build back better.” – Alice Hampson.The Institute has also called for the appointment of an Australian government architect in its second key area of ensuring good design. The Institute says the role of the Australian government architect should lead the development of a national architecture policy “that recognizes and extends architecture’s contribution to the delivery of great, sustainable places for all Australians, regardless of location.”
    The Institute recommends that government can also ensure good design by providing incentives and flexible funding arrangements linked to specific design and sustainability outcomes and that all new project funding must be linked to sustainability outcomes and contribution to local sense of place.

    A third key area outlined in the Institute’s submission is climate change and community resilience. The Institute recommends establishing a national plan for zero-carbon buildings by 2040 and strong mandatory standards for the energy performance of buildings.
    “As the climate crisis becomes more acute and its impacts more devastating, so too must our response be more urgent,” said national president Alice Hampson.
    “That’s why we are urging the Australian Government to accelerate the transition to a carbon neutral economy.

    “As first the catastrophic bushfires then the coronavirus pandemic have so brutally demonstrated, it is imperative that we future proof our urban environments.

    “Never before has the spotlight shone so harshly on the design of our housing, and the importance of getting it right as we build back better.”
    The Institute also urged the government to invest more in social and affordable housing. “Australia will need more than a million social and affordable homes over the next 20 years,” the submission reads. The Institute recommended developing clear targets for social and affordable homes that include flexible housing types and multi-generational occupancy.

    “Now more than ever it is apparent just how much the quality of the design affects the way spaces and places function and has the potential to stimulate the economy and enhance the environment,” said Institute CEO Julia Cambage.

    “The trend that started pre-pandemic, which saw our regional centres and communities play an increasingly important role in driving economic growth, will only now accelerate.
    “Australian architects are uniquely placed to offer expertise and insights in combating other fast emerging challenges including equipping our buildings to better manage air quality and filtration, preventing urban spaces from becoming heat islands and improving overall liveability.

    “The planning and design of cities and towns to address these challenges will significantly impact the shape of Australia’s built environment, requiring a federal government commitment to a high quality, sustainable legacy for future generations.”

    After the government announced a widely criticized plan to demolish Anzac Hall at the Australian War Memorial, the Institute used its pre-budget submission to again call for a stop the plan. It said, “the government must look to appropriate use of resources including preferencing redevelopment rather than replacement of public buildings.”
    The remaining key areas in the Institute’s submission include managing change and fostering thriving cities and regions and improving building regulation.
    “[The] Federal Budget will be critical in mapping out the path of Australia’s economic recovery,” said Alice Hampson.
    “With the highest levels of unemployment since the Great Depression, and with interest rates at an all-time low, there will never be a better time for forward-looking governments to create jobs through investments in the infrastructure that will be needed for the next century and beyond.” More

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    Construction begins on JWA’s subtropical office tower

    Construction is underway for a 15-storey office tower in central Brisbane designed by John Wardle Architects.
    The tower at 895 Ann Street in Fortitude Valley was approved by Brisbane City Council in 2019. Developers DWS and Consolidated Property Group have appointed Hutchinson Builders to construct the $260 million development, which they expect to be completed in the first quarter of 2023.
    The architects have designed the tower to be flexible, as the speculative development is expected to house many different occupants over time.

    “Acknowledging the changing nature of work, this building accommodates and encourages the diverse conditions required to make an engaging and attractive working environment,” they wrote in planning documents.
    The design also embraces the subtropical climate, with a key design feature an “outdoor room” at the top of the podium, which will be exposed to the elements and populated with greenery.

    The podium façade will also be densely planted.
    The building will be located close to another commercial development designed by John Wardle Architects at 900 Ann Street, which was completed in 2018.

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    Stepped student housing tower proposed in Sydney's Kingsford

    Sydney architecture firm Turner has designed a mixed-use tower for 273–275 Anzac Parade, Kingsford that will accommodate 143 boarding house rooms for students, along with a mix of retail and commercial spaces.
    The part five-storey, part 16-storey tower is defined by a stepped form, intended to complement the existing built form of the streetscape while opening the majority of internal spaces to natural light, air and views.
    “The building articulation and sculpted nature, the stepped skyline composition of the façade and the layering of the materials and finishes all contribute to creating a singular identity for th building,” write the architects in planning documents currently before Randwick City Council.

    “A palette influenced by the character of existing heritage buildings as well the changing context helps to define a proposed built form response that provides a transition between the past and future.”

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    273–275 Anzac Parade by Turner.

    The boarding rooms will include kitchenettes and ensuite bathrooms and will be designed to cater to various living arrangements at different price points.
    The development will also provide a number of communal spaces, including a shared pedestrian through-site link at street level connecting Anzac Parade to Houston Lane, a landscaped courtyard and roof terraces, study rooms, an in-house cinema and meeting rooms.
    NBRS Architecture is responsible for the landscape design.

    Planning documents note that the subject site is well placed to deliver affordable student housing, being in close proximity to key transport nodes and major tertiary institutions such as the University of New South Wales, NIDA and TAFE.
    The proponent says the overall building mass has been considered within the greater emerging context surrounding Kingsford Mid Town Node, “where existing and proposed new developments to the south and east of the site will continue to redefine the area’s skyline with the extent and presence of tall buildings anticipated to increase over time.”
    The proposal is a project of Fusion Development. More

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    Registrations open for 2021 NGV Architecture Commission competition

    The National Gallery of Victoria’s Architecture Commission is returning in 2021 and registrations of interest are now open for the competition to design an installation within the gallery’s Grollo Equiset Garden.
    The 2021 iteration will be the sixth commission, following on from the 2019’s In Absence, designed by Yhonnie Scarce and Edition Office.
    The two-stage design competition is open to architects or multidisciplinary teams that include registered architect.

    Teams can include various design and broader creative disciplines “to propose a project that explores new terrain for an architecture commission – from a conceptual, material, experiential or formal sense.”
    The 2021 NGV Architecture Commission Jury comprises: Tony Ellwood (NGV director); Ewan McEoin (NGV senior curator of contemporary design and architecture);Sophie Rzepecky (Assemble Papers editor); Felicity Stewart (Stewart Architecture director); Louise Wright (Baracco and Wright Architects co-diretor).

    “Since 2015 this series has moved in unanticipated and exciting directions, a direct result of the breadth of ideas fielded in the open competition process and the vigorous efforts of the competition juries over the years to avoid a preconceived notion of what the commission ‘should be’ and instead support the strongest ideas through the competition process,” said Tony Ellwood. “We encourage teams – established and emerging, large and small – and across broad disciplines to make the time this year to engage with each other and embrace this opportunity”
    Registrations will be open until 6 November and stage one starts on 12 October. Registrations for the design competition can be made via the NGV website..

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    Australian projects shortlisted in Architectural Review House Awards

    The UK’s Architectural Review has announced the shortlist for its AR House Awards. Two Australian houses are among the 15 shortlisted projects.
    Daylesford Longhouse by Partners Hill is one Australian shortlisted project. The house also won the 2019 Australian House of the Year and the 2019 Robin Boyd Award for Residential Architecture – Houses (New).
    The building contains a home, a cooking school and a working farm, all housed within a 110 metre long shed.
    “This is a masterful building that is clearly designed by an architect who has rehearsed the spatial sequencing puzzle of residential architecture many times,” writes Katelin Butler in a review.

    Couldrey House by Australian architect Peter Besley and London studio HNNA is also shortlisted. Located in Bardon, Queensland, the house sits at the foothills of Mount Coot-tha. The house is characterized by a textured façade, made from think, long bricks with mortar spilling out of the joints, which give the appearance of corduroy.

    The 2020 AR House Awards are judged by Anna Chavepayre (co-founder of Collectif Encore), Lisa Shell (founder of Lisa Shell Architects), and Ard de Vries (founder of Ard de Vries Architecten), all of whom have had projects shortlisted or commended in the awards in previous years.
    The judges are looking for “ingenious and pioneering houses that seek to push the type forward.”
    The winners and commended projects will be announced at the end of November.

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    Interview series celebrates World Architecture Day

    In celebration of World Architecture Day, Australian architectural hardware company Novas and are launching an interview series with four prominent architects.
    Beginning on 5 October, with a new interview released every Monday of the month, the series will ask “why architecture matters,” particular in the context of climate change, COVID-19 and the economic recession.
    ArchitectureAU editor Linda Cheng will be conducting the one-on-one interviews. Sydney architect Koichi Takada will be first of the mark, followed by Perth architects Fariborz Hatam and David Hillam and Melbourne architect Callum Fraser.

    Koichi Takada is known for his focus on greening and naturalizing architecture, particularly in urban environments. His firm’s projects include the Sydney towers project Arc, the National Museum of Qatar Gift Shops and a forthcoming 1000-tree tower in South Brisbane.

    A former design director at Aedas, Fariborz Hatam has experience working across Australia, Croatia, Afghanistan, India, Georgia, Iran, Qatar, Jordan, Saudi Arabia and the UAE.
    David Hillam, of Hillam Architects, is known for his high-quality multi residential designs, including the recently completed the recently completed Botanical apartment building, which won a number of awards.
    Callum Fraser co-founded Melbourne firm Elenberg Fraser in 1998, and has helped build it into a successful, award-winning practice. Projects include Vue de Monde, Zumbo Melbourne and A’Beckett Tower.
    The first interview with Koichi Takada begins at 12.30 pm on 5 October. To register to watch the interviews, head here.
    ArchitectureAU.com is the media partner for this series. More

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    Terracotta lattice tower proposed for Brisbane

    Fender Katsalidis has designed a 22-storey office tower for a corner site in central Brisbane that will feature an open ground plane.
    Located at the intersection of Mary Street and Edward Street, the 133 Mary Street tower will sit along a key pedestrian thoroughfare, near the new Albert Street Station a block away and the Eagle Street Pier ferry terminal.
    The design of the building provides an open, landscaped space which will be accessible to the public and widens streetscape view lines.

    “At the important lower levels that are more immediately viewed and experienced by those walking along the streets, the proposed façade expression is one of heightened richness in materiality,” state the architects in planning documents. “This richness tapers to a more abstracted form in the upper levels of the building where the building is predominantly perceived in more distant views and relates more to the broader urban fabric.”

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    133 Mary Street by Fender Katsalidis.

    The building’s façade will be made with terracotta in reference the historical fabric of the city, and in particular the Edward Street streetscape, where terracotta is a common material.
    Inspired by the typical brise soliel of the tropics, the design includes a terracotta lattice to sculpt the open volume in between the building proper and the street.
    “From the open ground plane, the geometric terracotta framework extends up the building embracing the tower with its intricately crafted latticework,” the architects say. “As it rises, this lattice transforms into a more open expression, becoming a delicate glass tower with lush green balconies.”
    Lat 27 is the landscape architect for the project, responsible for the subtropical planting and foliage running from the ground level to the sky terraces, inspired by the nearby City Botanical Gardens precinct.
    In addition to the office levels, there will be a rooftop terrace on level 22 complete with a bar and function space and a cafe on the ground level.
    A development application submitted by developer ARA Private Funds is currently before council. More

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    Social housing and bicycle infrastructure win in Dulux Colour Awards

    A utilitarian end-of-trip facility enlivened with fourteen different colours has won the Australian Grand Prix in the 2020 Dulux Colour Awards.
    Searle Waldron Architecture took home the top prize for its University of Melbourne Southbank End of Trip project. The New Zealand Grand Prix went to Rohan Collett Architect for Social Housing Development Rangiora, a genre-busting project defined by “purposeful irregularity.”
    “We are usually spoiled with extraordinarily creative colour use in private and commercial applications, but to see that same level of ambition and execution in public works signifies an increased recognition of the universal role colour can play in spatial experiences,” said the judges.

    Now in its 34th year, the Dulux Colour Awards program recognizes the most cutting-edge and creative applications of colour in Australia and New Zealand across six categories of architecture and design. This year’s awards attracted more than 450 entries across both countries.

    “The level of sophistication, creativity and masterful use of colour continues to rise each year,” said Dulux colour and communications manager Andrea Lucena-Orr. “Architects and designers are becoming increasingly bold and adept at employing paint as an integral element in the design of both internal and external spaces and this is evident across all the winning projects.”
    The winners are:
    Grand Prix Australia winner and Commercial and Multi-residential Exterior winner
    University of Melbourne Southbank – End of Trip – Searle Waldron Architecture
    Judges’ comments: “Ambitious in its conception and labour intensive in its realisation, this project stood out from the start. As an end-of-trip destination with bike storage and changerooms, its program is utilitarian, yet the architects approached it as an opportunity for broader engagement with the surrounding elements. It is a credit to them that they conceived of such a complex palette, comprising no less than 14 Dulux hues, and executed it so successfully. The random, pixelated effect of the thousands of painted battens is intricate like a woven textile, ever- changing under different light conditions. It draws one into the space and, as the architects state, “affirms its specific civic arts identity through creativity and colour”. We are in awe of the outcome.”
    Grand Prix New Zealand winner

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    Social Housing Development Rangiora by Rohan Collett Architect.
    Image: Lightforge – Dennis Radermacher
    Social Housing Development Rangiora – Rohan Collett Architect
    Judges’ comments: “The uniformity and blandness that plagues much of the social-housing genre has been cleverly avoided in this highly considered multi-residential project for individuals over 55. With colour as a key tool, individual homes have been given unique identities while still visually integrating into the surrounding area as a whole. Colour has also been employed as a navigational device across the site. But it is the fine balance between cohesion and what the architect describes as “purposeful irregularity” in the application of the palette across the 28 units that is to be commended; there is just enough similarity in the hues of the facades for the village to identify as a whole and, on the flip side, just enough individuality for it not to slip into bland uniformity. This is a genre-busting project, worthy of high praise.”
    The project also received a commendation in the Commercial and Multi-residential Exterior category.
    Single Residential Interior

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    Perfect Storm by Green Anvil Co, Killing Matt Woods and Set for Art.
    Image: Katherine Lu
    Winner
    Perfect Storm – Green Anvil Co, Killing Matt Woods and Set for Art

    Judges’ comments: “Avoiding the ubiquitous industrial cliché, this warehouse renovation is instead a Brutalist– inspired marvel. Its minimalism and clean, clutter-free aesthetic signals a commitment to the vision by both the clients and their design team. The use of a single colour and finish, with the appearance of concrete, on all painted surfaces has a surprisingly warm cocooning effect, which is amplified by the soft curve where walls meet ceilings. It is utilitarian chic at its best – intimate, moody, balanced – and awarded for its simplicity and singularity.”
    Commendation
    Ruckers Hill House – Studio Bright
    Single Residential Exterior

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    Casuarina House by Vokes and Peters
    Image: Christopher Frederick Jones
    Winner
    Casuarina House – Vokes and Peters

    Judges’ comments: “Impactful in its simplicity, this new family home responds to its coastal setting by promoting an outdoor lifestyle and facilitating an easy flow between inside and out. Its Capsicum Red-painted external timbers and the sandy brickwork and masonry elements are perfectly balanced and contrast strikingly with the native foliage. Described by the architects as bright and defiantly modern when hit by the direct sun, the statement red exterior becomes subdued and moody when shaded, transforming the architectural expression from day to night. Overall, this is a bold design of unwavering commitment that exudes warmth and depth through colour and texture.”
    Commendation
    Split House – Pac Studio

    Commercial Interior: Workplace and Retail

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    Armitage Jones by Bergman and Co.
    Image: Nicole England
    Winner
    Armitage Jones – Bergman and Co
    Judges’ comments: “Barely recognisable as a workplace and more akin to a contemporary hospitality venue, this highly refined ‘office’ space is a typological hybrid in which colour plays the pivotal role. Spilling over surfaces and paired with materials, colour saturates every space, delineating zones and creating distinct moods. The red seating pod, where the carpet is matched to the paint, is one example of this execution. Underpinning the entire scheme is a cool grey that is key to the strategy’s success; if it were another colour, the space wouldn’t have the same feeling. It takes on different appearances where it adjoins the accent colours of muddy burgundy and muted gold, yet gently dominates and draws one into the areas where it has been uniformly adopted.”
    Commendation
    Adam Kane Architects Office – Adam Kane Architects
    Commercial Interior: Public and Hospitality

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    Arts Epicentre by Branch Studio Architects.
    Image: Peter Clarke
    Winner
    Arts Epicentre – Branch Studio Architects

    Judges’ comments: “The impact and sophistication of this interior set it apart and totally fulfil the architects’ aim to conceive of it more as a public performing arts facility than a school building. Its sculptural elements are striking in themselves, but the accentuation of their curvaceous forms by strong black outlines or full swathes of the hue on structural components like the stairs, is masterful. It appears as though ribbons of black are twisting through the space, orientating and guiding people through it in the most seductive fashion. It is no coincidence that this architectural triumph is a hub for the creative arts – theatre, music, fine art, and so on – for it is nothing short of dramatic.”
    Commendation
    Darebin Arts Centre – Sibling Architecture
    Student

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    Ascend by Louise Mackay, Sydney Design School.

    Winner
    Ascend – Louise Mackay, Sydney Design School

    Judges’ comments: “A nod to the Queen Victoria M Pavilion, this free-standing pod incorporates a VR engine designed to simulate colour’s effects on a person. Its reflective blue chromatic exterior sits well with its surroundings while cocooning those within. It is a sophisticated high-tech concept, in which the student has considered the effects of colour across a whole day, and its execution could be quite magical.”

    Commendations
    Hump House – Ying Ho Shiu (Hiro), RMIT
    Queen Victoria Pavilion – Michael Ren, The University of Melbourne More